Organizing Creativity for Innovation: Situated Practices and Process Perspectives

Publikation: Beiträge in SammelwerkenKapitelbegutachtet

Standard

Organizing Creativity for Innovation : Situated Practices and Process Perspectives. / Svejenova, Silviya; Cohendet, Patrick; Schüßler, Elke.

Organizing Creativity in the Innovation Journey. Hrsg. / Elke Schüßler; Patrick Cohendet; Silviya Svejenova. Emerald Publishing Limited, 2021. S. 1-16 (Research in the Sociology of Organizations; Band 75).

Publikation: Beiträge in SammelwerkenKapitelbegutachtet

Harvard

Svejenova, S, Cohendet, P & Schüßler, E 2021, Organizing Creativity for Innovation: Situated Practices and Process Perspectives. in E Schüßler, P Cohendet & S Svejenova (Hrsg.), Organizing Creativity in the Innovation Journey. Research in the Sociology of Organizations, Bd. 75, Emerald Publishing Limited, S. 1-16. https://doi.org/10.1108/S0733-558X20210000075002

APA

Svejenova, S., Cohendet, P., & Schüßler, E. (2021). Organizing Creativity for Innovation: Situated Practices and Process Perspectives. in E. Schüßler, P. Cohendet, & S. Svejenova (Hrsg.), Organizing Creativity in the Innovation Journey (S. 1-16). (Research in the Sociology of Organizations; Band 75). Emerald Publishing Limited. https://doi.org/10.1108/S0733-558X20210000075002

Vancouver

Svejenova S, Cohendet P, Schüßler E. Organizing Creativity for Innovation: Situated Practices and Process Perspectives. in Schüßler E, Cohendet P, Svejenova S, Hrsg., Organizing Creativity in the Innovation Journey. Emerald Publishing Limited. 2021. S. 1-16. (Research in the Sociology of Organizations). doi: 10.1108/S0733-558X20210000075002

Bibtex

@inbook{9c59971d19834de4a2185597310f3dae,
title = "Organizing Creativity for Innovation: Situated Practices and Process Perspectives",
abstract = "This volume brings together empirical and conceptual papers that investigate the challenges of organizing creativity in the innovation journey in and across different empirical contexts. Seen as the basis for innovating new products, processes or services, organizing creativity is studied as intentional efforts that occur in teams, organizations, and fields. What creativity is, how it is defined, negotiated and recognized is hereby co-constructed with different audiences and in different economic and societal spheres. The papers in this volume extend our understanding of these contextualized social dynamics of organizing creativity in four directions. The first direction sheds light on the temporal dynamics of organizing creativity in artistic fields. The second direction compares creative processes in arts and science, thereby examining tensions and uncertainties in the creative process unfolding in two distinctive contexts of creativity. The third direction examines identity struggles of creative agents in organizations with clashing roles, professional norms, and ambiguities in creativity assessment. The fourth and final direction unravels the communicative journey of ideas from pitching to feedback, revealing how ideas are challenged, enriched, and acquire meaning in communicative interaction. Overall, the papers in this volume contribute to a situated view of creative processes in innovation which goes beyond questions of idea generation to account for dynamics of idea development, judgment, and dissemination which involve identity struggles, evaluation, and communication – processes which are at the heart of organizing for innovation.",
keywords = "Management studies, creativity, innovation, organizing, creative work, idea journey, process",
author = "Silviya Svejenova and Patrick Cohendet and Elke Sch{\"u}{\ss}ler",
note = "Publisher Copyright: {\textcopyright} 2021 by Emerald Publishing Limited.",
year = "2021",
month = sep,
day = "17",
doi = "10.1108/S0733-558X20210000075002",
language = "English",
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pages = "1--16",
editor = "Elke Sch{\"u}{\ss}ler and Patrick Cohendet and Silviya Svejenova",
booktitle = "Organizing Creativity in the Innovation Journey",
address = "United Kingdom",

}

RIS

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AU - Cohendet, Patrick

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N2 - This volume brings together empirical and conceptual papers that investigate the challenges of organizing creativity in the innovation journey in and across different empirical contexts. Seen as the basis for innovating new products, processes or services, organizing creativity is studied as intentional efforts that occur in teams, organizations, and fields. What creativity is, how it is defined, negotiated and recognized is hereby co-constructed with different audiences and in different economic and societal spheres. The papers in this volume extend our understanding of these contextualized social dynamics of organizing creativity in four directions. The first direction sheds light on the temporal dynamics of organizing creativity in artistic fields. The second direction compares creative processes in arts and science, thereby examining tensions and uncertainties in the creative process unfolding in two distinctive contexts of creativity. The third direction examines identity struggles of creative agents in organizations with clashing roles, professional norms, and ambiguities in creativity assessment. The fourth and final direction unravels the communicative journey of ideas from pitching to feedback, revealing how ideas are challenged, enriched, and acquire meaning in communicative interaction. Overall, the papers in this volume contribute to a situated view of creative processes in innovation which goes beyond questions of idea generation to account for dynamics of idea development, judgment, and dissemination which involve identity struggles, evaluation, and communication – processes which are at the heart of organizing for innovation.

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DOI