Lynn Rother

Prof. Dr.

  1. Zu groß für Einen: Zum An- und Verkauf großer Sammlungen durch Konsortien am Beispiel Figdor

    Rother, L., 02.08.2012, Kunst sammeln, Kunst handeln: Beiträge des Internationalen Symposiums in Wien . Blimlinger, E. & Mayer, M. (eds.). 1. ed. Wien/Weimar: Böhlau Verlag GmbH, p. 303-315 13 p. (Schriftenreihe der Kommission für Provenienzforschung; vol. 3).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  2. Published

    Von echten Geschenken, falschen Verkäufen und realen Verlusten

    Rother, L., 2022, Seismografen und Orientierungsspiegel: Bilder der Welt in kurzen Kunstgeschichten. Crasemann, L., Fellmann, B. & Hadjinicolaou, Y. (eds.). 1 ed. Walter de Gruyter GmbH, p. 292-297 6 p.

    Research output: Contributions to collected editions/worksChapter

  3. Published

    Uncanny Provenance: Art History and its Double

    Rother, L., 12.2022, In: Texte zur Kunst. 2022, 128, p. 84-97 14 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  4. Then and Now: The 20th Anniversary of the Washington Conference on Holocaust-Era Assets: Provenance Research in Museums

    Rother, L., 2019, In: IFAR Journal. 19, 4, p. 47-54 8 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  5. Published

    Teaching Provenance to AI: An Annotation Scheme for Museum Data

    Mariani, F., Rother, L. & Koss, M., 27.12.2023, AI in Museums: Reflections, Perspectives and Applications. Thiel, S. & Bernhardt, J. (eds.). Bielefeld: transcript Verlag, p. 163-172 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  6. Published

    Taking Care of History: Toward a Politics of Provenance Linked Open Data in Museums

    Rother, L., Koss, M. & Mariani, F., 19.12.2022, Perspectives on Data. Lew Fry, E. & Canning, E. (eds.). Chicago: Art Institute of Chicago, 31 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    Provenance Research in Museums: The Long Run

    Rother, L. & Schmeisser, I., 2020, Provenance Research Today: Principles, Practice, Problems. Tompkins, A. (ed.). London: Lund Humphries, p. 106-116 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  8. Published

    "Oh, You are a Scientist!" Elsa Glaser and Art History

    Rother, L. & Koss, M., 11.2022, The Collector Curt Glaser: From Champion of Modernism to Refugee. Haldemann, A. & Rauser, J. (eds.). Berlin: Deutscher Kunstverlag, p. 14-19 6 p.

    Research output: Contributions to collected editions/worksContribution of Exihibition cataloguesResearch

  9. Kunst durch Kredit: Die Berliner Museen und ihre Erwerbungen von der Dresdner Bank 1935

    Rother, L., 2017, 1. ed. Berlin/Boston: Walter de Gruyter GmbH. 490 p.

    Research output: Books and anthologiesMonographsResearchpeer-review

  10. Katalogbeiträge zu Paul Cézanne. Still Life with Apples; Ernst Ludwig Kirchner. Street, Berlin; Pablo Picasso. Boy Leading a Horse; Giorgio de Chirico. Gare Montparnasse (The Melancholy of Departure)

    Rother, L., 2017, Being Modern: Building the Collection of The Museum of Modern Art. Bajac, Q., Pagé, S. & Michelon, O. (eds.). 1 ed. New York: Museum of Modern Art, 4 p.

    Research output: Contributions to collected editions/worksContribution of Exihibition cataloguesTransfer

Previous 1 2 Next