Professorship for Contemporary Art

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.

Main research areas

Contemporary art is characterized in particular by dissolving traditional genres, questioning the formation of canons, inventing new genres and formats, critically examining its own conditions of production, and intervening in social processes. Thus, in addition to analyzing artworks and exploring artistic objects, thinking about the socio-political horizon of art is also an essential part of the study of contemporary art. In this way, the study of contemporary art not only gives students a good knowledge of contemporary art, artistic thinking, agency, research, and an insight into most recent developments of art historical research and methods, but also enables students to participate in current socio-political debates through the lens of art.

The teaching offered by the Professorship of Contemporary Art has most recently included undergraduate seminars such as Methods of Art Studies, Introduction to Art History as Cultural Studies, Transcultural Art History, as well as seminars on topics such as Ownership and Property in Art and Cultural Theory, Critique of Subjectivity in Contemporary Art, Documenta 15 - Artist Collectives, Production/Reproduction - Female Labor in Art and Cinema, Curating Video Art, Forms of Documentary Film, Canon/Canon Criticism, Photography and Feminism, Science Fiction, Visual Culture and the Afterlife of Colonialism, and many more.

Leuphana University is one of the few universities that has its own artistic project space: The Kunstraum, with its archive of more than thirty years of exhibition practice. Working with artists is an essential part of studying contemporary art at Leuphana. In exchanges with artists and curators, in project seminars and excursions, students deal intensively with artistic processes and participate in the production of exhibitions. In this way, students get to know professional fields of practice. 

The Archipelago Lab also regularly invites contemporary artists and cultural producers.

The Halle für Kunst in Lüneburg offers students further opportunities to engage intensively with contemporary art.

With the Leuphana Institute of Advanced Studies in Culture and Society, the university established its own Artists-in-Residence program, where international contemporary artists are invited to develop new work. Their activities will become visible in public presentations, participation in seminars, and exhibitions at the Kunstraum.

  1. 2020
  2. Gutachten Tenure Track

    Leeb, S. (Reviewer)

    2020 → …

    Activity: Other expert activitiesAcademic ConsultantResearch

  3. Gutachten Tenure Track

    Leeb, S. (Reviewer)

    2020 → …

    Activity: Other expert activitiesAcademic ConsultantResearch

  4. Vergleichendes Gutachten

    Leeb, S. (Reviewer)

    2020 → …

    Activity: Other expert activitiesAcademic ConsultantResearch

  5. 2019
  6. Exhibition: This Might Be a Place for Hummingbirds

    Eduardo, S. (Speaker) & Boror, M. (Speaker)

    22.11.2019

    Activity: Participating in or organising an academic or articstic eventartistic eventsResearch

  7. Undoing Ethnographic and Archaological Objects

    Leeb, S. (Speaker)

    26.10.201928.10.2019

    Activity: Talk or presentationGuest lecturesResearch

  8. Das Unding. Colonial Gothic in Contemporary Art

    Leeb, S. (Oral presentation)

    10.2019

    Activity: Talk or presentationGuest lecturesResearch

  9. Artist Talk: Edgar Calel - Laberinto de los pájaros

    Eduardo, S. (Speaker) & Calel, E. (Speaker)

    08.09.2019

    Activity: Talk or presentationConference PresentationsResearch

  10. Arab Academy for Science, Technology and Maritime Transport

    Leeb, S. (Visiting researcher)

    07.09.201913.09.2019

    Activity: Visiting an external institutionVisiting an external academic institutionEducation

  11. Colonial Archaeology

    Leeb, S. (Speaker)

    09.2019

    Activity: Talk or presentationGuest lecturesEducation

  12. Zugang! Kunstprojekte für das französische Minitel-System, 1985

    Broeckmann, A. (Speaker)

    22.06.2019

    Activity: Talk or presentationConference PresentationsResearch

  13. Sounding Immaterial. Sound and Listening in the Exhibition "Les Immatériaux" (Paris, 1985).

    Broeckmann, A. (Speaker)

    20.06.2019

    Activity: Talk or presentationConference PresentationsResearch

  14. Vor und nach Jeanne Dielman.

    Kuhn, E. (Speaker)

    23.05.2019

    Activity: Talk or presentationGuest lecturesResearch

  15. Jonas Mekas’ Filmdiaries.

    Kuhn, E. (Speaker)

    07.04.2019

    Activity: Talk or presentationtalk or presentation in privat or public eventsTransfer

  16. Négritude: Hausenstein and Senghor

    Leeb, S. (Speaker)

    27.03.2019

    Activity: Talk or presentationConference PresentationsResearch

  17. Ian White – Cinema as a Live Art / Becoming Object - 2019

    Breimaier, A. (Organiser)

    15.03.201917.03.2019

    Activity: Participating in or organising an academic or articstic eventartistic eventsTransfer

  18. Widerständige Zeit-Bilder. 1968 in Kunst und Kino.

    Kuhn, E. (Speaker)

    10.01.2019

    Activity: Talk or presentationGuest lecturesResearch

  19. Camera Obscura (Journal)

    Kuhn, E. (Editorial Board)

    01.2019

    Activity: Publication peer-review and editorial workEditor of journalsResearch

  20. 2018
  21. Vom "ästhetischen Bruch" und der filmischen Konstruktion einer Hausfrau.

    Kuhn, E. (Speaker)

    28.11.2018

    Activity: Talk or presentationGuest lecturesResearch