Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
The Centre for Digital Cultures (CDC) unites a large range of research and development activities dedicated to the digital shift. It engages in knowledge creation and transfer, experimental and interventionist media practices, and research in disciplines such as media, social and cultural studies. The CDC aims to both understand the epochal digital shift through excellent research, and to become one of the major European forces that shape digital cultures to come.
The CDC has seen a remarkable uptake of successful funding bids. The major projects are funded by the European Fund for Regional Development (EFRE) and the State of Lower Saxony, by the German Research Council (DFG) and the VW Foundation respectively. Additional smaller projects are supported by the British Broadcasting Corporation (BBC), Transmediale, and the German Ministry for Education and Research (BMBF). The CDC has by now more than 80 researchers and cultural producers from all over the world. They work on questions such as:
- Transmedia: How can we understand and develop new formats for entertainment as well as culture and education, merging different forms of production, participation, distribution and aesthetics?
- User and Audience Research: What kind of methods enable us to understand new usage and consumption patterns, addressing digital cultures’ both global and local audiences?
- Gamification: Computer games have a growing relevance in contemporary life, not only due to the games themselves, but also through their metaphors and methods. What new opportunities arise?
- Common Media: Which new forms of citizenship and cultural/political engagement are developing in the digital age, and how can we understand, enact and strengthen them?
- Net based Public Broadcast: How can publicly funded provision of information, education, culture and entertainment adapt to the internet? How can new versions of basic provision be realized?
- Hybrid Publishing: Which avenues for the communication and dissemination of knowledge beyond classrooms and research articles can be constructed, adapting the cultural and economic logic of the digital age?
- Computer Simulation: From climate change to mass panics: Knowledge production based on computer simulation is shaping our worldview. How can we analyse and understand its effects?
Research and development at the CDC traverse boundaries between the academic sector, culture and the arts, industry, governmental bodies and civil society. It is a conducive, productive and experimental research environment, in which researchers and entrepreneurs, activists and artists, producers and hackers, thinkers and doers broker dynamic connections. Visions, blueprints and experimental findings get exposed to real-world conditions. The development of innovative teaching formats is a further crucial part of the mix: Leuphana Digital School is bringing knowledge and education online, and a new English-speaking Bachelor in Digital Media started in autumn 2013, developed in cooperation with Leuphana’s Institute for the Culture and Aesthetics of Digital Media, Hamburg Media School and Hongkong City University. The result is a new, open and engaged form of research and development for Europe’s digital cultures.
Topics
- Transmedia
- User and Audience Research
- Gamification
- Common Media
- Net based Public Broadcast
- Hybrid Publishing
- Computer Simulation
- Artistic Research
- New Teaching Formats
- 2001
- Published
Medientheater/Theatermedien
Leeker, M., 2001, Maschinen, Medien, Performances: Theater an der Schnittstelle zu digitalen Welten : Dokumentation und Ergebnisse der Sommerakademie "Theater und Neue Medien, Interaktion und Wirklichkeit" zur Weiterbildung von Theaterkünstlern in Praxis und Theorie des Umgangs mit Digitalen Techniken im Theater, Hellerau 1999. Leeker, M. (ed.). Berlin: Alexander Verlag, p. 374 - 404 31 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Theater, Performance und technische Interaktion: Subjekte der Fremdheit. Im Spannungsgefüge von Datenkörper und Physis
Leeker, M., 2001, Formen interaktiver Medienkunst: Geschichte, Tendenzen, Utopien. Gendolla, P. (ed.). Frankfurt a. M.: Suhrkamp Verlag, p. 265-290 26 p. (Suhrkamp-Taschenbuch Wissenschaft; vol. 1544).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Theater und Technikgeschichte: Evaluation der Sommerakademie und Ausblick auf die Weiterbildung im Bereich Theater und Medien
Leeker, M., 2001, Maschinen, Medien, Performances: Theater an der Schnittstelle zu digitalen Welten ; Dokumentation und Ergebnisse der Sommerakademie "Theater und Neue Medien, Interaktion und Wirklichkeit" zur Weiterbildung von Theaterkünstlern in Praxis und Theorie des Umgangs mit Digitalen Techniken im Theater, Hellerau 1999. Leeker, M. (ed.). Berlin: Alexander Verlag, p. 355 - 374 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- 1999
- Published
Performativität in digitalen Environments
Leeker, M., 1999, Schreiben auf Wasser: Performative Verfahren in Kunst, Wissenschaft und Bildung. Seitz, H. & K. G. E. V. . B. (eds.). Essen: Klartext Verlag, p. 162 - 177 16 p. (Dokumentation; vol. 54).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- 1998
- Published
Jenseits von links und rechts? Stimmen zum Methodenstreit
Wuggenig, U., 1998, In: Texte zur Kunst. 8, 29, p. 81-83 3 p.Research output: Journal contributions › Journal articles › Research
- Published
Normative Integration of the Avantgarde? Traditionalism in the Art worlds of Vienna, Hamburg and Paris
Tarnai, C. & Wuggenig, U., 1998, Visualization of Categorial Data. Blasius, J. & Greenacre, M. (eds.). London / San Diego / New York: Academic Press Inc., p. 171-184 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- 1997
- Published
Kulturelles Kapital und soziale Schließung in den Kunstfeldern von Hamburg, Wien und Paris
Wuggenig, U. & Drechsel, S., 1997, Kunst auf Schritt und Tritt : Public Art is Everywhere. Müller, C. P. & Könneke, A. (eds.). Hamburg: Kellner, p. 68-75 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Kunst im öffentlichen Raum und ästhetischer Kommunitarismus
Wuggenig, U., 1997, Kunst auf Schritt und Tritt: Public Art is Everywhere. Müller, C. P. & Könneke, A. (eds.). Hamburg: Kellner, p. 76-93 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Kunstraum der Universität Lüneburg
von Bismarck, B., Stoller, D. & Wuggenig, U., 1997, TESTOO MUSTER Messe: erscheint zur Ausstellung "Fabrice Hybert Testoo Muster" der Galerie für Zeitgenössische Kunst Leipzig .... Stoller, D., Werner, K. & Winkelmann, J. (eds.). Leipzig: Messe-Verlag, p. 154-155 2 p. (Oumeurt; vol. 3).Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
- Published
Objekttheater begegnet digitalen Welten: Von einem mechanischen zu einem bio-elektronischen Weltbild
Leeker, M., 1997, In: Das andere Theater. 7, 26, p. 16-20 5 p.Research output: Journal contributions › Journal articles › Research