DFG-Researchgroup "Cultures of Critique"
Organisational unit: Projectteam
Organisation profile
The cultural sciences research training group “Cultures of Criticism” undertakes a productive revision of the preconditions, roles and validity claims of critique. On the one hand, new technologies and distribution channels have given rise to a welter of unexpected critical and quasi-critical practices. On the other hand, the very theoretical foundations of critique have come under massive pressure – and so, it seems, has the modern project of critique as a whole. What may be regarded as an act of critique and which agents, expectations and criteria take part, is currently subject to basal negotiation.
The research training group conceives critique as a praxis that is always already culturally situated, while its efficacy rides on comprehensive claims to validity and authority. The phenomena under critique are inseparably interwoven with the forms and media used to represent them. Representation thus appears as the focal point in which widely divergent forms of critique and their heterogeneous cultures lend themselves to comparative discussion. Building on studies of diverse concrete critical practices, the Research Training Group seeks to remap the interaction between critique and culture in the history of modernity up to the present and employ the tools of cultural studies to frame a well founded and timely conception of critique.
Spokesperson: Prof. Dr. Beate Söntgen
Deputy spokesperson: Prof. Dr. Erich Hörl
Main research areas
Kunstkritik, Medienkritik, Sozialkritik
- Published
Municipalismos monstruo | Monster Municipalisms | Monster-Munizipalismen
Brunner, C. (Editor), Kubaczek, N. (Editor), Mulvaney, K. (Editor) & Raunig, G. (Editor), 09.2016, Wien: eipcp – European Institute for Progressive Cultural Policies. (transversal; no. 9)Research output: Books and anthologies › Special Journal issue › Research
- Published
Nietzsche und der Mythos
Jamme, C., 2017, Bild und Gedanke : Hermann Schweppenhäuser zum Gedenken. Schweppenhäuser, G. (ed.). Wiesbaden: Springer Fachmedien, p. 239-243 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
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Is there a post-racism? On David Theo Goldberg's conjunctural analysis of the post-racial
Bojadžijev, M., 20.10.2016, In: Ethnic and Racial Studies. 39, 13, p. 2235-2240 6 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Front, Field, Line, Plane: Researching the Militant Image
Wuggenig, U. (Editor), Loichinger, H. C. (Editor), Kastelan, C., Derksen, J., Milevska, S., Bitter, S. (Illustrator) & Weber, H. (Illustrator), 06.2016, Hamburg: adocs. 120 p.Research output: Books and anthologies › Exhibition catalogues › Research
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Milieu. Umgebungen des Lebendigen in der Moderne
Huber, F. (Editor) & Wessely, C. M. R. (Editor), 2017, 1 ed. Paderborn: Wilhelm Fink Verlag. 184 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Formen des Kontakts: Auguste Renoirs Nach dem Mittagessen
Söntgen, B. E., 2015, Monet und die Geburt des Impressionsmus. Krämer, F. (ed.). München: Prestel Verlag, p. 183-193 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Ökologien des Machens: Zur allgemein-ökologischen Kritik der Welterzeugung bei Tim Ingold
Hörl, E. H., 2016, +ultra. gestaltung schafft wissen. Doll, N., Bredekamp, H. & Schäffner, W. (eds.). 1 ed. Leipzig: E.A. Seemann, p. 49-58 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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"Technisches Leben": Simondons Denken des Lebendigen und die allgemeine Ökologie
Hörl, E. H., 08.2017, Black Box Leben. Muhle, M. & Voss, C. (eds.). Berlin: August Verlag, p. 239-266 27 p. (Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie; vol. 28).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Formen der Kunstrezeption in der Moderne: Übertragung (Diderot) und Reflexion (Greenberg)
Söntgen, B. E., 03.2016, Handbuch Sprache in der Kunstkommunikation. Hausendorf, H. & Müller, M. (eds.). Berlin: Walter de Gruyter GmbH, p. 135-152 18 p. (Handbücher Sprachwissen; vol. 16).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Mit Wut ans Bild: Beate Söntgen über Joan Mitchell im Museum Ludwig, Köln
Söntgen, B. E., 03.2016, In: Texte zur Kunst. 26, 101, p. 171-174 4 p.Research output: Journal contributions › Critical reviews › Research