Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today.
Main research areas
The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.
Current Research Areas
- Climate Futures
- (B)Orders, Identities and Belonging in the Digital Age
- Cities, Infrastructures, Logistics, Platforms
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Teilmengen. Mengen teilen. Taxonomien, Ordnungen und Massen im Facebook Open Graph
Kaldrack, I. & Röhle, T., 16.07.2014, Soziale Medien - Neue Massen. Pias, C., Baxmann, I. & Beyes, T. (eds.). Berlin: Diaphanes Verlag, p. 77-103 27 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The Anthropocenic Illusion: Sustainability an the Fascination of Control.
Hörl, E., 2015, Art in the Periphery of the Center. Wuggenig, U., Behnke, C., Knoll, V. & Kastelan, C. (eds.). Berlin: Sternberg Press, p. 352-368 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Theater im Zeitalter technologisch implementierter Interaktivität
Leeker, M., 1996, Kunst, Kultur und Bildung im Computerzeitalter. Erdmann, J. W. (ed.). Berlin: Universität der Künste Berlin, p. 85-103 19 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Theater, Performance und technische Interaktion: Subjekte der Fremdheit. Im Spannungsgefüge von Datenkörper und Physis
Leeker, M., 2001, Formen interaktiver Medienkunst: Geschichte, Tendenzen, Utopien. Gendolla, P. (ed.). Frankfurt a. M.: Suhrkamp Verlag, p. 265-290 26 p. (Suhrkamp-Taschenbuch Wissenschaft; vol. 1544).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Theater – Raum – Medien: Optionen für einen reflexiven Umgang mit Medienkulturen
Leeker, M., 2013, Vom Straßenkind zum Medienkind: Raum- und Medienforschung im 21. Jahrhundert. Westphal, K. & Jörissen, B. (eds.). 1 ed. Weinheim: Beltz Juventa Verlag, p. 87-106 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Theater und Technikgeschichte: Evaluation der Sommerakademie und Ausblick auf die Weiterbildung im Bereich Theater und Medien
Leeker, M., 2001, Maschinen, Medien, Performances: Theater an der Schnittstelle zu digitalen Welten ; Dokumentation und Ergebnisse der Sommerakademie "Theater und Neue Medien, Interaktion und Wirklichkeit" zur Weiterbildung von Theaterkünstlern in Praxis und Theorie des Umgangs mit Digitalen Techniken im Theater, Hellerau 1999. Leeker, M. (ed.). Berlin: Alexander Verlag, p. 355 - 374 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Theatre and Engineering: Kontrolle und Macht in medialen Umwelten in den 1960er Jahren, und heute?
Leeker, M., 2016, Räume und Medien des Regierens. Balke, F. & Muhle, M. (eds.). 1 ed. Paderborn: Wilhelm Fink Verlag, p. 198-217 20 p. (Merz Akademie).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The Clock of the Long-Now: Die Uhr, die Langeweile und der Beobachter
Sprenger, F., 2008, Paradoxien der Langeweile. Heller, F. (ed.). Marburg: Schüren Verlag, p. 104–116 13 p. (AugenBlick : Konstanzer Hefte zur Medienwissenschaft; no. 41).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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The communism of capital?
Beverungen, A., Murtola, A.-M. & Schwartz, G., 25.08.2013, In: Ephemera: Theory & Politics in Organization. 13, 3, p. 483-495 13 p.Research output: Journal contributions › Journal articles › Research
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The Corrupt State of Artificial Intelligence: Clemens Apprich on Machine Learning and Bias
Apprich, C., 03.2018, In: Texte zur Kunst. 109, p. 136-141 6 p.Research output: Journal contributions › Journal articles › Transfer