Professorship for Contemporary Art
Organisational unit: Section
Organisation profile
Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.
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Ian White – Cinema as a Live Art / Becoming Object
Breimaier, A. (ed.), 03.2019, Berlin: Edition Living Archive. 63 p.Research output: Books and anthologies › Exhibition catalogues › Transfer
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On the Difficulty of Forgetting: Recollections of the Basel Symposium on Chantal Akerman
Kuhn, E. & Holl, U., 01.05.2019, In: Camera Obscura. 34, 1, p. 163-183 21 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Der Kunstraum
Leeb, S., 2018, Die Rolle der Universität in Wissenschaft und Gesellschaft im Wandel. Henkel, A., Hobuß, S., Jamme, C. & Wuggenig, U. (eds.). 1. ed. Berlin: Pro BUSINESS Verlag, p. 229-231 3 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
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Im-Mobile Kadragen zwischen Lebenswelt und Kunst: Oder: zwei kinematografische Figuren von Chantal Akerman
Kuhn, E., 2018, Projektion & Reflexion: Das Medium Film in Kunst und Literatur : le cinéma dans l'art et la littérature. Haupt, S. & Ruf, O. (eds.). Bielefeld: transcript Verlag, p. 199-217 19 p. (Medien- und Gestaltungsästhetik; vol. 6).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Bodenlos
Leeb, S. A., 2000, In: Texte zur Kunst. 10, 37, p. 70-74 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Bilder ohne Worte
Leeb, S. A., 2001, In: Texte zur Kunst. 11, 42, p. 107-108 2 p.Research output: Journal contributions › Critical reviews › Research
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Comedy of Deviation: Tamar Getter's Hēliotropion Cycle
Leeb, S., 2018, Tamar Getter. Hēliotropion: Catalogue for the exhibition held at the Mishkan Museum of Art, Ein Harod, January 6-March 3, 2018. 1. Auflage ed. En Harod: Mishkan Museum of Art, p. 157-164 7 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
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Idioms – Languages of Art, Thematic issue of Texte zur Kunst, Nr. 108
Leeb, S. (ed.) & Thomann, M. (ed.), 12.2017, Berlin: TEXTE ZUR KUNST Verlag GmbH & Co. KG. 263 p. (Texte zur Kunst; vol. 27, no. 108)Research output: Books and anthologies › Special Journal issue › Research
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Wir sind ihr
Leeb, S. (ed.), Draxler, H. (ed.) & Graw, I. (ed.), 03.2017, Berlin: TEXTE ZUR KUNST Verlag GmbH & Co. KG. 248 p. (Texte zur Kunst; vol. 27, no. 105)Research output: Books and anthologies › Special Journal issue › Research
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Idioms: The Minor ‘A’s of Art
Leeb, S., 12.2017, In: Texte zur Kunst. 27, 108, p. 32-56 25 p.Research output: Journal contributions › Journal articles › Transfer › peer-review