Greenhouses are made of glass: Tensions in experimental spaces for creative collaboration in front-end pharmaceutical research

Research output: Contributions to collected editions/worksChapter

Standard

Greenhouses are made of glass: Tensions in experimental spaces for creative collaboration in front-end pharmaceutical research. / Otto, Birke; Schüßler, Elke; Zangerle, Katharina.
Collaborative Spaces at Work: Innovation, Creativity and Relations. ed. / Fabrizio Montanari; Elisa Mattarelli; Anna Chiara Scapolan. Routledge Taylor & Francis Group, 2020. p. 238-251.

Research output: Contributions to collected editions/worksChapter

Harvard

Otto, B, Schüßler, E & Zangerle, K 2020, Greenhouses are made of glass: Tensions in experimental spaces for creative collaboration in front-end pharmaceutical research. in F Montanari, E Mattarelli & AC Scapolan (eds), Collaborative Spaces at Work: Innovation, Creativity and Relations. Routledge Taylor & Francis Group, pp. 238-251. https://doi.org/10.4324/9780429329425-18

APA

Otto, B., Schüßler, E., & Zangerle, K. (2020). Greenhouses are made of glass: Tensions in experimental spaces for creative collaboration in front-end pharmaceutical research. In F. Montanari, E. Mattarelli, & A. C. Scapolan (Eds.), Collaborative Spaces at Work: Innovation, Creativity and Relations (pp. 238-251). Routledge Taylor & Francis Group. https://doi.org/10.4324/9780429329425-18

Vancouver

Otto B, Schüßler E, Zangerle K. Greenhouses are made of glass: Tensions in experimental spaces for creative collaboration in front-end pharmaceutical research. In Montanari F, Mattarelli E, Scapolan AC, editors, Collaborative Spaces at Work: Innovation, Creativity and Relations. Routledge Taylor & Francis Group. 2020. p. 238-251 doi: 10.4324/9780429329425-18

Bibtex

@inbook{31f729832cdb46f58a153b2d4387de78,
title = "Greenhouses are made of glass: Tensions in experimental spaces for creative collaboration in front-end pharmaceutical research",
abstract = "Experimental spaces in organizations are often spatially and temporally bounded, relatively closed, social settings, in which ideas can be developed without actors being pressured to conform to organizational routines or institutional norms. Especially in the phase of idea elaboration, experimental spaces allow moving creative ideas forward by protecting them from the perils of early external judgement or disruption. Such bounded spaces, which require ongoing boundary and distancing work, can stabilize interpersonal relations, foster a sense of togetherness, belonging and cohesion, and set the common goal above that of the individual. By empirically studying two intentionally created experimental spaces for creativity in front-end pharmaceutical research, we find that boundary work does not prevent the involved actors from experiencing tensions. Instead, it comes with side-effects such as pressure to perform, isolation, secrecy and competition. Mobilizing the metaphor of an idea greenhouse, we argue that symbolic privilege and status that is linked to membership in experimental spaces creates a pressure to succeed that can potentially undermine the assumed protective space. Thus, boundary and distancing work is not just required regarding the regular organizational and institutional norms, but also regarding the social dynamics unfolding within experimental spaces, at least temporarily.",
keywords = "Management studies, creativity, experimental spaces, closed spaces, interpersonal relationships, boundary and distancing work, Built Environment, Communication Studies, Finance, Business & Industry, Economics",
author = "Birke Otto and Elke Sch{\"u}{\ss}ler and Katharina Zangerle",
year = "2020",
month = aug,
day = "1",
doi = "10.4324/9780429329425-18",
language = "English",
isbn = "9780367350451 ",
pages = "238--251",
editor = "Fabrizio Montanari and Elisa Mattarelli and Scapolan, {Anna Chiara}",
booktitle = "Collaborative Spaces at Work",
publisher = "Routledge Taylor & Francis Group",
address = "United Kingdom",

}

RIS

TY - CHAP

T1 - Greenhouses are made of glass

T2 - Tensions in experimental spaces for creative collaboration in front-end pharmaceutical research

AU - Otto, Birke

AU - Schüßler, Elke

AU - Zangerle, Katharina

PY - 2020/8/1

Y1 - 2020/8/1

N2 - Experimental spaces in organizations are often spatially and temporally bounded, relatively closed, social settings, in which ideas can be developed without actors being pressured to conform to organizational routines or institutional norms. Especially in the phase of idea elaboration, experimental spaces allow moving creative ideas forward by protecting them from the perils of early external judgement or disruption. Such bounded spaces, which require ongoing boundary and distancing work, can stabilize interpersonal relations, foster a sense of togetherness, belonging and cohesion, and set the common goal above that of the individual. By empirically studying two intentionally created experimental spaces for creativity in front-end pharmaceutical research, we find that boundary work does not prevent the involved actors from experiencing tensions. Instead, it comes with side-effects such as pressure to perform, isolation, secrecy and competition. Mobilizing the metaphor of an idea greenhouse, we argue that symbolic privilege and status that is linked to membership in experimental spaces creates a pressure to succeed that can potentially undermine the assumed protective space. Thus, boundary and distancing work is not just required regarding the regular organizational and institutional norms, but also regarding the social dynamics unfolding within experimental spaces, at least temporarily.

AB - Experimental spaces in organizations are often spatially and temporally bounded, relatively closed, social settings, in which ideas can be developed without actors being pressured to conform to organizational routines or institutional norms. Especially in the phase of idea elaboration, experimental spaces allow moving creative ideas forward by protecting them from the perils of early external judgement or disruption. Such bounded spaces, which require ongoing boundary and distancing work, can stabilize interpersonal relations, foster a sense of togetherness, belonging and cohesion, and set the common goal above that of the individual. By empirically studying two intentionally created experimental spaces for creativity in front-end pharmaceutical research, we find that boundary work does not prevent the involved actors from experiencing tensions. Instead, it comes with side-effects such as pressure to perform, isolation, secrecy and competition. Mobilizing the metaphor of an idea greenhouse, we argue that symbolic privilege and status that is linked to membership in experimental spaces creates a pressure to succeed that can potentially undermine the assumed protective space. Thus, boundary and distancing work is not just required regarding the regular organizational and institutional norms, but also regarding the social dynamics unfolding within experimental spaces, at least temporarily.

KW - Management studies

KW - creativity

KW - experimental spaces

KW - closed spaces

KW - interpersonal relationships

KW - boundary and distancing work

KW - Built Environment

KW - Communication Studies

KW - Finance, Business & Industry

KW - Economics

UR - https://www.mendeley.com/catalogue/380a8a2a-2f1c-3cb3-982a-7be643679ee6/

U2 - 10.4324/9780429329425-18

DO - 10.4324/9780429329425-18

M3 - Chapter

SN - 9780367350451

SN - 9780367691226

SP - 238

EP - 251

BT - Collaborative Spaces at Work

A2 - Montanari, Fabrizio

A2 - Mattarelli, Elisa

A2 - Scapolan, Anna Chiara

PB - Routledge Taylor & Francis Group

ER -

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