Pragmatic acts of humour in family discourse in selected Maryam Apaokagi’s comedy skits

Research output: Journal contributionsJournal articlesResearchpeer-review

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Pragmatic acts of humour in family discourse in selected Maryam Apaokagi’s comedy skits. / Osisanwo, Ayo; Atoloye, Lekan; Akintaro, Seun.
In: European Journal of Humour Research, Vol. 12, No. 2, 26.06.2024, p. 53-73.

Research output: Journal contributionsJournal articlesResearchpeer-review

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Osisanwo A, Atoloye L, Akintaro S. Pragmatic acts of humour in family discourse in selected Maryam Apaokagi’s comedy skits. European Journal of Humour Research. 2024 Jun 26;12(2):53-73. doi: 10.7592/EJHR.2024.12.2.843

Bibtex

@article{c17b3860a87f447cb6fcc2d8df624bcc,
title = "Pragmatic acts of humour in family discourse in selected Maryam Apaokagi{\textquoteright}s comedy skits",
abstract = "Humour plays a crucial role in family discourse as it fosters emotional connection, diffuses tension, and promotes open communication by providing a light-hearted and relatable atmosphere. Extant studies on family discourse have focused on (im)politeness strategies and pragmatic markers. However, scant attention has been paid to the communicative functions of humour in family discourse. This study was, therefore, designed to investigate humour in Maryam Apaokagi{\textquoteright}s comedy skits, to identify the types, their pragmatic functions, and how they contribute to the overall meaning of the discourse. Jacob Mey{\textquoteright}s Pragmatic Acts Theory served as the theoretical framework. Data for the study comprised eight selected Maryam Apaokagi{\textquoteright}s comedy skits, produced in Nigeria. The selection is based on their humorous reflections of family issues and subjected to pragmatic analysis. Findings reveal that pragmatic acts exist in four interlocutory contexts among family members: couple (husband-wife) relationship; sibling(s)-relationship; mother-child relationship; and distant-family relationship. The contexts are indexed by eight pragmatic acts and functions which underpin expressions of humour: warning to threaten the husband, promising to raise hopes, requesting to make a mockery of the elder brother, ordering to deliberately disrespect the elder sister, questioning to persuade and apologise indirectly, scolding to condemn a child{\textquoteright}s inappropriate actions, exaggerating to boast and show off, speculating to impress the mother and indict the child. Employed with wit to avoid serious conflicts, these humorous acts were largely foregrounded by conversational, psychological and physical acts, and underscored by such contextual factors as inference, reference, relevance, and shared situation knowledge to humorously depict how family issues are variously handled.",
keywords = "comedy skits, family discourse, humour, Maryam Apaokagi, pragmatic acts, Literature studies",
author = "Ayo Osisanwo and Lekan Atoloye and Seun Akintaro",
note = "Publisher Copyright: {\textcopyright} (2023), (Cracow Tertium Society for the Promotion of Language Studies). All Rights Reserved.",
year = "2024",
month = jun,
day = "26",
doi = "10.7592/EJHR.2024.12.2.843",
language = "English",
volume = "12",
pages = "53--73",
journal = "European Journal of Humour Research",
issn = "2307-700X",
publisher = "Cracow Tertium Society for the Promotion of Language Studies",
number = "2",

}

RIS

TY - JOUR

T1 - Pragmatic acts of humour in family discourse in selected Maryam Apaokagi’s comedy skits

AU - Osisanwo, Ayo

AU - Atoloye, Lekan

AU - Akintaro, Seun

N1 - Publisher Copyright: © (2023), (Cracow Tertium Society for the Promotion of Language Studies). All Rights Reserved.

PY - 2024/6/26

Y1 - 2024/6/26

N2 - Humour plays a crucial role in family discourse as it fosters emotional connection, diffuses tension, and promotes open communication by providing a light-hearted and relatable atmosphere. Extant studies on family discourse have focused on (im)politeness strategies and pragmatic markers. However, scant attention has been paid to the communicative functions of humour in family discourse. This study was, therefore, designed to investigate humour in Maryam Apaokagi’s comedy skits, to identify the types, their pragmatic functions, and how they contribute to the overall meaning of the discourse. Jacob Mey’s Pragmatic Acts Theory served as the theoretical framework. Data for the study comprised eight selected Maryam Apaokagi’s comedy skits, produced in Nigeria. The selection is based on their humorous reflections of family issues and subjected to pragmatic analysis. Findings reveal that pragmatic acts exist in four interlocutory contexts among family members: couple (husband-wife) relationship; sibling(s)-relationship; mother-child relationship; and distant-family relationship. The contexts are indexed by eight pragmatic acts and functions which underpin expressions of humour: warning to threaten the husband, promising to raise hopes, requesting to make a mockery of the elder brother, ordering to deliberately disrespect the elder sister, questioning to persuade and apologise indirectly, scolding to condemn a child’s inappropriate actions, exaggerating to boast and show off, speculating to impress the mother and indict the child. Employed with wit to avoid serious conflicts, these humorous acts were largely foregrounded by conversational, psychological and physical acts, and underscored by such contextual factors as inference, reference, relevance, and shared situation knowledge to humorously depict how family issues are variously handled.

AB - Humour plays a crucial role in family discourse as it fosters emotional connection, diffuses tension, and promotes open communication by providing a light-hearted and relatable atmosphere. Extant studies on family discourse have focused on (im)politeness strategies and pragmatic markers. However, scant attention has been paid to the communicative functions of humour in family discourse. This study was, therefore, designed to investigate humour in Maryam Apaokagi’s comedy skits, to identify the types, their pragmatic functions, and how they contribute to the overall meaning of the discourse. Jacob Mey’s Pragmatic Acts Theory served as the theoretical framework. Data for the study comprised eight selected Maryam Apaokagi’s comedy skits, produced in Nigeria. The selection is based on their humorous reflections of family issues and subjected to pragmatic analysis. Findings reveal that pragmatic acts exist in four interlocutory contexts among family members: couple (husband-wife) relationship; sibling(s)-relationship; mother-child relationship; and distant-family relationship. The contexts are indexed by eight pragmatic acts and functions which underpin expressions of humour: warning to threaten the husband, promising to raise hopes, requesting to make a mockery of the elder brother, ordering to deliberately disrespect the elder sister, questioning to persuade and apologise indirectly, scolding to condemn a child’s inappropriate actions, exaggerating to boast and show off, speculating to impress the mother and indict the child. Employed with wit to avoid serious conflicts, these humorous acts were largely foregrounded by conversational, psychological and physical acts, and underscored by such contextual factors as inference, reference, relevance, and shared situation knowledge to humorously depict how family issues are variously handled.

KW - comedy skits

KW - family discourse

KW - humour

KW - Maryam Apaokagi

KW - pragmatic acts

KW - Literature studies

UR - http://www.scopus.com/inward/record.url?scp=85199696607&partnerID=8YFLogxK

U2 - 10.7592/EJHR.2024.12.2.843

DO - 10.7592/EJHR.2024.12.2.843

M3 - Journal articles

AN - SCOPUS:85199696607

VL - 12

SP - 53

EP - 73

JO - European Journal of Humour Research

JF - European Journal of Humour Research

SN - 2307-700X

IS - 2

ER -

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