Centre for Digital Cultures

Organisational unit: Institute

Organisation profile

Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today​​​​​​​.

Main research areas

The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.

Current Research Areas

  • Climate Futures
  • (B)Orders, Identities and Belonging in the Digital Age
  • Cities, Infrastructures, Logistics, Platforms 
  1. Published

    Kunstfeldforschung

    Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 27-51 27 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  2. Published

    Antworten auf sieben Fragen

    Wuggenig, U., 2012, Kunst im öffentlichen Raum Steiermark: Projekte 2010: Art in Public Space Styria: Projects 2010. Fenz, W., Kraus, E. & Kulterer, B. (eds.). Heidelberg, New York: Springer, p. 279-280 2 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransfer

  3. Published

    Neue Bilder des Wirklichen: Der Kameramann Walter Lassally

    Bolsinger, G. (Editor), Kirchner, A. (Editor), Neubauer, M. (Editor) & Prümm, K. (Editor), 2012, Marburg: Schüren Verlag. 208 p. (Marburger Kameragespräche; vol. 7)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  4. Published

    Einleitung: Von der "Klein-Hypothese" zur Beratung der Gesellschaft

    Pias, C. & Vehlken, S., 2010, Think Tanks : Die Beratung der Gesellschaft. Brandstetter, T., Pias, C. & Vehlken, S. (eds.). Zürich, Berlin: Diaphanes Verlag, p. 7-15 9 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  5. Published

    Eine Chronik zum Thema Elektronische Demokratie

    Heise, C., 14.12.2012, Jahrbuch Netzpolitik 2012: Von A wie ACTA bis Z wie Zensur. Beckedahl, M. & Meister, A. (eds.). Berlin: epubli GmbH, p. 95-107 13 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  6. Published

    Search

    Hui, Y., 2014, The Johns Hopkins Guide to the Digital Media. Ryan, M.-L., Emerson, L. & Robertson, B. (eds.). Baltimore: Johns Hopkins University Press, p. 440-442 3 p.

    Research output: Contributions to collected editions/worksArticles for encyclopediaResearch

  7. Published

    Blöde Sklaven oder lebhafte Artefakte ? Eine Debatte der 1960er

    Müggenburg, J. & Pias, C., 2013, Automatismen - Selbst-Technologien. Bublitz, H., Kaldrack, I., Röhle, T. & Zeman, M. (eds.). Paderborn: Wilhelm Fink Verlag, p. 45-69 24 p. (Schriftenreihe des Graduiertenkollegs "Automatismen").

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published
  9. Published
  10. Published

    Die übertragene Revolution

    Apprich, C., 2011, In: Kulturrisse : Zeitschrift für radikaldemokratische Kulturpolitik. 4/2011, p. 7 1 p.

    Research output: Journal contributionsJournal articlesTransfer