Mimmi Woisnitza
Dr.
11 - 14 out of 14Page size: 10
- Published
Ge-/Beschriebenes Gesicht: Zwischen Poetisierung, Physiognomik und Ausdruck
Wälchli, T. & Woisnitza, M., 2017, Das Gesicht: Bilder, Medien, Formate. Weigel, S. (ed.). 1 ed. Göttingen : Wallstein Verlag, p. 40-46 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Humanitäres Theater in unmenschlicher Zeit: Zur Situiertheit von Max Reinhardts Il Mercante di Venezia in Venedig, 1934
Woisnitza, M., 2018, Performativity - Life, Stage, Screen: Reflections on a transdisciplinary concept. Weber, D. A. (ed.). Wien: LIT Verlag, p. 41-70 30 p. (Kulturwissenschaft; vol. 57).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Messing Up World War II-Exploitation: The Challenges of Role-Play in Quentin Tarantino's Inglorious Basterds
Woisnitza, M., 2012, Nazisploitation! : The Nazi image in low-brow cinema and culture. Magilow, D., Bridges, E. & T. Vander Lugt, K. (eds.). 1 ed. New York : Continuum Group, p. 258-278 21 p. 13Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
"Trockene Einfalt". Zur Gegenüberstellung der Evangelien mit Miltons Paradise Lost in Lessings Laokoon
Woisnitza, M., 2012, Das Buch in den Büchern : Wechselwirkungen von Bibel und Literatur. Polaschegg, A. & Weidner, D. (eds.). 1 ed. Paderborn: Wilhelm Fink Verlag, p. 169-182 14 p. (Trajekte).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review