Spacing organization: non-representational theory and performing organizational space
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In: Organization, Vol. 19, No. 1, 2012, p. 45-61.
Research output: Journal contributions › Journal articles › Research › peer-review
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TY - JOUR
T1 - Spacing organization: non-representational theory and performing organizational space
AU - Beyes, Timon
AU - Steyaert, Chris
PY - 2012
Y1 - 2012
N2 - This article connects to and extends the attempts to bring space back into critical organizational theory, which, we argue, has mainly been based on the socio-spatial perspective as pioneered by Henri Lefebvre. Taking issue with the various ways in which Lefebvre’s work can be interpreted, we develop an alternative route. Adopting a mode of non-representational theorizing as outlined in human geography, we propose the concept of ‘spacing’, which orients the understanding of organizational space towards its material, embodied, affective and minor configurations. In discussing the consequences of such a performative approach to space for the practice and craft of organizational scholarship, we argue that our conceptual opening entails a move from representational strategies of extracting representations of the (organizational) world from the world to embodied apprehensions of the everyday performing of organizational space. What can be termed the enactment of organizational geographies in slow motion is inspired and illustrated by the video ‘The Raft’ conceived by the artist Bill Viola.
AB - This article connects to and extends the attempts to bring space back into critical organizational theory, which, we argue, has mainly been based on the socio-spatial perspective as pioneered by Henri Lefebvre. Taking issue with the various ways in which Lefebvre’s work can be interpreted, we develop an alternative route. Adopting a mode of non-representational theorizing as outlined in human geography, we propose the concept of ‘spacing’, which orients the understanding of organizational space towards its material, embodied, affective and minor configurations. In discussing the consequences of such a performative approach to space for the practice and craft of organizational scholarship, we argue that our conceptual opening entails a move from representational strategies of extracting representations of the (organizational) world from the world to embodied apprehensions of the everyday performing of organizational space. What can be termed the enactment of organizational geographies in slow motion is inspired and illustrated by the video ‘The Raft’ conceived by the artist Bill Viola.
KW - Digital media
KW - affect
KW - Bill Viola
KW - enactment
KW - non-representational Theory
KW - organizational geography
KW - performance
KW - space
KW - Lefebvre
UR - https://journals.sagepub.com/doi/full/10.1177/1350508411401946
U2 - 10.1177%2F1350508411401946
DO - 10.1177%2F1350508411401946
M3 - Journal articles
VL - 19
SP - 45
EP - 61
JO - Organization
JF - Organization
SN - 1350-5084
IS - 1
ER -