On Gender Statistics in the Art Field and Leading Positions in the International Sphere

Publikation: Beiträge in ZeitschriftenZeitschriftenaufsätzeForschungbegutachtet

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On Gender Statistics in the Art Field and Leading Positions in the International Sphere. / Hassler, Katrin.

in: n.paradoxa, Jahrgang 39, 01.2017, S. 48-55.

Publikation: Beiträge in ZeitschriftenZeitschriftenaufsätzeForschungbegutachtet

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@article{f8ae0f164be047f9868ef034260a0511,
title = "On Gender Statistics in the Art Field and Leading Positions in the International Sphere",
abstract = "In her analysis of the situation of women artists, Katrin Hassler makes a strong distinction between academic and activist analyses of statistics. Her own academic research tackles the ways in which women artists appear in three sources: ArtFacts.Net; KunstKompass and Artinvestor. She contrasts the position of women curators/museum directors/gallerists with the situation of women artists in several key surveys of the art market/art world, points to the absence of attention to gender as a factor of analysis in many studies and highlights the asymmetrical distribution of women artists compared to women gallerists/museum directors working in the field as a whole. Using Bourdieu, she explores this further through presenting the idea of {"}dominated dominants{"} to describe the actual situation of women in the {"}social room{"} of the art sphere.",
keywords = "Gender and Diversity, Cultural studies",
author = "Katrin Hassler",
year = "2017",
month = jan,
language = "English",
volume = "39",
pages = "48--55",
journal = "n.paradoxa",
issn = "1461-0434",
publisher = "KT press",

}

RIS

TY - JOUR

T1 - On Gender Statistics in the Art Field and Leading Positions in the International Sphere

AU - Hassler, Katrin

PY - 2017/1

Y1 - 2017/1

N2 - In her analysis of the situation of women artists, Katrin Hassler makes a strong distinction between academic and activist analyses of statistics. Her own academic research tackles the ways in which women artists appear in three sources: ArtFacts.Net; KunstKompass and Artinvestor. She contrasts the position of women curators/museum directors/gallerists with the situation of women artists in several key surveys of the art market/art world, points to the absence of attention to gender as a factor of analysis in many studies and highlights the asymmetrical distribution of women artists compared to women gallerists/museum directors working in the field as a whole. Using Bourdieu, she explores this further through presenting the idea of "dominated dominants" to describe the actual situation of women in the "social room" of the art sphere.

AB - In her analysis of the situation of women artists, Katrin Hassler makes a strong distinction between academic and activist analyses of statistics. Her own academic research tackles the ways in which women artists appear in three sources: ArtFacts.Net; KunstKompass and Artinvestor. She contrasts the position of women curators/museum directors/gallerists with the situation of women artists in several key surveys of the art market/art world, points to the absence of attention to gender as a factor of analysis in many studies and highlights the asymmetrical distribution of women artists compared to women gallerists/museum directors working in the field as a whole. Using Bourdieu, she explores this further through presenting the idea of "dominated dominants" to describe the actual situation of women in the "social room" of the art sphere.

KW - Gender and Diversity

KW - Cultural studies

M3 - Journal articles

VL - 39

SP - 48

EP - 55

JO - n.paradoxa

JF - n.paradoxa

SN - 1461-0434

ER -

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