Professorship for Contemporary Art
Organisational unit: Section
Organisation profile
Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.
- Published
Comedy of Deviation: Tamar Getter's Hēliotropion Cycle
Leeb, S., 2018, Tamar Getter. Hēliotropion: Catalogue for the exhibition held at the Mishkan Museum of Art, Ein Harod, January 6-March 3, 2018. 1. Auflage ed. En Harod: Mishkan Museum of Art, p. 157-164 7 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
- Published
Conflicting Evidence
Leeb, S., 2017, Evidentiary Realism: Investigative, Forensic, And Documentary Art. Ciro, P. (ed.). 1. Auflage ed. Berlin: NOME, p. 113-120 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Dadadatadada: From Dada to Data and Back Again
Kölmel, M-J., 09.03.2023, Dada Data: Contemporary Art Practice in the Era of Post-Truth Politics. Hegenbart, S. & Kölmel, M-J. (eds.). Bloomsbury Publishing Plc., p. 23-40 18 p.Research output: Contributions to collected editions/works › Chapter › peer-review
- In preparation
Der Avantgardefilm. Filmgeschichte kompakt
Kuhn, E., 2024, (In preparation) München: edition text+kritik. (Filmgeschichte kompakt)Research output: Books and anthologies › Monographs › Research
- Published
Der Kunstraum
Leeb, S., 2018, Die Rolle der Universität in Wissenschaft und Gesellschaft im Wandel. Henkel, A., Hobuß, S., Jamme, C. & Wuggenig, U. (eds.). 1. ed. Berlin: Pro BUSINESS Verlag, p. 229-231 3 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
- Published
Der PC im Atelier: Interviews mit Albert Oehlen, Monique Prieto, Torsten Slama, Chris Finley und Thomas Ruff von Susanne Leeb
Leeb, S. A., 1999, In: Texte zur Kunst. 9, 36, p. 48-75 28 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
"Der Tyrann braucht zerbrochene Seelen": Susanne Leeb über Rajkamal Kahlon
Leeb, S., 09.2021, In: Lerchenfeld. 58, p. 25-28 4 p.Research output: Journal contributions › Journal articles › Research
- Published
Der Unort von Karten und das Nirgendwo der Kunst: Drei Weisen der Entortung
Leeb, S. A., 2012, KartenWissen: Territoriale Räume zwischen Bild und Diagramm. Günzel, S. & Novack, L. (eds.). Wiesbaden: Reichert, p. 315-340 26 p. (Trierer Beiträge zu den historischen Kulturwissenschaften; vol. 5).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Des einen Freud, des anderen Leid
Leeb, S. A., 2000, In: Texte zur Kunst. 10, 39, p. 197-199 3 p.Research output: Journal contributions › Critical reviews › Research
- Published
Diagramme als Gestalt politischer Technologie: Zur Aufklärungskunst der Gegenwart
Leeb, S. A., 2013, Schaubilder. Thiel, T. (ed.). Berlin: Sternberg Press, p. 16-23 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review