Local scenes, urban development and the commercialization of live music: Three fields of tension for scene based performing spaces

Publikation: Beiträge in SammelwerkenAbstracts in KonferenzbändenForschungbegutachtet

Standard

Local scenes, urban development and the commercialization of live music: Three fields of tension for scene based performing spaces. / Kuchar, Robin.
KISMIF - Keep it simple make it fast : DIY Cultures, Spaces & Places. Book of Abstracts. Hrsg. / Andy Bennett; Paula Guerra. Universidade Porto, 2016. S. 113.

Publikation: Beiträge in SammelwerkenAbstracts in KonferenzbändenForschungbegutachtet

Harvard

Kuchar, R 2016, Local scenes, urban development and the commercialization of live music: Three fields of tension for scene based performing spaces. in A Bennett & P Guerra (Hrsg.), KISMIF - Keep it simple make it fast : DIY Cultures, Spaces & Places. Book of Abstracts. Universidade Porto, S. 113, International Conference “Keep It Simple, Make It Fast! DIY Cultures, Spaces and Places" - KISMIF 2016, Porto, Portugal, 17.07.16. <https://www.kismifconference.com/pt/2016/kismif-conference-2016-book-abstracts/>

APA

Kuchar, R. (2016). Local scenes, urban development and the commercialization of live music: Three fields of tension for scene based performing spaces. In A. Bennett, & P. Guerra (Hrsg.), KISMIF - Keep it simple make it fast : DIY Cultures, Spaces & Places. Book of Abstracts (S. 113). Universidade Porto. https://www.kismifconference.com/pt/2016/kismif-conference-2016-book-abstracts/

Vancouver

Kuchar R. Local scenes, urban development and the commercialization of live music: Three fields of tension for scene based performing spaces. in Bennett A, Guerra P, Hrsg., KISMIF - Keep it simple make it fast : DIY Cultures, Spaces & Places. Book of Abstracts. Universidade Porto. 2016. S. 113

Bibtex

@inbook{54ab26132ccc49d39208655e78f4be03,
title = "Local scenes, urban development and the commercialization of live music: Three fields of tension for scene based performing spaces",
abstract = "The paper examines how music venues as spaces of collective representations of local scenes are affected by ongoing transformations in the fields of cultural production, urban development/ -regeneration and the Music Industries. Regarding the case of Hamburg, the paper analyses how self-concepts and action of local music spaces like clubs and their users handle neoliberal influence of the city as well as of the industry and in the field of music production and consumption itself. These different kinds of tension deliver questions referring to the defense and preservation of cultural/social values and (subcultural) space, changing local identities and alternative strategies between the poles of DIY-ethics and constraints towards professionalization. ",
keywords = "Cultural studies",
author = "Robin Kuchar",
year = "2016",
month = jul,
language = "English",
pages = "113",
editor = "Andy Bennett and Paula Guerra",
booktitle = "KISMIF - Keep it simple make it fast ",
publisher = "Universidade Porto",
address = "Portugal",
note = "KISMIF - DIY Cultures, Spaces &amp; Places ; Conference date: 17-07-2016 Through 21-07-2016",
url = "https://www.kismifconference.com/en/call-conference-2/",

}

RIS

TY - CHAP

T1 - Local scenes, urban development and the commercialization of live music

T2 - KISMIF - DIY Cultures, Spaces &amp; Places

AU - Kuchar, Robin

N1 - Conference code: 3

PY - 2016/7

Y1 - 2016/7

N2 - The paper examines how music venues as spaces of collective representations of local scenes are affected by ongoing transformations in the fields of cultural production, urban development/ -regeneration and the Music Industries. Regarding the case of Hamburg, the paper analyses how self-concepts and action of local music spaces like clubs and their users handle neoliberal influence of the city as well as of the industry and in the field of music production and consumption itself. These different kinds of tension deliver questions referring to the defense and preservation of cultural/social values and (subcultural) space, changing local identities and alternative strategies between the poles of DIY-ethics and constraints towards professionalization.

AB - The paper examines how music venues as spaces of collective representations of local scenes are affected by ongoing transformations in the fields of cultural production, urban development/ -regeneration and the Music Industries. Regarding the case of Hamburg, the paper analyses how self-concepts and action of local music spaces like clubs and their users handle neoliberal influence of the city as well as of the industry and in the field of music production and consumption itself. These different kinds of tension deliver questions referring to the defense and preservation of cultural/social values and (subcultural) space, changing local identities and alternative strategies between the poles of DIY-ethics and constraints towards professionalization.

KW - Cultural studies

M3 - Published abstract in conference proceedings

SP - 113

BT - KISMIF - Keep it simple make it fast 

A2 - Bennett, Andy

A2 - Guerra, Paula

PB - Universidade Porto

Y2 - 17 July 2016 through 21 July 2016

ER -