Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today.
Main research areas
The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.
Current Research Areas
- Climate Futures
- (B)Orders, Identities and Belonging in the Digital Age
- Cities, Infrastructures, Logistics, Platforms
- Published
Listen, Zeit und Atmosphären. Die Kommentarlisten der japanischen Videoplattform Nico Nico Douga
Bachmann, G., 2013, Quoten, Kurven und Profile : Zur Vermessung der sozialen Welt. Passoth, J.-H. & Wehner, J. (eds.). Wiesbaden: Gabler Verlag, p. 115-143 29 p. (Medien - Kultur - Kommunikation).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Empfehlungsregime: Zur Konvergenz von Subjektivierungsweisen im Coaching und in der digitalen Kultur
Traue, B. C., 2013, In: Psychotherapie & Sozialwissenschaft. 15, 2, p. 67-91 25 p.Research output: Journal contributions › Journal articles › Research › peer-review
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WhatsApp und das prozessuale Interface: Zur Neugestaltung von Smartphone-Kollektiven.
Denecke, M. & Otto, I., 2013, In: Sprache und Literatur. 44, 1, p. 14-29 16 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Between the Ends of a Wire: Electricity, Instantaneity and the Globe of Telegraphy
Sprenger, F., 2013, Global Communication Electric: Business, News and Politics in the World of Telegraphy. Hampf, M. & Müller-Pohl, S. (eds.). 1 ed. Frankfurt, M. [u.a.]: Campus Verlag, p. 355-381 27 p. (Globalgeschichte; vol. 15).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Lob des Berührens: Zur phantasmatischen Dimension der Elektrizität und ihrer Medientheorien
Sprenger, F., 2013, Abendländische Apokalyptik: Kompendium zur Genealogie der Endzeit. Wieser, V., Zolles, C., Feik, C., Zolles, M. & Schlöndorff, L. (eds.). Berlin: Walter de Gruyter GmbH, p. 177-196 20 p. (Kulturgeschichte der Apokalypse; vol. 1).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Divisionen des Individuums: Selbstgespräche am Ende der Zeit
Sprenger, F., 2013, Im Netz der Eindeutigkeiten: Unbestimmte Figuren und die Irritation von Identität. Andreas, M. & Frankenberg, N. (eds.). Bielefeld: transcript Verlag, p. 291-313 23 p. (Kultur- und Medientheorie).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Totgesagte leben länger – Zur kulturwissenschaftlichen Renaissance und den Paradoxien von Authentizität: Eine Sammelrezension
Simons, S., 2013, In: KULT_online. 36, 2 p.Research output: Journal contributions › Critical reviews › Research
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Foul Play in Context: Cardsharps and Spoilsports
Fuchs, M., 2013, Context Matters!: Exploring and Reframing Games and Play in Context. Mitgutsch, K., Huber, S., Rosenstingl, H., Wagner, M. & Wimmer, J. (eds.). Wien: New Academic Press, p. 76 - 88 13 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Krise oder goldenes Zeitalter? Befunde zum Status der Kritiker/innen und zur Lage der Kunstkritik
Wuggenig, U., 02.12.2013, WHAT’S NEXT?: Kunst nach der Krise. Ein Reader. Hedinger, J. M. & Meyer, T. (eds.). Berlin: Kulturverlag Kadmos , p. 610-615 6 p. 172Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Education
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Geschlechtsneutralität: Vom Verschwinden von Geschlecht in Tanz-Performances in Kontexten digitaler Medien
Leeker, M., 2013, Choreographie – Medien – Gender. Angerer, M.-L., Hardt, Y. & Weber, A.-C. (eds.). Berlin: Diaphanes Verlag, p. 157-172 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review