Exposing the machinic present: Rimini Protokoll’s theatre of operations

Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

Standard

Exposing the machinic present: Rimini Protokoll’s theatre of operations. / Beyes, Timon.
The Routledge Companion to Theatre and Politics. ed. / Peter Eckersall; Helena Grehan. London: Routledge Taylor & Francis Group, 2019. p. 219-223 (Routledge theatre and performance companions).

Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

Harvard

Beyes, T 2019, Exposing the machinic present: Rimini Protokoll’s theatre of operations. in P Eckersall & H Grehan (eds), The Routledge Companion to Theatre and Politics. Routledge theatre and performance companions, Routledge Taylor & Francis Group, London, pp. 219-223. https://doi.org/10.4324/9780203731055-55

APA

Beyes, T. (2019). Exposing the machinic present: Rimini Protokoll’s theatre of operations. In P. Eckersall, & H. Grehan (Eds.), The Routledge Companion to Theatre and Politics (pp. 219-223). (Routledge theatre and performance companions). Routledge Taylor & Francis Group. https://doi.org/10.4324/9780203731055-55

Vancouver

Beyes T. Exposing the machinic present: Rimini Protokoll’s theatre of operations. In Eckersall P, Grehan H, editors, The Routledge Companion to Theatre and Politics. London: Routledge Taylor & Francis Group. 2019. p. 219-223. (Routledge theatre and performance companions). doi: 10.4324/9780203731055-55

Bibtex

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title = "Exposing the machinic present: Rimini Protokoll{\textquoteright}s theatre of operations",
abstract = "Digital media technologies and their networked infrastructures shape and condition the present. Based on the ubiquity and availability of data as well as the means of information targeting and predictive behavioural modulation, an authoritarian capitalism has emerged whose organisational forms and processes increasingly govern life. How can theatre respond to, and work with, these machinic conditions? Provoked by Rimini Protokoll{\textquoteright}s Top Secret International, this chapter reflects on the politics of theatre and performance in the {\textquoteleft}postdigital{\textquoteright} age.",
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author = "Timon Beyes",
year = "2019",
doi = "10.4324/9780203731055-55",
language = "English",
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series = "Routledge theatre and performance companions",
publisher = "Routledge Taylor & Francis Group",
pages = "219--223",
editor = "Peter Eckersall and Helena Grehan",
booktitle = "The Routledge Companion to Theatre and Politics",
address = "United Kingdom",

}

RIS

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AB - Digital media technologies and their networked infrastructures shape and condition the present. Based on the ubiquity and availability of data as well as the means of information targeting and predictive behavioural modulation, an authoritarian capitalism has emerged whose organisational forms and processes increasingly govern life. How can theatre respond to, and work with, these machinic conditions? Provoked by Rimini Protokoll’s Top Secret International, this chapter reflects on the politics of theatre and performance in the ‘postdigital’ age.

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EP - 223

BT - The Routledge Companion to Theatre and Politics

A2 - Eckersall, Peter

A2 - Grehan, Helena

PB - Routledge Taylor & Francis Group

CY - London

ER -