Professorship for Contemporary Art

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.

Main research areas

Contemporary art is characterized in particular by dissolving traditional genres, questioning the formation of canons, inventing new genres and formats, critically examining its own conditions of production, and intervening in social processes. Thus, in addition to analyzing artworks and exploring artistic objects, thinking about the socio-political horizon of art is also an essential part of the study of contemporary art. In this way, the study of contemporary art not only gives students a good knowledge of contemporary art, artistic thinking, agency, research, and an insight into most recent developments of art historical research and methods, but also enables students to participate in current socio-political debates through the lens of art.

The teaching offered by the Professorship of Contemporary Art has most recently included undergraduate seminars such as Methods of Art Studies, Introduction to Art History as Cultural Studies, Transcultural Art History, as well as seminars on topics such as Ownership and Property in Art and Cultural Theory, Critique of Subjectivity in Contemporary Art, Documenta 15 - Artist Collectives, Production/Reproduction - Female Labor in Art and Cinema, Curating Video Art, Forms of Documentary Film, Canon/Canon Criticism, Photography and Feminism, Science Fiction, Visual Culture and the Afterlife of Colonialism, and many more.

Leuphana University is one of the few universities that has its own artistic project space: The Kunstraum, with its archive of more than thirty years of exhibition practice. Working with artists is an essential part of studying contemporary art at Leuphana. In exchanges with artists and curators, in project seminars and excursions, students deal intensively with artistic processes and participate in the production of exhibitions. In this way, students get to know professional fields of practice. 

The Archipelago Lab also regularly invites contemporary artists and cultural producers.

The Halle für Kunst in Lüneburg offers students further opportunities to engage intensively with contemporary art.

With the Leuphana Institute of Advanced Studies in Culture and Society, the university established its own Artists-in-Residence program, where international contemporary artists are invited to develop new work. Their activities will become visible in public presentations, participation in seminars, and exhibitions at the Kunstraum.

  1. Jonas Mekas' glittering Home-Movies: Interaction - Fragmentation - Composition.

    Kuhn, E. (Speaker)

    11.12.201412.12.2014

    Activity: Talk or presentationConference PresentationsResearch

  2. Jonas Mekas’ Filmdiaries.

    Kuhn, E. (Speaker)

    07.04.2019

    Activity: Talk or presentationtalk or presentation in privat or public eventsTransfer

  3. Jeff (Rear Window) – ein immobilisierter Handlungsträger zwischen Bewegungsbild und Zeitbild.

    Kuhn, E. (Speaker)

    16.12.2016

    Activity: Talk or presentationGuest lecturesTransfer

  4. International Program Committee/Art Jury

    Broeckmann, A. (Reviewer)

    10.06.202116.06.2022

    Activity: Other expert activitiesAcademic ConsultantResearch

  5. International Conference 2018 - Narrating Culture(s) in Museums and Exhibitions

    Leeb, S. (Organiser) & Söntgen, B. (Organiser)

    18.01.201819.01.2018

    Activity: Participating in or organising an academic or articstic eventConferencesResearch

  6. Interdisciplinarity in curatorial networks

    Broeckmann, A. (Organiser) & Nolasco-Rozsas, L. (Organiser)

    23.02.202324.02.2023

    Activity: Participating in or organising an academic or articstic eventExternal workshops, courses, seminarsResearch

  7. Ian White – Cinema as a Live Art / Becoming Object - 2019

    Breimaier, A. (Organiser)

    15.03.201917.03.2019

    Activity: Participating in or organising an academic or articstic eventartistic eventsTransfer

  8. Hollis Frampton: ADSVMVS ABSVMVS, In memory of Hollis William Frampton, Sr., 1913–1980, abest - 2018

    Breimaier, A. (Organiser) & Gründig, M. (Organiser)

    13.04.201831.05.2018

    Activity: Participating in or organising an academic or articstic eventartistic eventsTransfer

  9. Histories of Media Art (Networking) in Deep Europe in the 1990s

    Broeckmann, A. (Speaker)

    10.07.2021

    Activity: Talk or presentationConference PresentationsTransfer

Previous 1...5 6 7 8 9 10 11 12 ...15 Next

Recently viewed

Researchers

  1. Jens Korunig

Publications

  1. Analphabetismus, sekundärer
  2. Das Fettsäureprofil des initialen oralen Biofilms (Pellikel) - eine In-situ-Studie
  3. Strukturen pädagogischer Wahrnehmung
  4. Ein Déjà-coup-d’état-Erlebnis? Kayfabe-Politik als Netzwerkeffekt
  5. Gender studies im Rahmen gestufer Studiengänge
  6. The role of chance events in the school-to-work transition
  7. § 315 c Inhalt der nichtfinanziellen Konzernerklärung
  8. Kulturwissenschaft
  9. Ǐnci Dirim / Anke Wegner (Hrsg.): Normative Grundlagen und reflexive Verortungen im Feld DaF_DaZ*
  10. Umweltchemikalien 50 Jahre nach Silent Spring: ein ungelöstes Problem
  11. Governance and legitimacy aspects of the UK biofuel carbon and sustainability reporting system
  12. 26th International Congress of Applied Psychology Contributions of Psychology to Problems of the Individual and Society 16.-21 Juli 2006, Athen, Griechenland International Association of Applied Psychology
  13. Affektive und intentionale Urteile über Wohnhäuser
  14. Teacher's constructions of differences in vocational schools for pedagogical professionals
  15. Accounting for corporate environmental rebounds. A conceptual approach
  16. Dataset size versus homogeneity
  17. Zur Förderung der Perspektivenübernahme durch Wendebilderbücher.
  18. Nachhaltiger Ressourcenschutz und Recht
  19. The EROTIC and PRAGMATIC SENSES of HOSPITALITY Jean-Luc Nancy and Bernard Stiegler’s Conversation on Christianity, Politics, and the Ends of Philosophy
  20. Ein Kommentar zu Glen Mills
  21. Energiestrategie Brandenburg 2030
  22. Hermann Claudius: zwischen Anpassung und Opportunismus
  23. Thema: Die symbolische Qualität des Rechts
  24. Book review: State Accountability for Space Debris: A Legal Study of Responsibility for Polluting the Space Environment and Liability for Damage Caused by Space Debris, by Peter Stubbe. (Brill, Leiden/Boston. 2017)'
  25. Die Verbreitung einer wegweisenden Idee: Der Beitrag der UN-Dekade für die Diffusion von Bildung für nachhaltige Entwicklung