Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today.
Main research areas
The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.
Current Research Areas
- Climate Futures
- (B)Orders, Identities and Belonging in the Digital Age
- Cities, Infrastructures, Logistics, Platforms
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Über das Essen
Bernard, A., 2002, Salzburg: Jung und Jung. 84 p.Research output: Books and anthologies › Monographs › Research › peer-review
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Aufmerksamkeit. Passagen der Filmphilosophie in die Phänomenologie
Sprenger, F., 2007, Medien - Zeit - Zeichen.: Dokumentation des 19. Film- und Fernsehwissenschaftlichen Kolloquiums 2006. Hissnauer, C. & Jahn-Sudmann, A. (eds.). Marburg: Schüren Verlag, p. 195-202 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Networking: La rete come arte
Bazzichelli, T., 2006, Milano: Costa & Nolan. 333 p.Research output: Books and anthologies › Monographs › Research
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1+1=1: Bewegte Elemente im Werk Andrej Tarkowskijs
Sprenger, F., 2007, Philosophie des Films. Leitner, B. & Engell, L. (eds.). Weimar: Verlag der Bauhaus-Universität Weimar, p. 128-141 14 p. (Philosophische Diskurse; vol. 8).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Schock und medialer Wandel: Der 11. September und die Ästhetik des Erhabenen
Simons, S., 2007, In: Navigationen. 7, 1, p. 189-201 13 p.Research output: Journal contributions › Journal articles › Research
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Das Empire, der Nordwesten und der Rest der Welt: die "internationale zeitgenössische Kunst" im Zeitalter der Globalisierung
Wuggenig, U., 2002, In: transversal / EIPCP multilingual webjournal. 2002, 9, 10 p.Research output: Journal contributions › Journal articles › Research
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Gefährdungen der Zukunft
Sprenger, F., 2010, Gefahrensinn. Engell, L., Siegert, B. & Vogl, J. (eds.). München: Wilhelm Fink Verlag, p. 79-91 13 p. ( Archiv für Mediengeschichte; vol. 9).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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"It´s All in the Game": Computerspiele zwischen Spiel und Erzählung
Beil, B. (Editor), Simons, S. (Editor), Sorg, J. (Editor) & Venus, J. (Editor), 2009, Marburg: Schüren Verlag. 169 p. (Navigationen – Zeitschrift für Medien- und Kulturwissenschaften; vol. 9, no. 1)Research output: Books and anthologies › Special Journal issue › Research
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(Be-)gründungen und Figurprobleme: Marshall McLuhans Denken über Medien und seine Folgen
Sprenger, F., 2009, Die Medien und das Neue: 21. Film- und Fernsehwissenschaftliches Kolloquium. Wentz, D. & Wendler, A. (eds.). Marburg: Schüren Verlag, p. 81-97 17 p. (Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie; vol. 3).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Zu einer platonischen Rekurrenzfigur der Medienkritik
Sprenger, F., 2010, In: Maske und Kothurn: Internationale Beiträge zur Theater-, Film- und Medienwissenschaft. 56, 2, p. 53-67 15 p.Research output: Journal contributions › Journal articles › Research