Testing a Calibration-Free Eye Tracker Prototype at the Kunsthistorisches Museum in Vienna
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In: Journal of Eye Movement Research, Vol. 13, No. 2, 10, 10.11.2020, p. 1-8.
Research output: Journal contributions › Journal articles › Research › peer-review
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TY - JOUR
T1 - Testing a Calibration-Free Eye Tracker Prototype at the Kunsthistorisches Museum in Vienna
AU - Dare, Zoya
AU - Brinkmann, Hanna
AU - Rosenberg, Raphael
N1 - This research was funded by the Austrian Science Fund (FWF grant P25821). Publisher Copyright: © 2020
PY - 2020/11/10
Y1 - 2020/11/10
N2 - Eye tracking research in art viewership is often conducted in a laboratory setting where reproductions must be used in place of original art works and the viewing environment is less natural than in a museum. Recent technological developments have made museum studies possible but head-mounted eye tracking gear and interruptions by researchers still influence the experience of the viewer. In order to find a more ecologically valid way of recording eye movements while viewing artworks, we employed a prototype of a calibration-free remote eye tracker hidden below selected paintings at the Kunsthistorisches Museum in Vienna. Museum visitors were unaware of the study and informed post hoc that we had registered their viewing behavior and asked to give consent for the use of their data. This article presents the study design as well as results from over 800 participants. While the data quality from the eye tracker prototype was not sufficient to conduct the intended analysis on within-painting gaze movements, this study might serve as a step towards an unobtrusive examination of the art viewing experience. It was possible to analyze time spent viewing paintings and those results show that certain paintings consistently drew significantly more prolonged attention from viewers.
AB - Eye tracking research in art viewership is often conducted in a laboratory setting where reproductions must be used in place of original art works and the viewing environment is less natural than in a museum. Recent technological developments have made museum studies possible but head-mounted eye tracking gear and interruptions by researchers still influence the experience of the viewer. In order to find a more ecologically valid way of recording eye movements while viewing artworks, we employed a prototype of a calibration-free remote eye tracker hidden below selected paintings at the Kunsthistorisches Museum in Vienna. Museum visitors were unaware of the study and informed post hoc that we had registered their viewing behavior and asked to give consent for the use of their data. This article presents the study design as well as results from over 800 participants. While the data quality from the eye tracker prototype was not sufficient to conduct the intended analysis on within-painting gaze movements, this study might serve as a step towards an unobtrusive examination of the art viewing experience. It was possible to analyze time spent viewing paintings and those results show that certain paintings consistently drew significantly more prolonged attention from viewers.
KW - eye tracking in museums
KW - art
KW - paintings
KW - viewing time
KW - Media and communication studies
UR - http://www.scopus.com/inward/record.url?scp=85090981986&partnerID=8YFLogxK
U2 - 10.16910/jemr.13.2.10
DO - 10.16910/jemr.13.2.10
M3 - Journal articles
C2 - 33828790
VL - 13
SP - 1
EP - 8
JO - Journal of Eye Movement Research
JF - Journal of Eye Movement Research
SN - 1995-8692
IS - 2
M1 - 10
ER -