Centre for Digital Cultures

Organisational unit: Institute

Organisation profile

Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today​​​​​​​.

Main research areas

The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.

Current Research Areas

  • Climate Futures
  • (B)Orders, Identities and Belonging in the Digital Age
  • Cities, Infrastructures, Logistics, Platforms 
  1. Published

    Existential Graphs as Ontographic Media

    Wentz, D., 2019, In: Zeitschrift für Medien- und Kulturforschung. 10, 1, p. 177-189 12 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  2. Published

    Stranger Things II (2017)

    Wentz, D., 27.02.2019, Filmische Moderne: 60 Fragmente. Fahle, O., Gotto, L., Neitzel, B., Nowak, L., Wagner, H., Wendler, A. & Wentz, D. (eds.). transcript Verlag, p. 445-450 6 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  3. Published

    Stranger Things (2016)

    Wentz, D., 27.02.2019, Filmische Moderne: 60 Fragmente. Fahle, O., Gotto, L., Neitzel, B., Nowak, L., Wagner, H., Wendler, A. & Wentz, D. (eds.). transcript Verlag, p. 439-444 5 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. Published

    Filmische Moderne: 60 Fragmente

    Fahle, O. (Editor), Gotto, L. (Editor), Neitzel, B. (Editor), Nowak, L. (Editor), Wagner, H. (Editor), Wendler, A. (Editor) & Wentz, D. (Editor), 27.02.2019, Bielefeld: transcript Verlag. 462 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  5. Published

    Arbeit, Migration und Logistik: Vermittlungsinfrastrukturen nach dem Sommer der Migration

    Altenried, M., Bojadžijev, M., Höfler, L., Mezzadra , S. & Wallis, M., 2018, In: movements. Journal for Critical Migration and Border Regime Studies . 4, 2, p. 35-55 21 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    Der Skandal der Öffentlichkeit: Die “City of Change” als Kunst des Urbanen

    Beyes, T., 2013, Die Enthüllung des Realen: Milo Rau und das International Institute of Political Murder. Bossart, R. (ed.). Berlin: Theater der Zeit, p. 132-143 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  7. Published

    Inkorporationskunst: Krise und Kuratoriat

    Beyes, T., 2013, What’s Next?: Kunst nach der Krise: Ein Reader. Hedinger, J. M. & Meyer, T. (eds.). Berlin: Kulturverlag Kadmos , p. 63-67 5 p. 014

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  8. Published

    Welche Öffentlichkeiten? Einleitung

    Beyes, T., 2014, Soziale Medien – neue Massen: Medienwissenschaftliches Symposion der DFG. Baxmann, I., Beyes, T. & Pias, C. (eds.). Zürich: Diaphanes Verlag, p. 231-235 5 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Ein Vorwort in zehn Thesen

    Baxmann, I., Beyes, T. & Pias, C., 2014, Soziale Medien – neue Massen: Medienwissenschaftliches Symposion der DFG. Baxmann, I., Beyes, T. & Pias, C. (eds.). 1 ed. Zürich: Diaphanes Verlag, p. 9-15 7 p. (Medienwissenschaftliche Symposien der DFG).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Fort da. Ein Zirkular über bewegte Bücher: Fragen von Claus Pias. Antworten von Andreas Bernard, Timon Beyes, Hans Ulrich Gumbrecht, Christian Kracht, Thomas Macho, Eckhart Nickel, Joseph Vogl und Sigrid Weigel

    Pias, C., Bernard, A., Beyes, T., Gumbrecht, H. U., Kracht, C., Macho, T., Nickel, E., Vogl, J. & Weigel, S., 2015, Das bewegte Buch: ein Katalog der gelesenen Bücher; mit 104 Beispielen aus dem Deutschen Literaturarchiv Marbach. Gfrereis, H. & Pias, C. (eds.). Marbach: Deutsche Schillergesellschaft e.V., p. 68-87 20 p. (Marbacher Magazin; vol. 150/151/152).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch