Culture and the arts in sustainable development: Rethinking sustainability research
Research output: Contributions to collected editions/works › Chapter › peer-review
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Cultural Sustainability: Perspectives from the Humanities and Social Sciences. ed. / Torsten Meireis; Gabriele Rippl. London: Taylor and Francis Inc., 2018. p. 127-139.
Research output: Contributions to collected editions/works › Chapter › peer-review
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RIS
TY - CHAP
T1 - Culture and the arts in sustainable development
T2 - Rethinking sustainability research
AU - Kagan, Sacha
PY - 2018/9/3
Y1 - 2018/9/3
N2 - Over the past two decades several discourses around sustainable development and sustainability introduced a cultural component. Among the main clusters of discourses that emerged are (1) establishment of culture as a “fourth pillar of sustainability” and formulations of a “cultural sustainability”, (2) identifications of “culture(s) of sustainability” and (3) articulations of a “cultural dimension” of sustainability or sustainable development. These discourses also intersected or converged with approaches relating the arts and aesthetics to theoretical and practical aspects of sustainability. At the intersection between wider considerations of “culture and sustainability” on the one hand, and a more specific interrogation of relations between “the arts and aesthetics and sustainability” on the other hand, emerge a number of cultural-scientific (kulturwissenschaftliche) insights and issues. The importance of imaginaries, of imagination and of aesthetics of complexity becomes salient, as well as the interface of memories and futures. The arts, aesthetics and a culturally sensitive approach to social-scientific research then reveal the potential for a transdisciplinary advancement of sustainability research, laying the ground for an “artful sustainability” research beyond the limitations of the young neo-discipline of “sustainability science”.
AB - Over the past two decades several discourses around sustainable development and sustainability introduced a cultural component. Among the main clusters of discourses that emerged are (1) establishment of culture as a “fourth pillar of sustainability” and formulations of a “cultural sustainability”, (2) identifications of “culture(s) of sustainability” and (3) articulations of a “cultural dimension” of sustainability or sustainable development. These discourses also intersected or converged with approaches relating the arts and aesthetics to theoretical and practical aspects of sustainability. At the intersection between wider considerations of “culture and sustainability” on the one hand, and a more specific interrogation of relations between “the arts and aesthetics and sustainability” on the other hand, emerge a number of cultural-scientific (kulturwissenschaftliche) insights and issues. The importance of imaginaries, of imagination and of aesthetics of complexity becomes salient, as well as the interface of memories and futures. The arts, aesthetics and a culturally sensitive approach to social-scientific research then reveal the potential for a transdisciplinary advancement of sustainability research, laying the ground for an “artful sustainability” research beyond the limitations of the young neo-discipline of “sustainability science”.
KW - Cultural Distribution/Cultural Organization
UR - http://www.scopus.com/inward/record.url?scp=85075148610&partnerID=8YFLogxK
U2 - 10.4324/9781351124300-11
DO - 10.4324/9781351124300-11
M3 - Chapter
AN - SCOPUS:85075148610
SN - 9780815357544
SP - 127
EP - 139
BT - Cultural Sustainability
A2 - Meireis, Torsten
A2 - Rippl, Gabriele
PB - Taylor and Francis Inc.
CY - London
ER -