Non-conventional copyright: an economic perspective

Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

Standard

Non-conventional copyright: an economic perspective. / Dornis, Tim W.

Non Conventional Copyright: Do New and Atypical Works Deserve Protection?. ed. / Enrico Bonadio; Nicola Lucchi. Cheltenham : Edward Elgar Publishing, 2018. p. 455-480.

Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

Harvard

Dornis, TW 2018, Non-conventional copyright: an economic perspective. in E Bonadio & N Lucchi (eds), Non Conventional Copyright: Do New and Atypical Works Deserve Protection?. Edward Elgar Publishing, Cheltenham, pp. 455-480. https://doi.org/10.4337/9781786434074.00034

APA

Dornis, T. W. (2018). Non-conventional copyright: an economic perspective. In E. Bonadio, & N. Lucchi (Eds.), Non Conventional Copyright: Do New and Atypical Works Deserve Protection? (pp. 455-480). Edward Elgar Publishing. https://doi.org/10.4337/9781786434074.00034

Vancouver

Dornis TW. Non-conventional copyright: an economic perspective. In Bonadio E, Lucchi N, editors, Non Conventional Copyright: Do New and Atypical Works Deserve Protection?. Cheltenham: Edward Elgar Publishing. 2018. p. 455-480 doi: 10.4337/9781786434074.00034

Bibtex

@inbook{8e359beb05844659913e5b62ae8c8225,
title = "Non-conventional copyright: an economic perspective",
abstract = "Today{\textquoteright}s marketplaces for creative products are anything but homogeneous. Products, actors, structure – virtually any market for products of the human mind (seen in light of potential copyright protection) is unique and in flux. Yet, legal doctrine still offers a largely uniform level of rights protection. Such monolithic invariance is the root of many problems, namely a ubiquitous tendency of over-protection. So far, much of the discussion neglects the reality of modern copyright. What is required, therefore, is a closer look at the specific circumstances of the many real-world scenarios. Indeed, looking at this book{\textquoteright}s many examples, where non-conventional subject matter of copyright can be found, provides for a rich and inspiring object of analysis – in particular under an economic lens.",
keywords = "Law",
author = "Dornis, {Tim W.}",
year = "2018",
month = oct,
day = "26",
doi = "10.4337/9781786434074.00034",
language = "English",
isbn = "978-1-78643-406-7",
pages = "455--480",
editor = "Enrico Bonadio and Nicola Lucchi",
booktitle = "Non Conventional Copyright",
publisher = "Edward Elgar Publishing",
address = "United Kingdom",

}

RIS

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T1 - Non-conventional copyright: an economic perspective

AU - Dornis, Tim W.

PY - 2018/10/26

Y1 - 2018/10/26

N2 - Today’s marketplaces for creative products are anything but homogeneous. Products, actors, structure – virtually any market for products of the human mind (seen in light of potential copyright protection) is unique and in flux. Yet, legal doctrine still offers a largely uniform level of rights protection. Such monolithic invariance is the root of many problems, namely a ubiquitous tendency of over-protection. So far, much of the discussion neglects the reality of modern copyright. What is required, therefore, is a closer look at the specific circumstances of the many real-world scenarios. Indeed, looking at this book’s many examples, where non-conventional subject matter of copyright can be found, provides for a rich and inspiring object of analysis – in particular under an economic lens.

AB - Today’s marketplaces for creative products are anything but homogeneous. Products, actors, structure – virtually any market for products of the human mind (seen in light of potential copyright protection) is unique and in flux. Yet, legal doctrine still offers a largely uniform level of rights protection. Such monolithic invariance is the root of many problems, namely a ubiquitous tendency of over-protection. So far, much of the discussion neglects the reality of modern copyright. What is required, therefore, is a closer look at the specific circumstances of the many real-world scenarios. Indeed, looking at this book’s many examples, where non-conventional subject matter of copyright can be found, provides for a rich and inspiring object of analysis – in particular under an economic lens.

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M3 - Contributions to collected editions/anthologies

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EP - 480

BT - Non Conventional Copyright

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A2 - Lucchi, Nicola

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CY - Cheltenham

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