Centre for Digital Cultures

Organisational unit: Institute

Organisation profile

The Centre for Digital Cultures (CDC) unites a large range of research and development activities dedicated to the digital shift. It engages in knowledge creation and transfer, experimental and interventionist media practices, and research in disciplines such as media, social and cultural studies. The CDC aims to both understand the epochal digital shift through excellent research, and to become one of the major European forces that shape digital cultures to come.

The CDC has seen a remarkable uptake of successful funding bids. The major projects are funded by the European Fund for Regional Development (EFRE) and the State of Lower Saxony, by the German Research Council (DFG) and the VW Foundation respectively. Additional smaller projects are supported by the British Broadcasting Corporation (BBC), Transmediale, and the German Ministry for Education and Research (BMBF). The CDC has by now more than 80 researchers and cultural producers from all over the world. They work on questions such as:

  • Transmedia: How can we understand and develop new formats for entertainment as well as culture and education, merging different forms of production, participation, distribution and aesthetics?
  • User and Audience Research: What kind of methods enable us to understand new usage and consumption patterns, addressing digital cultures’ both global and local audiences? 
  • Gamification: Computer games have a growing relevance in contemporary life, not only due to the games themselves, but also through their metaphors and methods. What new opportunities arise?
  • Common Media: Which new forms of citizenship and cultural/political engagement are developing in the digital age, and how can we understand, enact and strengthen them?
  • Net based Public Broadcast: How can publicly funded provision of information, education, culture and entertainment adapt to the internet? How can new versions of basic provision be realized?
  • Hybrid Publishing: Which avenues for the communication and dissemination of knowledge beyond classrooms and research articles can be constructed, adapting the cultural and economic logic of the digital age?
  • Computer Simulation: From climate change to mass panics: Knowledge production based on computer simulation is shaping our worldview. How can we analyse and understand its effects?

Research and development at the CDC traverse boundaries between the academic sector, culture and the arts, industry, governmental bodies and civil society. It is a conducive, productive and experimental research environment, in which researchers and entrepreneurs, activists and artists, producers and hackers, thinkers and doers broker dynamic connections. Visions, blueprints and experimental findings get exposed to real-world conditions. The development of innovative teaching formats is a further crucial part of the mix: Leuphana Digital School is bringing knowledge and education online, and a new English-speaking Bachelor in Digital Media started in autumn 2013, developed in cooperation with Leuphana’s Institute for the Culture and Aesthetics of Digital Media, Hamburg Media School and Hongkong City University. The result is a new, open and engaged form of research and development for Europe’s digital cultures.

Topics

  • Transmedia
  • User and Audience Research 
  • Gamification
  • Common Media
  • Net based Public Broadcast
  • Hybrid Publishing
  • Computer Simulation
  • Artistic Research
  • New Teaching Formats
  1. Published

    Architekturen des "environment": Reyner Banham und das Dritte Maschinenzeitalter

    Sprenger, F., 2015, In: Zeitschrift für Medienwissenschaft. 12, 1, p. 55-67 13 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  2. Published

    Art, Aesthetics and Organization

    Beyes, T., 26.08.2016, A Research Agenda for Management and Organization Studies. Czarniawska, B. (ed.). 1 ed. Cheltenham: Edward Elgar Publishing, p. 115-125 11 p. (Elgar research agendas).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Arttvism: Quando l'arte diventa consapevole ; intervista di Tatiana Bazzichelli

    Bazzichelli, T., 2007, Artivismo Tecnologico: Scritti e interviste su arte, politica, teatro e tecnologie. Verde, G. (ed.). Pisa: BFS, p. 56-58 3 p. (Biblioteca universale Utopie; vol. 7).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. Published

    Asia in the edges: a narrative account of the Inter-Asia Cultural Studies Summer School in Bangalore

    Shah, N., 04.2014, In: Inter-Asia Cultural Studies. 15, 2, p. 306-314 9 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  5. Published

    Astro-Kulturen zwischen epistemisch-diskursiven Notwendigkeiten und schwachen Ontologien: Ein Nachwort

    Leeker, M., 2014, Astroculture: Figurations of Cosmology in Media and Arts. Neef, S., Sussman, H. & Boschung, D. (eds.). 1. ed. Paderborn: Wilhelm Fink Verlag, p. 217-231 15 p. (Morphomata; vol. 17).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. Published

    As You Like It: Critique in the Era of an Affirmative Discourse

    Bunz, M., 04.2013, Unlike Us Reader: Social Media Monopolies and Their Alternatives. Lovink, G. & Rasch, M. (eds.). Amsterdam: Institute of Network Cultures, Vol. 8. p. 137-145 (Inc Reader).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    A Theory of Media as a History of Electricity: How McLuhans thoughts about mediation are thwarted by their negation

    Sprenger, F., 2010, McLuhan Galaxy Conference: Understanding Media Today : Conference Proceedings. Ciastellardi, M., Almeida, C. M. & Scolari, C. A. (eds.). Editorial UOC, p. 71-77 7 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  8. Published

    Atomare Hinterlassenschaften: Die strahlende Zukunft des kalten Krieges

    Sprenger, F., 2014, Den Kalten Krieg denken.: Beiträge zur sozialen Ideengeschichte seit 1945.. Bernhard, P. & Nehring, H. (eds.). Essen: Klartext Verlag, p. 337-358 22 p. (Frieden und Krieg; vol. 19).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    Aufmerksamkeit. Passagen der Filmphilosophie in die Phänomenologie

    Sprenger, F., 2007, Medien - Zeit - Zeichen.: Dokumentation des 19. Film- und Fernsehwissenschaftlichen Kolloquiums 2006. Hissnauer, C. & Jahn-Sudmann, A. (eds.). Marburg: Schüren Verlag, p. 195-202 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Authority and Authorship: Uncovering the Socio-Technical Regimes of Peer-To-Peer Tourism

    Bialski, P., 03.05.2016, Re-Inventing the Local In Tourism: Producing, Consuming and Negotiating Place. Russo, A. P. & Richards, G. (eds.). Bristol, GB: Channel View Publications Ltd, p. 35-49 15 p.

    Research output: Contributions to collected editions/worksChapterpeer-review

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