John Ford's 'Rio Grande': Momism, the Cold War, and the American frontier

Jörn Glasenapp

doi:10.1515/zaa-2005-0307

John Ford's 'Rio Grande': Momism, the Cold War, and the American frontier

Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung › begutachtet

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John Ford's 'Rio Grande': Momism, the Cold War, and the American frontier. / Glasenapp, Jörn.
in: Zeitschrift für Anglistik und Amerikanistik, Jahrgang 53, Nr. 3, 01.07.2005, S. 273-283.

Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung › begutachtet

Bibtex

@article{6f9f9c370e9a41b0b5ede2c571e0ecf1,

title = "John Ford's 'Rio Grande': Momism, the Cold War, and the American frontier",

abstract = "Undoubtedly, John Ford's Rio Grande can be regarded as a prime example of the so-called Cold War Western. Released in November 1950, the film was read by many film critics as the director's right-wing statement on the Korea crisis. Sharing this view, my analysis will show to what a high degree Rio Grande supported the conservative gender politics of American postwar society, which, as Elaine Tyler May and others persuasively argue, fought communism not only in remote parts of the world but also and especially in the family, with women, and mothers in particular, blamed for involuntarily supporting the 'red' infiltration.",

keywords = "Media and communication studies",

author = "J{\"o}rn Glasenapp",

year = "2005",

month = jul,

day = "1",

doi = "10.1515/zaa-2005-0307",

language = "English",

volume = "53",

pages = "273--283",

journal = "Zeitschrift f{\"u}r Anglistik und Amerikanistik",

issn = "0044-2305",

publisher = "K{\"o}nigshausen & Neumann",

number = "3",

}

RIS

TY - JOUR

T1 - John Ford's 'Rio Grande': Momism, the Cold War, and the American frontier

AU - Glasenapp, Jörn

PY - 2005/7/1

Y1 - 2005/7/1

N2 - Undoubtedly, John Ford's Rio Grande can be regarded as a prime example of the so-called Cold War Western. Released in November 1950, the film was read by many film critics as the director's right-wing statement on the Korea crisis. Sharing this view, my analysis will show to what a high degree Rio Grande supported the conservative gender politics of American postwar society, which, as Elaine Tyler May and others persuasively argue, fought communism not only in remote parts of the world but also and especially in the family, with women, and mothers in particular, blamed for involuntarily supporting the 'red' infiltration.

AB - Undoubtedly, John Ford's Rio Grande can be regarded as a prime example of the so-called Cold War Western. Released in November 1950, the film was read by many film critics as the director's right-wing statement on the Korea crisis. Sharing this view, my analysis will show to what a high degree Rio Grande supported the conservative gender politics of American postwar society, which, as Elaine Tyler May and others persuasively argue, fought communism not only in remote parts of the world but also and especially in the family, with women, and mothers in particular, blamed for involuntarily supporting the 'red' infiltration.

KW - Media and communication studies

UR - https://www.webofscience.com/wos/woscc/full-record/WOS:000231802600006

UR - http://www.scopus.com/inward/record.url?scp=60950573594&partnerID=8YFLogxK

U2 - 10.1515/zaa-2005-0307

DO - 10.1515/zaa-2005-0307

M3 - Journal articles

VL - 53

SP - 273

EP - 283

JO - Zeitschrift für Anglistik und Amerikanistik

JF - Zeitschrift für Anglistik und Amerikanistik

SN - 0044-2305