IOCOSE: Art, Authority and Culture Jamming

Paolo  Ruffino; Matteo Cremonesi; Filippo Cuttica; Davide Prati

IOCOSE: Art, Authority and Culture Jamming

Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

Standard

IOCOSE: Art, Authority and Culture Jamming. / Ruffino, Paolo ; Cremonesi, Matteo; Cuttica, Filippo et al.
Culture Jamming: Activism and the Art of Cultural Resistance. ed. / M. De Laure; M. Fink. New York: NYU Press, 2017. p. 427-432.

Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

Harvard

Ruffino, P, Cremonesi, M, Cuttica, F & Prati, D 2017, IOCOSE: Art, Authority and Culture Jamming. in M De Laure & MF (eds), Culture Jamming: Activism and the Art of Cultural Resistance. NYU Press, New York, pp. 427-432. <https://www.jstor.org/stable/j.ctt1bj4rx2>

APA

Ruffino, P., Cremonesi, M., Cuttica, F., & Prati, D. (2017). IOCOSE: Art, Authority and Culture Jamming. In M. De Laure, & M. F. (Eds.), Culture Jamming: Activism and the Art of Cultural Resistance (pp. 427-432). NYU Press. https://www.jstor.org/stable/j.ctt1bj4rx2

Vancouver

Ruffino P, Cremonesi M, Cuttica F, Prati D. IOCOSE: Art, Authority and Culture Jamming. In De Laure M, MF, editors, Culture Jamming: Activism and the Art of Cultural Resistance. New York: NYU Press. 2017. p. 427-432

Bibtex

@inbook{36116313410444418395b389f1c7579b,

title = "IOCOSE: Art, Authority and Culture Jamming",

abstract = "When we started working as a group in 2006, we wanted to replicate the methods of those who inspired us: the Yes Men and the net.art movement (mostly Eva and Franco Mattes, Vuk Cosik and Ubermorgen), as well as the culture jamming work featured in the magazine Adbusters. The net.art movement was the reason for our initial interest in concepts such as authorship, fakes, and originality as they were emerging within digital culture. We were particularly fascinated by how these topics were somehow permeated by a political layer: the freedom to copy, modify, and circulate images and texts seemed to...",

keywords = "Digital media",

author = "Paolo Ruffino and Matteo Cremonesi and Filippo Cuttica and Davide Prati",

year = "2017",

language = "English",

isbn = "9781479806201",

pages = "427--432",

editor = "{De Laure}, M. and {M. Fink}",

booktitle = "Culture Jamming",

publisher = "NYU Press",

address = "United States",

}

RIS

TY - CHAP

T1 - IOCOSE

T2 - Art, Authority and Culture Jamming

AU - Ruffino, Paolo

AU - Cremonesi, Matteo

AU - Cuttica, Filippo

AU - Prati, Davide

PY - 2017

Y1 - 2017

N2 - When we started working as a group in 2006, we wanted to replicate the methods of those who inspired us: the Yes Men and the net.art movement (mostly Eva and Franco Mattes, Vuk Cosik and Ubermorgen), as well as the culture jamming work featured in the magazine Adbusters. The net.art movement was the reason for our initial interest in concepts such as authorship, fakes, and originality as they were emerging within digital culture. We were particularly fascinated by how these topics were somehow permeated by a political layer: the freedom to copy, modify, and circulate images and texts seemed to...

AB - When we started working as a group in 2006, we wanted to replicate the methods of those who inspired us: the Yes Men and the net.art movement (mostly Eva and Franco Mattes, Vuk Cosik and Ubermorgen), as well as the culture jamming work featured in the magazine Adbusters. The net.art movement was the reason for our initial interest in concepts such as authorship, fakes, and originality as they were emerging within digital culture. We were particularly fascinated by how these topics were somehow permeated by a political layer: the freedom to copy, modify, and circulate images and texts seemed to...

KW - Digital media

M3 - Contributions to collected editions/anthologies

SN - 9781479806201

SP - 427

EP - 432

BT - Culture Jamming

A2 - De Laure, M.

A2 - , M. Fink

PB - NYU Press

CY - New York

ER -