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Dramaturgies of Theatrical Imagination: Spectatorial Agency in Lessing and Kleist

Research output: Books and anthologies › Monographs › Research › peer-review

Standard

Dramaturgies of Theatrical Imagination : Spectatorial Agency in Lessing and Kleist. / Woisnitza, Mimmi.

Baden-Baden : Rombach Wissenschaft Verlag, 2020. 289 p. (Scenae; Vol. 21).

Research output: Books and anthologies › Monographs › Research › peer-review

Harvard

Woisnitza, M 2020, Dramaturgies of Theatrical Imagination: Spectatorial Agency in Lessing and Kleist. Scenae, vol. 21, Rombach Wissenschaft Verlag, Baden-Baden. https://doi.org/10.5771/9783968216430

APA

Woisnitza, M. (2020). Dramaturgies of Theatrical Imagination: Spectatorial Agency in Lessing and Kleist. (Scenae; Vol. 21). Rombach Wissenschaft Verlag. https://doi.org/10.5771/9783968216430

Vancouver

Woisnitza M. Dramaturgies of Theatrical Imagination: Spectatorial Agency in Lessing and Kleist. Baden-Baden: Rombach Wissenschaft Verlag, 2020. 289 p. (Scenae). doi: 10.5771/9783968216430

Bibtex

@book{70c573f8190645a5bc278701ee9e6213,
title = "Dramaturgies of Theatrical Imagination: Spectatorial Agency in Lessing and Kleist",
abstract = "The study examines an aspect of German theatre history that is relevant also in the context of the current engagement with theatrical phenomenology and reception. The historical, discursive, and political situating of canonical dramas shows that {"}dramatic theater{"} itself is to be regarded as part of cultural and theatrical practice. The dramas of Lessing and Kleist operate with a broad spectrum of theatrical techniques (such as teichoscopy, ekphrasis, masquerade and mise en abyme) that seek to promote, shape and direct the imaginative participation of their implied audiences. In addition to presenting imagination on the plot level, the dramas reflect their own medial status by staging the consequences and the reformation of {"}false{"} imaginative investments.",
keywords = "Cultural studies, Theaterwissenschaft, Literature studies, Germanistik",
author = "Mimmi Woisnitza",
year = "2020",
month = jan,
day = "1",
doi = "10.5771/9783968216430",
language = "English",
isbn = "978-3-96821-642-3",
series = "Scenae",
publisher = "Rombach Wissenschaft Verlag",
address = "Germany",

}

RIS

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T1 - Dramaturgies of Theatrical Imagination

T2 - Spectatorial Agency in Lessing and Kleist

AU - Woisnitza, Mimmi

PY - 2020/1/1

Y1 - 2020/1/1

N2 - The study examines an aspect of German theatre history that is relevant also in the context of the current engagement with theatrical phenomenology and reception. The historical, discursive, and political situating of canonical dramas shows that "dramatic theater" itself is to be regarded as part of cultural and theatrical practice. The dramas of Lessing and Kleist operate with a broad spectrum of theatrical techniques (such as teichoscopy, ekphrasis, masquerade and mise en abyme) that seek to promote, shape and direct the imaginative participation of their implied audiences. In addition to presenting imagination on the plot level, the dramas reflect their own medial status by staging the consequences and the reformation of "false" imaginative investments.

AB - The study examines an aspect of German theatre history that is relevant also in the context of the current engagement with theatrical phenomenology and reception. The historical, discursive, and political situating of canonical dramas shows that "dramatic theater" itself is to be regarded as part of cultural and theatrical practice. The dramas of Lessing and Kleist operate with a broad spectrum of theatrical techniques (such as teichoscopy, ekphrasis, masquerade and mise en abyme) that seek to promote, shape and direct the imaginative participation of their implied audiences. In addition to presenting imagination on the plot level, the dramas reflect their own medial status by staging the consequences and the reformation of "false" imaginative investments.

KW - Cultural studies

KW - Theaterwissenschaft

KW - Literature studies

KW - Germanistik

UR - https://www.nomos-shop.de/rombach-wissenschaft/titel/dramaturgies-of-theatrical-imagination-id-88294/

UR - https://www.mendeley.com/catalogue/eb60b902-a0d2-3449-9807-ac12c41466db/

U2 - 10.5771/9783968216430

DO - 10.5771/9783968216430

M3 - Monographs

SN - 978-3-96821-642-3

T3 - Scenae

BT - Dramaturgies of Theatrical Imagination

PB - Rombach Wissenschaft Verlag

CY - Baden-Baden

ER -

Other publications by the same author(s)

Ins Bild kommen: Spielräume der Kunstkritik

Hosseini, A. (ed.), Kipke, A. (ed.), Kuhn, H. (ed.) & Woisnitza, M. (ed.), 2023, Paderborn: Brill | Fink. 234 p.

Research output: Books and anthologies › Collected editions and anthologies › Research

Ins Bild kommen: Spielräume der Kunstkritik

Hosseini, A., Kipke, A., Kuhn, H. & Woisnitza, M., 2023, Ins Bild kommen : Spielräume der Kunstkritik . Kipke, A., Woisnitza, M., Hosseini, A. & Kuhn, H. (eds.). Paderborn: Brill | Fink, p. xv-xxi 7 p.

Research output: Contributions to collected editions/works › Other › Research

The Stakes of the Stage: Piscator's Scenography as a Practice of Critique and Benjamin's Discontent with the "Zeittheater"

Woisnitza, M., 2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 297-324 28 p. (Critical stances).

Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

Vision als Aufgabe: Das Leibniz-Universum im 21. Jahrhundert

Woisnitza, M. (ed.), Grötschel, M. (ed.), Knobloch, E. (ed.), Schifffers, J. (ed.) & Ziegler, G. M. (ed.), 2016, Berlin: Berlin-Brandenburgische Akademie der Wissenschaften. 320 p.

Research output: Books and anthologies › Collected editions and anthologies › Research

„1940er-1950er. Grund und Körper“

Mascarinec, M. & Woisnitza, M. (Translator), 2016, Sculpture on the Move : 1946-2016. Mendes Bürgi, B. (ed.). 1. ed. Ostfildern : Hatje Cantz Verlag, p. 12-22 10 p.

Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

DOI