Crossroads of cloth: Textile arts and aesthetics in and beyond the medieval islamic world

Publikation: Beiträge in ZeitschriftenÜbersichtsarbeitenForschung

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Crossroads of cloth: Textile arts and aesthetics in and beyond the medieval islamic world. / Schulz, Vera Simone.
in: Perspective (France), Jahrgang 2016, Nr. 1, 30.06.2016, S. 93-108.

Publikation: Beiträge in ZeitschriftenÜbersichtsarbeitenForschung

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@article{fd271ab9d36d4deea3bbf29c929cba82,
title = "Crossroads of cloth: Textile arts and aesthetics in and beyond the medieval islamic world",
abstract = "Textile arts were long neglected by art history as “minor” or “applied” arts; however, the recent turns towards transcultural and global art history, material culture, and a new interest in artifacts have brought increasing attention to textile studies. In this context the author seeks to reassess academic approaches to textiles from the medieval Islamic world, highlighting their role in the lively artistic interactions between Islamic territories and other regions and exploring both the multiple temporalities inherent in many textiles and their place at the intersection of various media and materials. Rather than technical analyses of medieval fabrics, she offers a contribution to the re-evaluation of the textile medium within the discipline of art history.",
keywords = "Science of art",
author = "Schulz, {Vera Simone}",
year = "2016",
month = jun,
day = "30",
doi = "10.4000/perspective.6309",
language = "English",
volume = "2016",
pages = "93--108",
journal = "Perspective (France)",
issn = "1777-7852",
publisher = "Institut National d'histoire de l'art",
number = "1",

}

RIS

TY - JOUR

T1 - Crossroads of cloth

T2 - Textile arts and aesthetics in and beyond the medieval islamic world

AU - Schulz, Vera Simone

PY - 2016/6/30

Y1 - 2016/6/30

N2 - Textile arts were long neglected by art history as “minor” or “applied” arts; however, the recent turns towards transcultural and global art history, material culture, and a new interest in artifacts have brought increasing attention to textile studies. In this context the author seeks to reassess academic approaches to textiles from the medieval Islamic world, highlighting their role in the lively artistic interactions between Islamic territories and other regions and exploring both the multiple temporalities inherent in many textiles and their place at the intersection of various media and materials. Rather than technical analyses of medieval fabrics, she offers a contribution to the re-evaluation of the textile medium within the discipline of art history.

AB - Textile arts were long neglected by art history as “minor” or “applied” arts; however, the recent turns towards transcultural and global art history, material culture, and a new interest in artifacts have brought increasing attention to textile studies. In this context the author seeks to reassess academic approaches to textiles from the medieval Islamic world, highlighting their role in the lively artistic interactions between Islamic territories and other regions and exploring both the multiple temporalities inherent in many textiles and their place at the intersection of various media and materials. Rather than technical analyses of medieval fabrics, she offers a contribution to the re-evaluation of the textile medium within the discipline of art history.

KW - Science of art

UR - http://www.scopus.com/inward/record.url?scp=84992178564&partnerID=8YFLogxK

UR - https://www.mendeley.com/catalogue/57f4f48a-a4a8-3a43-9244-f0685c3ba6c2/

U2 - 10.4000/perspective.6309

DO - 10.4000/perspective.6309

M3 - Scientific review articles

AN - SCOPUS:84992178564

VL - 2016

SP - 93

EP - 108

JO - Perspective (France)

JF - Perspective (France)

SN - 1777-7852

IS - 1

ER -

DOI