Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today.
Main research areas
The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.
Current Research Areas
- Climate Futures
- (B)Orders, Identities and Belonging in the Digital Age
- Cities, Infrastructures, Logistics, Platforms
- Published
Faire de la recherche avec des artistes. La continuité entre l'art et la science
Wuggenig, U., 1996, In: Sociologie de l'art. 9, p. 95-119 25 p.Research output: Journal contributions › Journal articles › Research
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Eye Contact with the Machine: Gaze Correction in Video Conferencing
Rapoport, R. & Tollmann, V., 11.2023, Video Conferencing: Infrastructures, Practices, Aesthetics. Volmar, A., Moskatova, O. & Distelmeyer, J. (eds.). Bielefeld: transcript Verlag, p. 209-231 23 p. (Digitale Gesellschaft; vol. 53).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Exposing the machinic present: Rimini Protokoll’s theatre of operations
Beyes, T., 2019, The Routledge Companion to Theatre and Politics. Eckersall, P. & Grehan, H. (eds.). London: Routledge Taylor & Francis Group, p. 219-223 5 p. (Routledge theatre and performance companions).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Explorations in Social Spaces: Gender, Age, Class Fractions and Photographical Choices of Objects
Wuggenig, U. & Mnich, P., 1994, Correspondence Analysis in the Social Sciences : Recent Developments and Applications. Blasius, J. & Greenacre, M. (eds.). London / San Diego / New York: Academic Press Inc., p. 302-324 23 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Explorations in social spaces: Gender, age, class fractions and photographical choices of objects
Wuggenig, U. & Mnich, P., 10.04.2006, Visual research methods: SAGE Benchmarks in Social Research Methods. Hamilton, P. (ed.). London: SAGE Publications Inc., Vol. IV. p. 339-364 26 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Exploding Images
Tollmann, V., 2014, Every Whisper is a crash on my ears. Missa, A. (ed.). London: Arcadia Missa, p. 190-204 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Explicit Art Historical Image Referencing on a Big Scale
Warnke, M., 2012, In: LIBREAS. Library Ideas. 21, Bilder, Graphen, Visualisierungen, 12 p.Research output: Journal contributions › Journal articles › Research
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Existential Graphs as Ontographic Media
Wentz, D., 2019, In: Zeitschrift für Medien- und Kulturforschung. 10, 1, p. 177-189 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Executive Dashboard
Beverungen, A., 12.12.2019, The Oxford Handbook of Media, Technology, and Organization Studies. Beyes, T., Pias, C. & Holt, R. (eds.). Oxford: Oxford University Press, p. 225-237 13 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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EWMN: Towards a Cooperation of Self-organized Actors in Digital Cultures
Leeker, M., 2012, Sharon Lockhart / Noa Eshkol. Barron, S. & Salvesen, B. (eds.). Berlin: Sternberg Press, p. 97-102 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer