Centre for Digital Cultures

Organisational unit: Institute

Organisation profile

Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today​​​​​​​.

Main research areas

The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.

Current Research Areas

  • Climate Futures
  • (B)Orders, Identities and Belonging in the Digital Age
  • Cities, Infrastructures, Logistics, Platforms 
  1. Published

    Vom Wahn- und Wahrsprechen des technologisch Unbewussten

    Apprich, C., 01.01.2018, In: Le Foucaldien. 4, 1, 20 p., 7.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  2. Published
  3. Published

    Von der Performance mit Musik zur Performanz rückgekoppelter Maschinengeräusche: Töne, Klänge und Geräusche in Installationen und Performances in den achtziger Jahren und um 2000

    Leeker, M., 2006, Reflexzonen, Migration. Brüstle, C. & Rebstock, M. (eds.). 1 ed. Saarbrücken: Pfau Verlag, p. 165-177 13 p. (Musik im Dialog; vol. 6)(Jahrbuch der Berliner Gesellschaft für Neue Musik; vol. 2003/2004).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. Published

    Von Knoten zu Knoten: Eine Einleitung

    Apprich, C. & Stalder, F., 02.2012, Vergessene Zukunft: Radikale Netzkulturen in Europa. Apprich, C. & Stalder, F. (eds.). Berlin: transcript Verlag, p. 9-16 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  5. Published

    Wahrnehmungsmaschinen: Über das Werk von Seiko Mikami

    Broeckmann, A., 2012, The Big Picture: Weltbilder für die Zukunft ; Ars Electronica 2012, Festival für Kunst, Technologie und Gesellschaft, 30. August - 3. September 2012. Leopoldseder, H. (ed.). Ostfildern: Hatje Cantz Verlag, p. 63-63 1 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  6. Published

    Was bleibt? Einige Überlegungen zum Medienereignis WikiLeaks

    Apprich, C., 2011, In: Kulturrisse : Zeitschrift für radikaldemokratische Kulturpolitik. 1, p. 44-47

    Research output: Journal contributionsJournal articlesTransfer

  7. Published

    Was ist Kunst? Antworten aus soziologischer Perspektive

    Wuggenig, U., 1994, Was ist Kunst?. Fein, M. & Freis, M. (eds.). Lüneburg: Universität Lüneburg, p. 5-13 9 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  8. Published
  9. Published

    We build this city on rocks and (feminist) code: hacking corporate computational designs of cities to come

    Voigt, M.-L., 24.07.2023, In: Digital Creativity. 34, 2, p. 162-177 16 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  10. Published

    Weibliche Medien um 1900: Über okkulte Herkünfte der Medienwissenschaft

    Leeker, M., 2008, Gendermedia: Zum Denken einer neuen Disziplin. Wagner, H. (ed.). Weimar: Verlag und Datenbank für Geisteswissenschaften - VDG Weimar, p. 117 - 140 24 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch