Professorship for Contemporary Art

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.

Main research areas

Contemporary art is characterized in particular by dissolving traditional genres, questioning the formation of canons, inventing new genres and formats, critically examining its own conditions of production, and intervening in social processes. Thus, in addition to analyzing artworks and exploring artistic objects, thinking about the socio-political horizon of art is also an essential part of the study of contemporary art. In this way, the study of contemporary art not only gives students a good knowledge of contemporary art, artistic thinking, agency, research, and an insight into most recent developments of art historical research and methods, but also enables students to participate in current socio-political debates through the lens of art.

The teaching offered by the Professorship of Contemporary Art has most recently included undergraduate seminars such as Methods of Art Studies, Introduction to Art History as Cultural Studies, Transcultural Art History, as well as seminars on topics such as Ownership and Property in Art and Cultural Theory, Critique of Subjectivity in Contemporary Art, Documenta 15 - Artist Collectives, Production/Reproduction - Female Labor in Art and Cinema, Curating Video Art, Forms of Documentary Film, Canon/Canon Criticism, Photography and Feminism, Science Fiction, Visual Culture and the Afterlife of Colonialism, and many more.

Leuphana University is one of the few universities that has its own artistic project space: The Kunstraum, with its archive of more than thirty years of exhibition practice. Working with artists is an essential part of studying contemporary art at Leuphana. In exchanges with artists and curators, in project seminars and excursions, students deal intensively with artistic processes and participate in the production of exhibitions. In this way, students get to know professional fields of practice. 

The Archipelago Lab also regularly invites contemporary artists and cultural producers.

The Halle für Kunst in Lüneburg offers students further opportunities to engage intensively with contemporary art.

With the Leuphana Institute of Advanced Studies in Culture and Society, the university established its own Artists-in-Residence program, where international contemporary artists are invited to develop new work. Their activities will become visible in public presentations, participation in seminars, and exhibitions at the Kunstraum.

  1. 2018
  2. 4. Internationales Symposium - Vertagtes Erbe?

    Leeb, S. (Organiser) & Peter, S. (Organiser)

    22.11.201823.11.2018

    Activity: Participating in or organising an academic or articstic eventConferencesResearch

  3. The Importance of Anticolonialism for '68 and International Solidarity in Art and Film

    Leeb, S. (Speaker)

    18.10.2018

    Activity: Talk or presentationGuest lecturesTransfer

  4. Goethe-Institut Bogotá

    Leeb, S. (Visiting researcher)

    07.10.201804.11.2018

    Activity: Visiting an external institutionVisiting an external academic institutionTransfer

  5. The Future of the Kunstraum

    Leeb, S. (Organiser)

    29.06.2018

    Activity: Participating in or organising an academic or articstic eventtrade fairs and exhibitionsTransfer

  6. Conference "Critical Stances" 2018

    Leeb, S. (Moderator)

    21.06.201823.06.2018

    Activity: Participating in or organising an academic or articstic eventConferencesResearch

  7. Konferenz 2018 - Neolithische Kindheit

    Leeb, S. (Speaker)

    27.05.201828.05.2018

    Activity: Participating in or organising an academic or articstic eventConferencesResearch

  8. Tragische Ermüdung. Zum Problem der Kulturkritik der 1920er Jahre

    Leeb, S. (Speaker)

    27.05.2018

    Activity: Talk or presentationConference PresentationsResearch

  9. 1968 and the consequences for a Postcolonial Art History

    Leeb, S. (Speaker)

    15.05.2018

    Activity: Talk or presentationGuest lecturesResearch

  10. The Machine as Myth

    Broeckmann, A. (Speaker)

    15.05.2018

    Activity: Talk or presentationConference PresentationsResearch

  11. Morgan O’Hara: Live Transmissions - 2018

    Breimaier, A. (Organiser)

    26.04.201830.05.2018

    Activity: Participating in or organising an academic or articstic eventartistic eventsTransfer

  12. Hollis Frampton: ADSVMVS ABSVMVS, In memory of Hollis William Frampton, Sr., 1913–1980, abest - 2018

    Breimaier, A. (Organiser) & Gründig, M. (Organiser)

    13.04.201831.05.2018

    Activity: Participating in or organising an academic or articstic eventartistic eventsTransfer

  13. International Conference 2018 - Narrating Culture(s) in Museums and Exhibitions

    Leeb, S. (Organiser) & Söntgen, B. (Organiser)

    18.01.201819.01.2018

    Activity: Participating in or organising an academic or articstic eventConferencesResearch

  14. 2017
  15. Texte zur Kunst (Journal)

    Leeb, S. (Editor)

    12.2017

    Activity: Publication peer-review and editorial workEditor of journalsResearch

  16. Disturbing Objects, Disquiet Objects

    Leeb, S. (Participant)

    13.10.2017

    Activity: Participating in or organising an academic or articstic eventtrade fairs and exhibitionsTransfer

  17. kma71 - 2017

    Breimaier, A. (Organiser)

    01.08.201731.07.2018

    Activity: Participating in or organising an academic or articstic eventartistic eventsTransfer

  18. Michel Foucault und die Malerei von Edouard Manet.

    Kuhn, E. (Speaker)

    19.04.2017

    Activity: Talk or presentationGuest lecturesEducation

  19. "A Woman Sitting After Killing" (2001). Reviewing Chantal Akerman's "Jeanne Dielman" (1976).

    Kuhn, E. (Speaker)

    04.04.2017

    Activity: Talk or presentationConference PresentationsResearch

  20. Colonial Gothic in Contemporary Art

    Leeb, S. (Speaker)

    23.03.2017

    Activity: Talk or presentationGuest lecturesResearch

  21. Art History Institute in Florence of the Max Planck Society

    Leeb, S. (Visiting researcher)

    20.03.201731.03.2017

    Activity: Visiting an external institutionVisiting an external academic institutionResearch

  22. School of Culture and Society (Organisational unit)

    Leeb, S. (Office)

    201703.2022

    Activity: MembershipLeuphana academic councils and committeesLeuphana Academic Committees