Professorship for Contemporary Art

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.

Main research areas

Contemporary art is characterized in particular by dissolving traditional genres, questioning the formation of canons, inventing new genres and formats, critically examining its own conditions of production, and intervening in social processes. Thus, in addition to analyzing artworks and exploring artistic objects, thinking about the socio-political horizon of art is also an essential part of the study of contemporary art. In this way, the study of contemporary art not only gives students a good knowledge of contemporary art, artistic thinking, agency, research, and an insight into most recent developments of art historical research and methods, but also enables students to participate in current socio-political debates through the lens of art.

The teaching offered by the Professorship of Contemporary Art has most recently included undergraduate seminars such as Methods of Art Studies, Introduction to Art History as Cultural Studies, Transcultural Art History, as well as seminars on topics such as Ownership and Property in Art and Cultural Theory, Critique of Subjectivity in Contemporary Art, Documenta 15 - Artist Collectives, Production/Reproduction - Female Labor in Art and Cinema, Curating Video Art, Forms of Documentary Film, Canon/Canon Criticism, Photography and Feminism, Science Fiction, Visual Culture and the Afterlife of Colonialism, and many more.

Leuphana University is one of the few universities that has its own artistic project space: The Kunstraum, with its archive of more than thirty years of exhibition practice. Working with artists is an essential part of studying contemporary art at Leuphana. In exchanges with artists and curators, in project seminars and excursions, students deal intensively with artistic processes and participate in the production of exhibitions. In this way, students get to know professional fields of practice. 

The Archipelago Lab also regularly invites contemporary artists and cultural producers.

The Halle für Kunst in Lüneburg offers students further opportunities to engage intensively with contemporary art.

With the Leuphana Institute of Advanced Studies in Culture and Society, the university established its own Artists-in-Residence program, where international contemporary artists are invited to develop new work. Their activities will become visible in public presentations, participation in seminars, and exhibitions at the Kunstraum.

  1. 2006
  2. Published

    Die modernen Troglodyten: Willi Baumeisters Kunsttheorie

    Leeb, S. A., 2006, Kunstgeschichte nach 1945: Kontinuität und Neubeginn in Deutschland. Doll, N. (ed.). Köln: Böhlau Verlag GmbH, p. 149-164 16 p. (Atlas; vol. NF; 3).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Müde Witze werden wach: Über die Ausstellung „Post-Menopause“ von Rosemarie Trockel, Museum Ludwig Köln

    Leeb, S. A., 2006, In: Texte zur Kunst. 61, p. 195-199 5 p.

    Research output: Journal contributionsCritical reviewsResearch

  4. 2005
  5. Published

    Geschmacksklassen: Susanne Leeb über die Gruppenausstellung "Possession", Berlin

    Leeb, S. A., 2005, In: Texte zur Kunst. 15, 60, p. 193-197 5 p.

    Research output: Journal contributionsCritical reviewsResearch

  6. Published

    Ist doch alles kein Untergang: Über die Friedrich Christian Flick Collection

    Leeb, S. A., 2005, In: Texte zur Kunst. 57, p. 132-140

    Research output: Journal contributionsCritical reviewsResearch

  7. 2004
  8. Published

    Untergrundbewußtsein: Svenja Kreh in der Galerie Vera Gliem, Köln

    Leeb, S. A., 2004, In: Texte zur Kunst. 14, 54, p. 214-217 4 p.

    Research output: Journal contributionsCritical reviewsResearch

  9. 2003
  10. Published

    Amateur Weekenders

    Kuhn, E., 2003, In: Camera Austria. 81, p. 48-49 1 p.

    Research output: Journal contributionsOther (editorial matter etc.)Research

  11. Published

    Die Aufgabe der Fünfziger: Einleitung

    Leeb, S. A., 2003, In: Texte zur Kunst. 50, p. 40-43 4 p.

    Research output: Journal contributionsOther (editorial matter etc.)Research

  12. Published

    Latenzzeit. Die Leere der fünfziger Jahre: Ein Interview mit Anselm Haverkamp von Juliane Rebentisch und Susanne Leeb

    Rebentisch, J. & Leeb, S. A., 2003, In: Texte zur Kunst. 12, 50, p. 45-53 9 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  13. Published

    Versäumte Lektionen: Kunstgeschichte und Nachkriegszeit; ein Interview mit Jutta Held von Susanne Leeb

    Leeb, S. A., 2003, In: Texte zur Kunst. 12, 50, p. 63-75 13 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  14. 2002
  15. Published

    Die Collage als Spottidiom: Die Monografie der Künstlerin Mary Beth Edelson

    Leeb, S. A., 2002, In: Texte zur Kunst. 12, 46, p. 150-155 6 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  16. Published

    Ich nicht: Ein Interviewbuch für Fans

    Leeb, S. A., 2002, In: Texte zur Kunst. 12, 45, p. 181-185 5 p.

    Research output: Journal contributionsCritical reviewsResearch

  17. 2001
  18. Published

    Agentinnen in fremder Sache

    Leeb, S. A., 2001, In: Texte zur Kunst. 11, 43, p. 215-220 6 p.

    Research output: Journal contributionsCritical reviewsResearch

  19. Published

    Bilder ohne Worte

    Leeb, S. A., 2001, In: Texte zur Kunst. 11, 42, p. 107-108 2 p.

    Research output: Journal contributionsCritical reviewsResearch

  20. Published

    Installation als Verfahren

    Leeb, S. A., 2001, In: Texte zur Kunst. 11, 42, p. 105-107 3 p.

    Research output: Journal contributionsCritical reviewsResearch

  21. Published

    Selbstreflexive Autorsysteme

    Leeb, S. A., 2001, In: Texte zur Kunst. 11, 41, p. 49-56 8 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  22. 2000
  23. Published

    Bodenlos

    Leeb, S. A., 2000, In: Texte zur Kunst. 10, 37, p. 70-74 5 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  24. Published

    Des einen Freud, des anderen Leid

    Leeb, S. A., 2000, In: Texte zur Kunst. 10, 39, p. 197-199 3 p.

    Research output: Journal contributionsCritical reviewsResearch

  25. Published

    Die Ruhe selbst

    Leeb, S. A., 2000, In: Texte zur Kunst. 10, 37, p. 282-286 5 p.

    Research output: Journal contributionsCritical reviewsResearch

  26. Published

    "Nun Künstler, wo steht ihr, seid ihr auch bereit ..."

    Leeb, S. A., 2000, In: Texte zur Kunst. 10, 37, p. 65-69 5 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  27. 1999
  28. Published

    Der PC im Atelier: Interviews mit Albert Oehlen, Monique Prieto, Torsten Slama, Chris Finley und Thomas Ruff von Susanne Leeb

    Leeb, S. A., 1999, In: Texte zur Kunst. 9, 36, p. 48-75 28 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review