DFG-Kolleg-Forschergruppe MECS (Medienkulturen der Computersimulation)
Organisational unit: Projectteam
Organisation profile
Computer simulations have revolutionised the sciences. Their impact left a mark in nearly every possible field of study – from microbiology, to climate research, and even astrophysics.
What new kinds of knowledge arise through computer simulations? How do they change our understanding of the sciences?
At the Institute of Advanced Study on Media Cultures of Computer Simulation (MECS), funded by the German Research Foundation (DFG), we set out to find answers to these broad questions. We seek to accomplish this in diverse ways: by analysing historical and contemporary case studies , by building an interdisciplinary network of international fellows , and by organising trans-disciplinary lectures, workshops, and conferences .
In an age of computer simulations, MECS is one of the few institutions worldwide specifically focused on understanding their wide-ranging impacts.
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Optical Diagrams as “Paper Tools”: Della Porta’s Analysis of Biconvex Lenses from De refractione to De telescopio
Borrelli, A., 2017, The Optics of Giambattista Della Porta (ca. 1535–1615). Borrelli, A., Hon, G. & Zik, Y. (eds.). Cham: Springer Nature AG, p. 57-96 40 p. (Archimedes; vol. 44).Research output: Contributions to collected editions/works › Chapter › peer-review
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Rezension zu Thomas Haigh, Mark Priestley, Crispin Rope, ENIAC in Action: Making and Remaking the Modern Computer, (History of Computing) Cambridge/London: MIT Press 2016. 341 S., ISBN 978‐0‐2620‐3398‐5.
Vehlken, S., 03.03.2017, In: Berichte zur Wissenschaftsgeschichte. 40, 1, p. 98-100 3 p.Research output: Journal contributions › Critical reviews › Research
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Paranoia
Apprich, C., 2017, Nach der Revolution: Ein Brevier digitaler Kulturen. Beyes, T., Metelmann, J. & Pias, C. (eds.). Berlin: Tempus Corporate GmbH, p. 78-86 9 p. (Duisburger Dialoge).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Plastilin und Kreisel, Pinsel und Projektor: Julius Ries und die Materialität der seriellen Anschauung
Wellmann, J., 2017, Serie und Serialität: Konzepte und Analysen in Gestaltung und Wissenschaft. Scholtz, G. (ed.). Berlin: Dietrich Reimer Verlag, p. 77-93 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Media and Migration: Editorial
Apprich, C., Beverungen, A., Freudenschuß, M., Hille, L., Simons, S., Wiedemann, C., Heinrichs, R. & Yoosuf, H., 2017, In: spheres - Journal for Digital Cultures. 4, 2, 4 p.Research output: Journal contributions › Other (editorial matter etc.) › Research
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Listening to the Body Moving: Auscultation, Sound, and Music around 1800
Wellmann, J., 2017, In: Journal of Sonic Studies. 13Research output: Journal contributions › Journal articles › Research › peer-review
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The Form of Becoming: Embryology and the Epistemology of Rhythm, 1760-1830
Wellmann, J., 03.2017, New York: Zone Books. 423 p.Research output: Books and anthologies › Monographs › Research › peer-review
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Witless slaves or lively artifacts? A debate of the 1960s
Müggenburg, J. K. & Pias, C., 08.11.2017, In: arq: Architectural Research Quarterly. 21, 1, p. 33–44 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Animating embryos: the in toto representation of life
Wellmann, J., 01.09.2017, In: British Journal for the History of Science. 50, 3, p. 521-535 15 p.Research output: Journal contributions › Scientific review articles › Research
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Krassheiten: Das Ende der Massen und ihrer Medien
Warnke, M., 2017, In: Treffpunkte. 2017, 3, p. 13 – 16 4 p.Research output: Journal contributions › Journal articles › Research › peer-review