Between Recognition and Abstraction: Early Vocational Training Films

Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

Standard

Between Recognition and Abstraction: Early Vocational Training Films. / Hoof, Florian.
The Image in Early Cinema: Form and Material. ed. / Scott Curtis; Tom Gunning; Philippe Gauthier; Joshua Yumibe. Indiana University Press, 2018. p. 111-119 (The Image in Early Cinema).

Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

Harvard

Hoof, F 2018, Between Recognition and Abstraction: Early Vocational Training Films. in S Curtis, T Gunning, P Gauthier & J Yumibe (eds), The Image in Early Cinema: Form and Material. The Image in Early Cinema, Indiana University Press, pp. 111-119. https://doi.org/10.2307/j.ctv6p40j.13

APA

Hoof, F. (2018). Between Recognition and Abstraction: Early Vocational Training Films. In S. Curtis, T. Gunning, P. Gauthier, & J. Yumibe (Eds.), The Image in Early Cinema: Form and Material (pp. 111-119). (The Image in Early Cinema). Indiana University Press. https://doi.org/10.2307/j.ctv6p40j.13

Vancouver

Hoof F. Between Recognition and Abstraction: Early Vocational Training Films. In Curtis S, Gunning T, Gauthier P, Yumibe J, editors, The Image in Early Cinema: Form and Material. Indiana University Press. 2018. p. 111-119. (The Image in Early Cinema). doi: 10.2307/j.ctv6p40j.13

Bibtex

@inbook{d02bc71f876b47e18523ca6629a11d5b,
title = "Between Recognition and Abstraction: Early Vocational Training Films",
abstract = "In January 1914, Frank Bunker Gilbreth, an industrial and management consultant based in Providence, Rhode Island, renowned for his film-based time and motion studies, boarded theRMS Lusitaniaon his way to Berlin for a consulting job with Deutsche Gasgl{\"u}hlicht AG, a huge corporation that specialized in lightbulbs. Gilbreth{\textquoteright}s task was to change the existing production system to the system of scientific management, also known at the time as the Taylor system. For this task, he established a film-training room for workers and executives in the company{\textquoteright}s Berlin facilities that allowed for the projection of any kind of moving and...",
keywords = "Media and communication studies",
author = "Florian Hoof",
year = "2018",
month = mar,
day = "22",
doi = "10.2307/j.ctv6p40j.13",
language = "English",
isbn = "978-0-253-03439-7",
series = "The Image in Early Cinema",
publisher = "Indiana University Press",
pages = "111--119",
editor = "Scott Curtis and Tom Gunning and Philippe Gauthier and Joshua Yumibe",
booktitle = "The Image in Early Cinema",
address = "United States",

}

RIS

TY - CHAP

T1 - Between Recognition and Abstraction

T2 - Early Vocational Training Films

AU - Hoof, Florian

PY - 2018/3/22

Y1 - 2018/3/22

N2 - In January 1914, Frank Bunker Gilbreth, an industrial and management consultant based in Providence, Rhode Island, renowned for his film-based time and motion studies, boarded theRMS Lusitaniaon his way to Berlin for a consulting job with Deutsche Gasglühlicht AG, a huge corporation that specialized in lightbulbs. Gilbreth’s task was to change the existing production system to the system of scientific management, also known at the time as the Taylor system. For this task, he established a film-training room for workers and executives in the company’s Berlin facilities that allowed for the projection of any kind of moving and...

AB - In January 1914, Frank Bunker Gilbreth, an industrial and management consultant based in Providence, Rhode Island, renowned for his film-based time and motion studies, boarded theRMS Lusitaniaon his way to Berlin for a consulting job with Deutsche Gasglühlicht AG, a huge corporation that specialized in lightbulbs. Gilbreth’s task was to change the existing production system to the system of scientific management, also known at the time as the Taylor system. For this task, he established a film-training room for workers and executives in the company’s Berlin facilities that allowed for the projection of any kind of moving and...

KW - Media and communication studies

U2 - 10.2307/j.ctv6p40j.13

DO - 10.2307/j.ctv6p40j.13

M3 - Contributions to collected editions/anthologies

SN - 978-0-253-03439-7

T3 - The Image in Early Cinema

SP - 111

EP - 119

BT - The Image in Early Cinema

A2 - Curtis, Scott

A2 - Gunning, Tom

A2 - Gauthier, Philippe

A2 - Yumibe, Joshua

PB - Indiana University Press

ER -

DOI

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