TY - JOUR

T1 - Umělecké výměny napříč afrikou, evropou

T2 - A asií globální záliba v kovových předmětěch z mamlúcké sýrie a Egypta v Itálii, západní Africe a Číně ve čtrnáctém a patnáctém století

AU - Schulz, Vera Simone

N1 - Publisher Copyright: © 2020, Masaryk University, Faculty of Arts. All rights reserved.

PY - 2020/11/1

Y1 - 2020/11/1

N2 - Much is to be learned from the ongoing and invigorating dialogue among art historical subdisciplines as well as archaeology and anthropology. This article therefore focuses on artistic responses in different regions to imported artifacts, revealing the vital relevance of transmedial and transmaterial dynamics in the premodern period. Examination of the movements in the fourteenth and fifteenth centuries of a group of metal objects from Mamluk Syria and Egypt to regions as far-flung as Italy, West Africa, and China sheds light on transcultural dynamics, networks, and processes of exchange. It questions the Eurocentric perspective that persists in art history even in the context of a global purview, hence contributing to current attempts to upend traditional notions of centers and peripheries. It thus illuminates notions of connectivity, transcultural interactions, and complex entanglements in long and short-distance artistic relationships across Afro-Eurasia in the Late Middle Ages.

AB - Much is to be learned from the ongoing and invigorating dialogue among art historical subdisciplines as well as archaeology and anthropology. This article therefore focuses on artistic responses in different regions to imported artifacts, revealing the vital relevance of transmedial and transmaterial dynamics in the premodern period. Examination of the movements in the fourteenth and fifteenth centuries of a group of metal objects from Mamluk Syria and Egypt to regions as far-flung as Italy, West Africa, and China sheds light on transcultural dynamics, networks, and processes of exchange. It questions the Eurocentric perspective that persists in art history even in the context of a global purview, hence contributing to current attempts to upend traditional notions of centers and peripheries. It thus illuminates notions of connectivity, transcultural interactions, and complex entanglements in long and short-distance artistic relationships across Afro-Eurasia in the Late Middle Ages.

KW - Kunstwissenschaft

KW - Global biographies of objects

KW - Late medieval Afro-Eurasia

KW - Mamluk metalwork

KW - Transcultural art history

KW - Transmedial and transmaterial dynamics

UR - http://www.scopus.com/inward/record.url?scp=85098538820&partnerID=8YFLogxK

M3 - Zeitschriftenaufsätze

AN - SCOPUS:85098538820

VL - 7

SP - 133

EP - 157

JO - Convivium (Czech Republic)

JF - Convivium (Czech Republic)

SN - 2336-3452

IS - 2

ER -