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Abstraktion in Bewegung – Überwindung des Gegenständlichen in der Zeit. Der abstrakte Film der deutschen Filmavantgarde
Sandra Neugärtner (Speaker)
18.11.2023
Activity: Talk or presentation › Conference Presentations › Research
Aesthetics of complexity, artists and resilient communities in urban anthropo-scenes
Sacha Kagan (Keynote Speaker)
15.11.2014
Activity: Talk or presentation › Conference Presentations › Research
Arlene Raven: Collaborative Writing as Feminist Strategy
Oona Lochner (Speaker)
09.04.2016
Activity: Talk or presentation › Conference Presentations › Transfer
Art in urban Spaces of Possibility for Sustainability Transformation
Sacha Kagan (Keynote Speaker)
27.10.2017
Activity: Talk or presentation › Conference Presentations › Research
Auf dem Weg zu einer emanzipierten Provenienzforschung
Lynn Rother (Speaker)
20.04.2021
Activity: Talk or presentation › Conference Presentations › Research
"A Woman Sitting After Killing" (2001). Reviewing Chantal Akerman's "Jeanne Dielman" (1976).
Eva Kuhn (Speaker)
04.04.2017
Activity: Talk or presentation › Conference Presentations › Research
Beyond Semicolons and Brackets: Provenance Data of US Museum Collections
Lynn Rother (Speaker) & Fabio Mariani (Speaker)
23.06.2022
Activity: Talk or presentation › Conference Presentations › Research
Bildparallelitäten. Modi der Bildbeschreibung bei Julius Meier-Graefe
Stephanie Marchal (Speaker)
18.04.2015
Activity: Talk or presentation › Conference Presentations › Research
Border - the videographic traces by Laura Waddington as a cinematographic memorial.
Eva Kuhn (Speaker)
30.08.2009 → 01.09.2009
Activity: Talk or presentation › Conference Presentations › Research
Carola Giedion-Welcker (1893–1979) and the gendered Language of Sculpture`s Histories
Jordan Troeller (Speaker)
05.11.2021
Activity: Talk or presentation › Conference Presentations › Research
Clouds and Balloons
Hannah Zindel (Speaker)
2019 → …
Activity: Talk or presentation › Conference Presentations › Research
Crisis, Unrest, Common Sense. Environmental Societies of Control in the Films of Melanie Gilligan
Holger Kuhn (Oral presentation)
25.11.2020
Activity: Talk or presentation › Conference Presentations › Transfer
Critique de la Circulation: Constant, Debord, and the Design of Environments
Malte Fabian Rauch (Speaker)
11.12.2020
Activity: Talk or presentation › Conference Presentations › Transfer
Cutting Across Lines: Lil Picard and the Reorienting Effects of Collage
Oona Lochner (Speaker)
03.12.2020
Activity: Talk or presentation › Conference Presentations › Transfer
Das Bildnis als Gegenüber oder die Produktion von Gegenwart
Eva Kuhn (Speaker)
28.09.2022
Activity: Talk or presentation › Conference Presentations › Research
Die Dresdner Bank als »Marchand-Amateur«? Zur Rolle von Banken im NS-Kunstmarkt
Lynn Rother (Speaker)
09.10.2014
Activity: Talk or presentation › Conference Presentations › Research
Die Dresdner Bank und ihre Kunstgeschäfte
Lynn Rother (Speaker)
06.11.2012
Activity: Talk or presentation › Conference Presentations › Research
Die Kunstförderung der Deutschen Bank als Mittel oder als Zweck? Das Konzept »Zeitgenössische Kunst am Arbeitsplatz«
Lynn Rother (Speaker)
09.10.2008
Activity: Talk or presentation › Conference Presentations › Research
Driving L'Arlésienne: Transporting Paintings during National Socialism
Lynn Rother (Speaker)
27.10.2021
Activity: Talk or presentation › Conference Presentations › Research
Due Diligence – do provenances matter more than ever?
Lynn Rother (Speaker)
19.09.2019
Activity: Talk or presentation › Conference Presentations › Research

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Browse by research area

Abstraktion in Bewegung – Überwindung des Gegenständlichen in der Zeit. Der abstrakte Film der deutschen Filmavantgarde

Aesthetics of complexity, artists and resilient communities in urban anthropo-scenes

Arlene Raven: Collaborative Writing as Feminist Strategy

Art in urban Spaces of Possibility for Sustainability Transformation

Auf dem Weg zu einer emanzipierten Provenienzforschung

"A Woman Sitting After Killing" (2001). Reviewing Chantal Akerman's "Jeanne Dielman" (1976).

Beyond Semicolons and Brackets: Provenance Data of US Museum Collections

Bildparallelitäten. Modi der Bildbeschreibung bei Julius Meier-Graefe

Border - the videographic traces by Laura Waddington as a cinematographic memorial.

Carola Giedion-Welcker (1893–1979) and the gendered Language of Sculpture`s Histories

Clouds and Balloons

Crisis, Unrest, Common Sense. Environmental Societies of Control in the Films of Melanie Gilligan

Critique de la Circulation: Constant, Debord, and the Design of Environments

Cutting Across Lines: Lil Picard and the Reorienting Effects of Collage

Das Bildnis als Gegenüber oder die Produktion von Gegenwart

Die Dresdner Bank als »Marchand-Amateur«? Zur Rolle von Banken im NS-Kunstmarkt

Die Dresdner Bank und ihre Kunstgeschäfte

Die Kunstförderung der Deutschen Bank als Mittel oder als Zweck? Das Konzept »Zeitgenössische Kunst am Arbeitsplatz«

Driving L'Arlésienne: Transporting Paintings during National Socialism

Due Diligence – do provenances matter more than ever?

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