Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today.
Main research areas
The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.
Current Research Areas
- Climate Futures
- (B)Orders, Identities and Belonging in the Digital Age
- Cities, Infrastructures, Logistics, Platforms
- Published
Trick 17 zur Einführung
Vehlken, S., Müggenburg, J. K., Sprenger, F. & Müller-Helle, K., 2016, Trick 17: Mediengeschichten zwischen Zauberkunst und Wissenschaft. Vehlken, S., Müller-Helle, K., Müggenburg, J. & Sprenger, F. (eds.). Lüneburg: meson press, p. 7-14 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Über das Essen
Bernard, A., 2002, Salzburg: Jung und Jung. 84 p.Research output: Books and anthologies › Monographs › Research › peer-review
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Über die Freiheit der Kunst
Wuggenig, U., 1996, In: Vor der Information. 3, 5/6, p. 113-114 2 p.Research output: Journal contributions › Journal articles › Research
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Über symbolische Grenzen: Legitimität und sozialer Gebrauch der Photographie
Wuggenig, U., 1996, Games, Fights, Collaborations: Das Spiel von Grenze und Überschreitung ; Kunst und cultural studies in den 90er Jahren. von Bismarck, B., Stoller, D. & Wuggenig, U. (eds.). Ostfildern-Ruit: Hatje Cantz Verlag, p. 36-51 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Uncanny matters: Kafka’s burrow, the unhomely and the study of organizational space
Beyes, T., 2019, In: Ephemera: Theory & Politics in Organization. 19, 1, p. 179-192 14 p.Research output: Journal contributions › Journal articles › Research › peer-review
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...und natürlich kann geschlachtet werden! Wie die Geiselnahme einer Kuh als kritische Intervention in biopolitische Zeichensysteme zu verstehen ist
Apprich, C., 2011, In: Medien-Impulse: Beiträge zur Medienpädagogik. 2, 6 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Unreine Bilder: Zur medialen (Selbst-)Inszenierung von school shootern
Grzeszyk, A., 01.08.2012, Bielefeld: transcript Verlag. 432 p. (Kultur- und Medientheorie)Research output: Books and anthologies › Monographs › Research
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Unzeitgemäße Techniken. Historische Narrative künstlerischer Verfahren, (Interdependenzen. Die Künste und ihre Techniken, 4), (Hg.) Bushart, Magdalena - Haug, Henrike - Stallschus, Stefanie: Köln, Böhlau 2019
Severin, I. L., 16.12.2019, onlineResearch output: other publications › Articles in scientific forums or blogs › Research
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Update wurde nicht ausgeführt: Mit „Drama und Regie. Lars von Triers Breaking the Waves, Dancer in the Dark, Dogville“ hat Georg Tiefenbach ein eigenartiges Buch zu drei Filmen des dänischen Regisseurs vorgelegt
Kirchner, A., 21.06.2012, 1 p. Verlag LiteraturWissenschaft.de.Research output: other publications › Articles in scientific forums or blogs › Research
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Value struggles in the creative city: A 'People's Republic of Stokes Croft'?
Frenzel, F. & Beverungen, A., 18.05.2015, In: Urban Studies. 52, 6, p. 1020-1036 17 p.Research output: Journal contributions › Journal articles › Research › peer-review