”The Machine Could Swallow Everything”: Satin Island and Performing Organization
Publikation: Beiträge in Sammelwerken › Aufsätze in Sammelwerken › Forschung › begutachtet
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Performing the Digital: Performativity and Performance Studies in Digital Cultures. Hrsg. / Martina v. Leeker; Imanuel Schipper; Timon Beyes. Bielefeld: transcript Verlag, 2017. S. 229–244.
Publikation: Beiträge in Sammelwerken › Aufsätze in Sammelwerken › Forschung › begutachtet
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TY - CHAP
T1 - ”The Machine Could Swallow Everything”
T2 - Satin Island and Performing Organization
AU - Beyes, Timon
N1 - Publisher Copyright: © 2017 transcript Verlag, Bielefeld.
PY - 2017/1/1
Y1 - 2017/1/1
N2 - How is performativity shaped by digital technologies – and how do performative practices reflect and alter techno-social formations? "Performing the Digital" explores, maps and theorizes the conditions and effects of performativity in digital cultures. Bringing together scholars from performance studies, media theory, sociology and organization studies as well as practitioners of performance, the contributions engage with the implications of digital media and its networked infrastructures for modulations of affect and the body, for performing cities, protest, organization and markets, and for the performativity of critique With contributions by Marie-Luise Angerer, Timon Beyes, Scott deLahunta and Florian Jenett, Margarete Jahrmann, Susan Kozel, Ann-Christina Lange, Oliver Leistert, Martina Leeker, Jon McKenzie, Sigrid Merx, Melanie Mohren and Bernhard Herbordt, Imanuel Schipper and Jens Schröter.
AB - How is performativity shaped by digital technologies – and how do performative practices reflect and alter techno-social formations? "Performing the Digital" explores, maps and theorizes the conditions and effects of performativity in digital cultures. Bringing together scholars from performance studies, media theory, sociology and organization studies as well as practitioners of performance, the contributions engage with the implications of digital media and its networked infrastructures for modulations of affect and the body, for performing cities, protest, organization and markets, and for the performativity of critique With contributions by Marie-Luise Angerer, Timon Beyes, Scott deLahunta and Florian Jenett, Margarete Jahrmann, Susan Kozel, Ann-Christina Lange, Oliver Leistert, Martina Leeker, Jon McKenzie, Sigrid Merx, Melanie Mohren and Bernhard Herbordt, Imanuel Schipper and Jens Schröter.
KW - Digital media
KW - Media and communication studies
UR - http://www.scopus.com/inward/record.url?scp=105004633103&partnerID=8YFLogxK
U2 - 10.14361/9783839433553-012
DO - 10.14361/9783839433553-012
M3 - Contributions to collected editions/anthologies
SN - 978-3-8376-3355-9
SP - 229
EP - 244
BT - Performing the Digital
A2 - v. Leeker, Martina
A2 - Schipper, Imanuel
A2 - Beyes, Timon
PB - transcript Verlag
CY - Bielefeld
ER -