Professorship for Contemporary Art
Organisational unit: Section
Organisation profile
Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.
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Art Work as Life Work: Lu Märten’s Feminist “Objectivity”
Nachtigall, J. & Stakemeier, K., 20.12.2021, In: October. 178, p. 35-54 20 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Aspekte der Maschinenästhetik
Broeckmann, A., 12.12.2022, Technik-Ästhetik : Zur Theorie techno-ästhetischer Realität. Ruf, O. & Grabbe, L. (eds.). Bielefeld: transcript Verlag, p. 125-144 20 p. ( Medien- und Gestaltungsästhetik; vol. 12).Research output: Contributions to collected editions/works › Chapter
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Asynchrone Objekte
Leeb, S. A., 2013, In: Texte zur Kunst. 91, September, p. 40-62 23 p.Research output: Journal contributions › Journal articles › Research › peer-review
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BETWEEN SPECIFITY AND CONTEXT. SOCIAL ART HISTORY REVISITED: INTRODUCTION
Leeb, S. A., 2011, In: Texte zur Kunst. 81, p. 73-75 3 p.Research output: Journal contributions › Other (editorial matter etc.) › Research
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Bilder ohne Worte
Leeb, S. A., 2001, In: Texte zur Kunst. 11, 42, p. 107-108 2 p.Research output: Journal contributions › Critical reviews › Research
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Bodenlos
Leeb, S. A., 2000, In: Texte zur Kunst. 10, 37, p. 70-74 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Books on World Art from the 1920s: On the Ambivalence of a Discursive Awakening
Leeb, S., 2019, Bauhaus Imaginista: Die globale Rezeption bis heute. von Osten, M. & Watson, G. (eds.). Zürich: Scheidegger & Spiess, p. 106-111 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Border plants: globalisation as shown to us by the women living at its leading edge
Kuhn, E., 25.01.2024, Coercion and Wage Labour: Exploring Work Relations through History and Art. Batista, A., Müller, V. F. & Peres, C. (eds.). London: UCL Press, p. 225-245 21 p. 10. (Work around the world: studies in global labour history).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Can Art Save The Ethnological Museum?
Leeb, S. A., 2013, The Challenge of the Object: 33rd congress of the International Committee of the History of Art, Nuremberg, 15th - 20th July 2012; Congress Proceedings. Großmann, G. U. (ed.). Verlag des Germanischen Nationalmuseums, Vol. 2. p. 556-560 5 p. (Wissenschaftlicher Beiband zum Anzeiger des Germanischen Nationalmuseums; no. 32,2).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
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Coexistence: Entretien avec Mathilde ter Heijne
Leeb, S., 2019, In: Les Cahiers du Musée national d'art moderne. 2019, 147, p. 106-111 6 p.Research output: Journal contributions › Journal articles › Research › peer-review