Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today.
Main research areas
The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.
Current Research Areas
- Climate Futures
- (B)Orders, Identities and Belonging in the Digital Age
- Cities, Infrastructures, Logistics, Platforms
- Published
Theater, Performance und technische Interaktion: Subjekte der Fremdheit. Im Spannungsgefüge von Datenkörper und Physis
Leeker, M., 2001, Formen interaktiver Medienkunst: Geschichte, Tendenzen, Utopien. Gendolla, P. (ed.). Frankfurt a. M.: Suhrkamp Verlag, p. 265-290 26 p. (Suhrkamp-Taschenbuch Wissenschaft; vol. 1544).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Ertanzte Technikgeschichte(n): Beobachtungen zur zeitgenössischen Begegnung von Tanz und elektronisch-digitaler Technologie
Leeker, M., 2002, Tanz Theorie Text. Klein, G. & Zipprich, C. (eds.). Münster: LIT Verlag, p. 533 - 552 20 p. (Tanzforschung; vol. 12).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Performativität in digitalen Environments
Leeker, M., 1999, Schreiben auf Wasser: Performative Verfahren in Kunst, Wissenschaft und Bildung. Seitz, H. & K. G. E. V. ,. B. (eds.). Essen: Klartext Verlag, p. 162 - 177 16 p. (Dokumentation; vol. 54).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Like Angels, Wohl bekomm`s dem Körper in den S(T)imulatoren vom Flug bis zum Sex
Leeker, M., 1996, Kunst, Kultur und Bildung im Computerzeitalter. Erdmann, J. W. (ed.). Berlin: Universität der Künste Berlin, p. 267 - 282 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Biopolitical Interventions in the Urban Data Space
Apprich, C., 2012, Activist media and biopolitics: critical media interventions in the age of biopower. Sützl, W. & Hug, T. (eds.). Innsbruck: innsbruck university press, p. 39-46 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Remaking Media Practices: From Tactical Media to Post-Media
Apprich, C., 2013, Provocative Alloys: A Post-Media Anthology. Apprich, C., Berry Slater, J., Iles, A. & Schultz, O. L. (eds.). London: Mute Books, p. 122-140 19 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
The Truth Games of Radical Net Cultures
Apprich, C., 2013, Idea of Radical Media: Ideja radikalnih medija. Medak, T. & Milat, P. (eds.). Multimedijalni institut, p. 15-39 25 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
- Published
Provocative Alloys: A Post-Media Anthology
Apprich, C. (Editor), Berry Slater, J. (Editor), Iles, A. (Editor) & Schultz, O. L. (Editor), 2013, London: Mute Books. 160 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Arttvism: Quando l'arte diventa consapevole ; intervista di Tatiana Bazzichelli
Bazzichelli, T. (Contributor), 2007, Artivismo Tecnologico: Scritti e interviste su arte, politica, teatro e tecnologie. Verde, G. (ed.). Pisa: BFS, p. 56-58 3 p. (Biblioteca universale Utopie; vol. 7).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
McLuhan neu lesen: Kritische Analysen zu Medien und Kultur im 21. Jahrhundert
de Kerckhove, D. (Editor), Leeker, M. (Editor) & Schmidt, K. (Editor), 2008, Bielefeld: transcript Verlag. 508 p.Research output: Books and anthologies › Monographs › Research