Glass Scenographies. Notes on Spaces of One’s Own

Publikation: Bücher und AnthologienBuch

Standard

Glass Scenographies. Notes on Spaces of One’s Own. / Gellai, Szilvia; Brückner-Amin, Sina.
1. Aufl. M BOOKS, 2023. (CCSA Topics).

Publikation: Bücher und AnthologienBuch

Harvard

APA

Gellai, S., & Brückner-Amin, S. (2023). Glass Scenographies. Notes on Spaces of One’s Own. (1. Aufl.) (CCSA Topics). M BOOKS. https://doi.org/10.21248/gups.74398

Vancouver

Gellai S, Brückner-Amin S. Glass Scenographies. Notes on Spaces of One’s Own. 1. Aufl. M BOOKS, 2023. (CCSA Topics). doi: 10.21248/gups.74398

Bibtex

@book{cd2ee87e22824b76bdc9823ee158051a,
title = "Glass Scenographies. Notes on Spaces of One{\textquoteright}s Own",
abstract = "In the first half of the 20th century, when architecture and literature dreamed of transparency, glass was the material these dreams were made of. However, the historiography of both fields usually focuses on a few canonical works by male authors to tell the story of this shared fascination. Departing from this imbalance, this essay takes the opportunity to explore the glass culture of modernity through the lens of female projects whose stories often take place simultaneously on different continents. While the former silent film actor Evelyn Word Leigh builds a glass house for herself in Nyack, New York, artists and writers based in Europe – like Claude Cahun, Ana{\"i}s Nin, and Hilda {\textquoteleft}H.D.{\textquoteright} Doolittle – flesh out imaginary glass domes as construction sites of artistic subjectivities. Whether homes or domes, these creative women used glass environments to question and renegotiate their assigned places in western societies, challenging the boundaries of female agency.",
keywords = "Glasarchitektur, Transparenz, Critical Transparency Studies, Literatur, Feminismus, Gender History",
author = "Szilvia Gellai and Sina Br{\"u}ckner-Amin",
year = "2023",
month = jun,
day = "29",
doi = "10.21248/gups.74398",
language = "English",
isbn = "978-3-944425-26-9",
series = "CCSA Topics",
publisher = "M BOOKS",
edition = "1.",

}

RIS

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T1 - Glass Scenographies. Notes on Spaces of One’s Own

AU - Gellai, Szilvia

AU - Brückner-Amin, Sina

PY - 2023/6/29

Y1 - 2023/6/29

N2 - In the first half of the 20th century, when architecture and literature dreamed of transparency, glass was the material these dreams were made of. However, the historiography of both fields usually focuses on a few canonical works by male authors to tell the story of this shared fascination. Departing from this imbalance, this essay takes the opportunity to explore the glass culture of modernity through the lens of female projects whose stories often take place simultaneously on different continents. While the former silent film actor Evelyn Word Leigh builds a glass house for herself in Nyack, New York, artists and writers based in Europe – like Claude Cahun, Anaïs Nin, and Hilda ‘H.D.’ Doolittle – flesh out imaginary glass domes as construction sites of artistic subjectivities. Whether homes or domes, these creative women used glass environments to question and renegotiate their assigned places in western societies, challenging the boundaries of female agency.

AB - In the first half of the 20th century, when architecture and literature dreamed of transparency, glass was the material these dreams were made of. However, the historiography of both fields usually focuses on a few canonical works by male authors to tell the story of this shared fascination. Departing from this imbalance, this essay takes the opportunity to explore the glass culture of modernity through the lens of female projects whose stories often take place simultaneously on different continents. While the former silent film actor Evelyn Word Leigh builds a glass house for herself in Nyack, New York, artists and writers based in Europe – like Claude Cahun, Anaïs Nin, and Hilda ‘H.D.’ Doolittle – flesh out imaginary glass domes as construction sites of artistic subjectivities. Whether homes or domes, these creative women used glass environments to question and renegotiate their assigned places in western societies, challenging the boundaries of female agency.

KW - Glasarchitektur

KW - Transparenz

KW - Critical Transparency Studies

KW - Literatur

KW - Feminismus

KW - Gender History

U2 - 10.21248/gups.74398

DO - 10.21248/gups.74398

M3 - Book

SN - 978-3-944425-26-9

T3 - CCSA Topics

BT - Glass Scenographies. Notes on Spaces of One’s Own

PB - M BOOKS

ER -

DOI