Cinephilia in transition

Publikation: Beiträge in SammelwerkenAufsätze in SammelwerkenForschung

Standard

Cinephilia in transition. / Hagener, Malte; Valck, Marijke.
Mind the screen: Media Concepts According to Thomas Elsaesser. Hrsg. / Jaap Kooijman; Patricia Pisters; Wanda Strauven. Amsterdam: Amsterdam University Press, 2008. S. 19-31.

Publikation: Beiträge in SammelwerkenAufsätze in SammelwerkenForschung

Harvard

Hagener, M & Valck, M 2008, Cinephilia in transition. in J Kooijman, P Pisters & W Strauven (Hrsg.), Mind the screen: Media Concepts According to Thomas Elsaesser. Amsterdam University Press, Amsterdam, S. 19-31. https://doi.org/10.5117/9789089640253

APA

Hagener, M., & Valck, M. (2008). Cinephilia in transition. In J. Kooijman, P. Pisters, & W. Strauven (Hrsg.), Mind the screen: Media Concepts According to Thomas Elsaesser (S. 19-31). Amsterdam University Press. https://doi.org/10.5117/9789089640253

Vancouver

Hagener M, Valck M. Cinephilia in transition. in Kooijman J, Pisters P, Strauven W, Hrsg., Mind the screen: Media Concepts According to Thomas Elsaesser. Amsterdam: Amsterdam University Press. 2008. S. 19-31 doi: 10.5117/9789089640253

Bibtex

@inbook{d3bbfd3da9a14f24b016c502a9c4ea08,
title = "Cinephilia in transition",
abstract = "When discussing the concept of cinephilia, the first and perennial question that inevitably comes to mind is what do we actually mean by cinephilia, this rare and elusive feeling of nostalgic attachment to images, stories, and sounds, this strangely elitist relationship to an art form that is still often derided as blatantly commercial. As popular as the term has proven to be, at least since theCahiers du cin{\'e}macritics launched it as a battle cry in the 1960s, it seems hard to nail it down to any foolproof definition. The problem of theoretically understanding one{\textquoteright}s libidinal, emotional, and affective...",
keywords = "Media and communication studies",
author = "Malte Hagener and Marijke Valck",
year = "2008",
month = jan,
day = "1",
doi = "10.5117/9789089640253",
language = "English",
isbn = "978-9089640253",
pages = "19--31",
editor = "Jaap Kooijman and Patricia Pisters and Wanda Strauven",
booktitle = "Mind the screen",
publisher = "Amsterdam University Press",
address = "Netherlands",

}

RIS

TY - CHAP

T1 - Cinephilia in transition

AU - Hagener, Malte

AU - Valck, Marijke

PY - 2008/1/1

Y1 - 2008/1/1

N2 - When discussing the concept of cinephilia, the first and perennial question that inevitably comes to mind is what do we actually mean by cinephilia, this rare and elusive feeling of nostalgic attachment to images, stories, and sounds, this strangely elitist relationship to an art form that is still often derided as blatantly commercial. As popular as the term has proven to be, at least since theCahiers du cinémacritics launched it as a battle cry in the 1960s, it seems hard to nail it down to any foolproof definition. The problem of theoretically understanding one’s libidinal, emotional, and affective...

AB - When discussing the concept of cinephilia, the first and perennial question that inevitably comes to mind is what do we actually mean by cinephilia, this rare and elusive feeling of nostalgic attachment to images, stories, and sounds, this strangely elitist relationship to an art form that is still often derided as blatantly commercial. As popular as the term has proven to be, at least since theCahiers du cinémacritics launched it as a battle cry in the 1960s, it seems hard to nail it down to any foolproof definition. The problem of theoretically understanding one’s libidinal, emotional, and affective...

KW - Media and communication studies

UR - https://www.mendeley.com/catalogue/108b069d-c4f4-3644-943d-5a463e07fd5a/

U2 - 10.5117/9789089640253

DO - 10.5117/9789089640253

M3 - Contributions to collected editions/anthologies

SN - 978-9089640253

SN - 9089640258

SP - 19

EP - 31

BT - Mind the screen

A2 - Kooijman, Jaap

A2 - Pisters, Patricia

A2 - Strauven, Wanda

PB - Amsterdam University Press

CY - Amsterdam

ER -

Links

DOI

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