Rhythm and Technics: On Heidegger's Commentary on Rimbaud

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Rhythm and Technics: On Heidegger's Commentary on Rimbaud. / Hui, Yuk.
In: Research in Phenomenology, Vol. 47, No. 1, 2017, p. 60-84.

Research output: Journal contributionsScientific review articlesResearch

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@article{0545766fe3334ba6905d39baaa6a8dd8,
title = "Rhythm and Technics: On Heidegger's Commentary on Rimbaud",
abstract = "This article takes up Heidegger's commentary on Rimbaud's Lettres du voyant as the starting point for an exploration of the question of rhythm in Heidegger's thought, and an attempt to situate it within his understanding of technics and Being. Besides pursuing a historical study of the concept of rhythm in Heidegger's work, this article proposes to understand rhythm through the concept of individuation. It responds to the French philosopher Jacques Garelli's critique of Heidegger that the latter ignores the question of individuation and always starts with beings that are already individuated. On the contrary, this article attempts to sketch a theory of individuation of rhythm in Heidegger's proper thinking through a re-interpretation of the Fug - a word he used to translate the Greek word δκη and words derived from it: Joint (Fuge), structure (Gef{\"u}ge), submission (sich fugen), etc.",
keywords = "Philosophy, Heidegger, Simondon, Garelli, individuation, rhythm, Media and communication studies, Cultural Informatics",
author = "Yuk Hui",
year = "2017",
doi = "10.1163/15691640-12341356",
language = "English",
volume = "47",
pages = "60--84",
journal = "Research in Phenomenology",
issn = "0085-5553",
publisher = "Brill Verlag",
number = "1",

}

RIS

TY - JOUR

T1 - Rhythm and Technics

T2 - On Heidegger's Commentary on Rimbaud

AU - Hui, Yuk

PY - 2017

Y1 - 2017

N2 - This article takes up Heidegger's commentary on Rimbaud's Lettres du voyant as the starting point for an exploration of the question of rhythm in Heidegger's thought, and an attempt to situate it within his understanding of technics and Being. Besides pursuing a historical study of the concept of rhythm in Heidegger's work, this article proposes to understand rhythm through the concept of individuation. It responds to the French philosopher Jacques Garelli's critique of Heidegger that the latter ignores the question of individuation and always starts with beings that are already individuated. On the contrary, this article attempts to sketch a theory of individuation of rhythm in Heidegger's proper thinking through a re-interpretation of the Fug - a word he used to translate the Greek word δκη and words derived from it: Joint (Fuge), structure (Gefüge), submission (sich fugen), etc.

AB - This article takes up Heidegger's commentary on Rimbaud's Lettres du voyant as the starting point for an exploration of the question of rhythm in Heidegger's thought, and an attempt to situate it within his understanding of technics and Being. Besides pursuing a historical study of the concept of rhythm in Heidegger's work, this article proposes to understand rhythm through the concept of individuation. It responds to the French philosopher Jacques Garelli's critique of Heidegger that the latter ignores the question of individuation and always starts with beings that are already individuated. On the contrary, this article attempts to sketch a theory of individuation of rhythm in Heidegger's proper thinking through a re-interpretation of the Fug - a word he used to translate the Greek word δκη and words derived from it: Joint (Fuge), structure (Gefüge), submission (sich fugen), etc.

KW - Philosophy

KW - Heidegger

KW - Simondon

KW - Garelli

KW - individuation

KW - rhythm

KW - Media and communication studies

KW - Cultural Informatics

UR - http://www.scopus.com/inward/record.url?scp=85014823855&partnerID=8YFLogxK

U2 - 10.1163/15691640-12341356

DO - 10.1163/15691640-12341356

M3 - Scientific review articles

VL - 47

SP - 60

EP - 84

JO - Research in Phenomenology

JF - Research in Phenomenology

SN - 0085-5553

IS - 1

ER -

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