Beate Söntgen
Prof. Dr.
- Science of art
Research areas
- Published
Diderot, or The Power of Critique
Söntgen, B. E., 2019, The Value of Critique: Exploring the Interrelations of Value, Critique, and Artistic Labour . Graw, I. & Menke, C. (eds.). 1. ed. Frankfurt am Main : Campus Verlag, p. 53-72 20 p. (Normative Orders; vol. 26).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Der Rhein, die Schokolade, das Exkrement: Dieter Roths Figuren des Ich
Söntgen, B., 2010, Ähnlichkeit und Entstellung: Entgrenzungstendenzen des Portraits. Busch, W., Jehle, O., Maaz, B. & Slanina, S. (eds.). Berlin: Deutscher Kunstverlag, p. 195-209 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Decorating Charleston Farmhouse: Bloomsbury's Experiments in Forms of Life, Work, and Art
Söntgen, B., 2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 139-176 38 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Decorating Charleston Farm house: Bloomsbury's Experiments in Forms of Life, Work, and Art
Söntgen, B., 28.07.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 139-176 36 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Das Theater des Herrn Diderot findet im Innenraum statt: Zum Rahmen wahrer Darstellung im späten 18. Jahrhundert
Söntgen, B., 2012, Theaterfeindlichkeit. Diekmann, S., Wild, C. & Brandstetter, G. (eds.). München: Wilhelm Fink Verlag, p. 127-146 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
Das Interieur als psychische Installation: Zur Einrichtung des Innenraums bei Teresa Hubbard/Alexander Birchler und Eija-Liisa Ahtila
Söntgen, B., 2012, Kinematographische Räume: Installationsästhetik in Film und Kunst. Frohne, U. & Haberer, L. (eds.). München: Wilhelm Fink Verlag, p. 419-446 28 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Critique: The Stakes of Form
Kuhn, H. (Editor), Mehl, I. (Editor), Khatib, S. (Editor), Söntgen, B. (Editor) & Lochner, O. (Editor), 28.07.2020, Zürich/Berlin: Diaphanes Verlag. 352 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Critical Stances: An Introduction to The Stakes of Form.
Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B., 23.06.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich/Berlin: Diaphanes Verlag, p. 7-36 30 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Chardin: Inwardness - Emotion - Communication
Söntgen, B., 2014, Rethinking Emotion: Interiority and Exteriority in Premodern, Modern, and Contemporary Thought. Rüdiger, C. & Julia, W. (eds.). Berlin / Boston: Walter de Gruyter, p. 101 -133 33 p. 6. (Interdisciplinary German Cultural Studies; vol. 15).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Bühnen des Inneren: Die entkleideten Interieurs von Teresa Hubbard und Alexander Birchler
Söntgen, B., 2007, Carte Blanche: Mediale Formate in der Kunst der Moderne. Walther, S. (ed.). Berlin: Kulturverlag Kadmos , p. 201-212 12 p. (Kaleidogramme; vol. 17).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research