Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today.
Main research areas
The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.
Current Research Areas
- Climate Futures
- (B)Orders, Identities and Belonging in the Digital Age
- Cities, Infrastructures, Logistics, Platforms
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Kunstfeldforschung
Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 27-51 27 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Antworten auf sieben Fragen
Wuggenig, U., 2012, Kunst im öffentlichen Raum Steiermark: Projekte 2010: Art in Public Space Styria: Projects 2010. Fenz, W., Kraus, E. & Kulterer, B. (eds.). Heidelberg, New York: Springer, p. 279-280 2 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
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Neue Bilder des Wirklichen: Der Kameramann Walter Lassally
Bolsinger, G. (Editor), Kirchner, A. (Editor), Neubauer, M. (Editor) & Prümm, K. (Editor), 2012, Marburg: Schüren Verlag. 208 p. (Marburger Kameragespräche; vol. 7)Research output: Books and anthologies › Collected editions and anthologies › Research
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Einleitung: Von der "Klein-Hypothese" zur Beratung der Gesellschaft
Pias, C. & Vehlken, S., 2010, Think Tanks : Die Beratung der Gesellschaft. Brandstetter, T., Pias, C. & Vehlken, S. (eds.). Zürich, Berlin: Diaphanes Verlag, p. 7-15 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Eine Chronik zum Thema Elektronische Demokratie
Heise, C., 14.12.2012, Jahrbuch Netzpolitik 2012: Von A wie ACTA bis Z wie Zensur. Beckedahl, M. & Meister, A. (eds.). Berlin: epubli GmbH, p. 95-107 13 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Blöde Sklaven oder lebhafte Artefakte ? Eine Debatte der 1960er
Müggenburg, J. & Pias, C., 2013, Automatismen - Selbst-Technologien. Bublitz, H., Kaldrack, I., Röhle, T. & Zeman, M. (eds.). Paderborn: Wilhelm Fink Verlag, p. 45-69 24 p. (Schriftenreihe des Graduiertenkollegs "Automatismen").Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Rezension von Raunig, Gerald: Fabriken des Wissens bzw. Industrie der Kreativität : Streifen und Glätten 1 & 2
Apprich, C., 2012, In: Kulturrisse : Zeitschrift für radikaldemokratische Kulturpolitik. 2, p. 76 1 p.Research output: Journal contributions › Critical reviews › Research
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Rezension von Voigt, Christian/Kreiml, Thomas (Hrsg.): Soziale Bewegungen und Social Media. Handbuch für den Einsatz von Web 2.0
Apprich, C., 2012, In: Kulturrisse : Zeitschrift für radikaldemokratische Kulturpolitik. 2012, 1, p. 78 1 p.Research output: Journal contributions › Critical reviews › Research
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Die übertragene Revolution
Apprich, C., 2011, In: Kulturrisse : Zeitschrift für radikaldemokratische Kulturpolitik. 4/2011, p. 7 1 p.Research output: Journal contributions › Journal articles › Transfer