Sprache

Publikation: Beiträge in SammelwerkenLexikonbeiträgeForschung

Standard

Sprache. / Jordan, Ulrike.
Terms of Exhibiting (from A to Z). Hrsg. / Petra Reichensperger. Berlin: Sternberg Press, 2013. S. 272-273.

Publikation: Beiträge in SammelwerkenLexikonbeiträgeForschung

Harvard

Jordan, U 2013, Sprache. in P Reichensperger (Hrsg.), Terms of Exhibiting (from A to Z). Sternberg Press, Berlin, S. 272-273.

APA

Jordan, U. (2013). Sprache. In P. Reichensperger (Hrsg.), Terms of Exhibiting (from A to Z) (S. 272-273). Sternberg Press.

Vancouver

Jordan U. Sprache. in Reichensperger P, Hrsg., Terms of Exhibiting (from A to Z). Berlin: Sternberg Press. 2013. S. 272-273

Bibtex

@inbook{37f751c28a8f4728b5f20dc045587af9,
title = "Sprache",
abstract = "This publication explores themes of the exhibition through its terms—not, however, to confine into isolated conceptual categories, but to interconnect. These terms characterize exhibiting and emphasize a “between-ness.” Examining a term lays bare its ruptures, shifts, or recreations, as well as social, societal, and cultural changes that have the power to structure through historical conjecture.Almost fifty terms relevant to the making and discussion of exhibitions today have been compiled in Terms of Exhibiting (from A to Z), contributed by Liam Gillick, Manfred Hermes, Wojciech Kosma, Clemens von Wedemeyer, Tobias Vogt, Jochen Volz, and June Yap, among others. Six essays investigate key terms raised by the three-part exhibition series “Terms of Exhibiting, Producing, and Performing” at Kunsthaus Dresden in 2012. Jan Verwoert reflects on the division of labor in artistic production, while Anke te Heesen presents a survey of the museum, collection, and exhibition. Markus Miessen discusses the advantages of curating institutions and inventing structures rather than merely implementing or appropriating them. The book also includes essays by Kirsten Maar, Ursula Panhans-B{\"u}hler, and Lee Weng-Choy. Each of the twelve conversations with various artists places one term under scrutiny within the context of their own artistic interests and practices—with reference to the term presence, Daniel Knorr explains the significance of materialization for his own creative process, while Brian O{\textquoteright}Doherty discusses invention in relation to his practice. Each term generates further insight and reflection into each individual art practice.Including glossaries written by Friedrich von Borries, Hans-Christian Dany, Stefanie Diekmann, Anna-Catharina Gebbers, Liam Gillick, Manfred Hermes, Ulrike Jordan, Vera Knolle, Wojciech Kosma, Verena Kuni, Pablo Larios, Oona Lochner, Fiona McGovern, Andrea Meyer, Ana Ofak, Christian Rattemeyer, Petra Reichensperger, Dietmar R{\"u}bel, Thibaut de Ruyter, J{\"o}rn Schafaff, Lea Schleiffenbaum, Anne Schreiber, Nora Sdun, Vera Tollmann, Clemens von Wedemeyer, Tobias Vogt, Jochen Volz, Renate Wagner, Friederike Wappler, June Yap{"}",
keywords = "Kulturwissenschaften allg., Kunstwissenschaft",
author = "Ulrike Jordan",
note = "Glossarbeitrag",
year = "2013",
month = dec,
language = "Deutsch",
isbn = "978-3-943365-75-7",
pages = "272--273",
editor = "Petra Reichensperger",
booktitle = "Terms of Exhibiting (from A to Z)",
publisher = "Sternberg Press",

}

RIS

TY - CHAP

T1 - Sprache

AU - Jordan, Ulrike

N1 - Glossarbeitrag

PY - 2013/12

Y1 - 2013/12

N2 - This publication explores themes of the exhibition through its terms—not, however, to confine into isolated conceptual categories, but to interconnect. These terms characterize exhibiting and emphasize a “between-ness.” Examining a term lays bare its ruptures, shifts, or recreations, as well as social, societal, and cultural changes that have the power to structure through historical conjecture.Almost fifty terms relevant to the making and discussion of exhibitions today have been compiled in Terms of Exhibiting (from A to Z), contributed by Liam Gillick, Manfred Hermes, Wojciech Kosma, Clemens von Wedemeyer, Tobias Vogt, Jochen Volz, and June Yap, among others. Six essays investigate key terms raised by the three-part exhibition series “Terms of Exhibiting, Producing, and Performing” at Kunsthaus Dresden in 2012. Jan Verwoert reflects on the division of labor in artistic production, while Anke te Heesen presents a survey of the museum, collection, and exhibition. Markus Miessen discusses the advantages of curating institutions and inventing structures rather than merely implementing or appropriating them. The book also includes essays by Kirsten Maar, Ursula Panhans-Bühler, and Lee Weng-Choy. Each of the twelve conversations with various artists places one term under scrutiny within the context of their own artistic interests and practices—with reference to the term presence, Daniel Knorr explains the significance of materialization for his own creative process, while Brian O’Doherty discusses invention in relation to his practice. Each term generates further insight and reflection into each individual art practice.Including glossaries written by Friedrich von Borries, Hans-Christian Dany, Stefanie Diekmann, Anna-Catharina Gebbers, Liam Gillick, Manfred Hermes, Ulrike Jordan, Vera Knolle, Wojciech Kosma, Verena Kuni, Pablo Larios, Oona Lochner, Fiona McGovern, Andrea Meyer, Ana Ofak, Christian Rattemeyer, Petra Reichensperger, Dietmar Rübel, Thibaut de Ruyter, Jörn Schafaff, Lea Schleiffenbaum, Anne Schreiber, Nora Sdun, Vera Tollmann, Clemens von Wedemeyer, Tobias Vogt, Jochen Volz, Renate Wagner, Friederike Wappler, June Yap"

AB - This publication explores themes of the exhibition through its terms—not, however, to confine into isolated conceptual categories, but to interconnect. These terms characterize exhibiting and emphasize a “between-ness.” Examining a term lays bare its ruptures, shifts, or recreations, as well as social, societal, and cultural changes that have the power to structure through historical conjecture.Almost fifty terms relevant to the making and discussion of exhibitions today have been compiled in Terms of Exhibiting (from A to Z), contributed by Liam Gillick, Manfred Hermes, Wojciech Kosma, Clemens von Wedemeyer, Tobias Vogt, Jochen Volz, and June Yap, among others. Six essays investigate key terms raised by the three-part exhibition series “Terms of Exhibiting, Producing, and Performing” at Kunsthaus Dresden in 2012. Jan Verwoert reflects on the division of labor in artistic production, while Anke te Heesen presents a survey of the museum, collection, and exhibition. Markus Miessen discusses the advantages of curating institutions and inventing structures rather than merely implementing or appropriating them. The book also includes essays by Kirsten Maar, Ursula Panhans-Bühler, and Lee Weng-Choy. Each of the twelve conversations with various artists places one term under scrutiny within the context of their own artistic interests and practices—with reference to the term presence, Daniel Knorr explains the significance of materialization for his own creative process, while Brian O’Doherty discusses invention in relation to his practice. Each term generates further insight and reflection into each individual art practice.Including glossaries written by Friedrich von Borries, Hans-Christian Dany, Stefanie Diekmann, Anna-Catharina Gebbers, Liam Gillick, Manfred Hermes, Ulrike Jordan, Vera Knolle, Wojciech Kosma, Verena Kuni, Pablo Larios, Oona Lochner, Fiona McGovern, Andrea Meyer, Ana Ofak, Christian Rattemeyer, Petra Reichensperger, Dietmar Rübel, Thibaut de Ruyter, Jörn Schafaff, Lea Schleiffenbaum, Anne Schreiber, Nora Sdun, Vera Tollmann, Clemens von Wedemeyer, Tobias Vogt, Jochen Volz, Renate Wagner, Friederike Wappler, June Yap"

KW - Kulturwissenschaften allg.

KW - Kunstwissenschaft

UR - https://d-nb.info/1048197999/04

M3 - Lexikonbeiträge

SN - 978-3-943365-75-7

SP - 272

EP - 273

BT - Terms of Exhibiting (from A to Z)

A2 - Reichensperger, Petra

PB - Sternberg Press

CY - Berlin

ER -

Zuletzt angesehen

Publikationen

  1. Autonomie der Migration
  2. Driving anger expression in Germany—Validation of the Driving Anger Expression Inventory for German drivers
  3. Two cascaded and extended kalman filters combined with sliding mode control for sustainable management of marine fish stocks
  4. Circular Business Models: OVercoming Barriers, Unleashing Potentials
  5. The "German Case"
  6. Reallabor versus Realexperiment
  7. Plant-plant interactions, biodiversity & assembly in grasslands and their relevance to restoration
  8. Vielfältige Partizipation oder Repräsentation von Vielfalt in der Occupy-Bewegung?
  9. International scaling of sustainability continuing professional development for in-service teachers
  10. Kann man Wald ernten?
  11. Effective democracy, mass culture, and the quality of elites
  12. Medienerziehung in der Kindertagesstätte
  13. Exemplarisch lernen an der "Lüneburger Heide"
  14. MindMatters - A programme for the promotion of mental health in primary and secondary schools
  15. Determination of phosphorus in phosphorylated deoxyribonucleotides using capillary electrophoresis and high performance liquid chromatography hyphenated to inductively coupled plasma mass spectrometry with an octopole reaction cell
  16. Solution heat treatment on mechanical properties and corrosion of extruded Mg5Gd compared to pure Mg
  17. Exploring the Corporate Reality of Sustainability Accounting Practice
  18. Self-Wiring Question Answering Systems
  19. How test takers see test examiners
  20. UN Global Action Programme and Education for Sustainable Development: A Critical Appraisal of the Evidence Base
  21. Organizational Practice Transfer within a Transnational Professional Service Firm
  22. Carnivores’ contributions to people in Europe
  23. Formen des Kontakts