Centre for Digital Cultures

Organisational unit: Institute

Organisation profile

Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today​​​​​​​.

Main research areas

The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.

Current Research Areas

  • Climate Futures
  • (B)Orders, Identities and Belonging in the Digital Age
  • Cities, Infrastructures, Logistics, Platforms 
  1. 2005
  2. Published

    Dancing the digital: European and Amercian Visions of a digital Space

    Leeker, M., 2005, Space in America: Theory, History, Culture. Benesch, K. (ed.). Amsterdam: Rodopi, p. 451-468 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  3. Published

    Digitale Operativität und Performance: Geschichte der Mensch-Computer-Schnittstelle im Moment ihrer Hinterfragung, noch bevor sie anfing

    Leeker, M., 2005, In: Paragrana. 14, 2, p. 25-52 28 p.

    Research output: Journal contributionsJournal articlesResearch

  4. 2006
  5. Published
  6. Published
  7. Published

    Die Magischen Kanäle: Clemens Krümmel und Miya Yoshida über Joëlle De La Casinière bei Croy Nielsen

    Krümmel , C. & Yoshida, M., 2006, In: Texte zur Kunst. 63, p. 221-224 4 p.

    Research output: Journal contributionsJournal articlesTransfer

  8. Published

    Networking: La rete come arte

    Bazzichelli, T., 2006, Milano: Costa & Nolan. 333 p.

    Research output: Books and anthologiesMonographsResearch

  9. Published

    Von der Performance mit Musik zur Performanz rückgekoppelter Maschinengeräusche: Töne, Klänge und Geräusche in Installationen und Performances in den achtziger Jahren und um 2000

    Leeker, M., 2006, Reflexzonen, Migration. Brüstle, C. & Rebstock, M. (eds.). 1 ed. Saarbrücken: Pfau Verlag, p. 165-177 13 p. (Musik im Dialog; vol. 6)(Jahrbuch der Berliner Gesellschaft für Neue Musik; vol. 2003/2004).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Explorations in social spaces: Gender, age, class fractions and photographical choices of objects

    Wuggenig, U. & Mnich, P., 10.04.2006, Visual research methods: SAGE Benchmarks in Social Research Methods. Hamilton, P. (ed.). London: SAGE Publications Inc., Vol. IV. p. 339-364 26 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  11. 2007
  12. Published

    1+1=1: Bewegte Elemente im Werk Andrej Tarkowskijs

    Sprenger, F., 2007, Philosophie des Films. Leitner, B. & Engell, L. (eds.). Weimar: Verlag der Bauhaus-Universität Weimar, p. 128-141 14 p. (Philosophische Diskurse; vol. 8).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  13. Published

    Arttvism: Quando l'arte diventa consapevole ; intervista di Tatiana Bazzichelli

    Bazzichelli, T. (Contributor), 2007, Artivismo Tecnologico: Scritti e interviste su arte, politica, teatro e tecnologie. Verde, G. (ed.). Pisa: BFS, p. 56-58 3 p. (Biblioteca universale Utopie; vol. 7).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

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