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Vera-Simone Schulz

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Prof. Dr. Vera-Simone Schulz

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  1. 2017
  2. Published

    Absorption

    Schulz, V.-S., 2017, Textile Terms: A Glossary. Reineke, A., Röhl, A., Kapustka , M. & Weddigen, T. (eds.). Emsdetten/Berlin , p. 8–12

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  3. Published

    Carpet

    Schulz, V.-S., 2017, Textile Terms: A Glossary. Reineke, A., Röhl, A., Kapustka, M. & Weddigen, T. (eds.). Emsdetten/Berlin , p. 33–37

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  4. Published

    Looking at Figures and Fabrics with a ‘Period Eye’

    Schulz, V.-S., 2017, Usages de la figure, régimes de figuration. Marin , L. & Diaconu, A. (eds.). Bukarest, p. 217–234

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research

  5. 2018
  6. Published

    Along the Path of the Pine, the Parrot, and the Tortoise: Warburg’s Image Vehicles, Fourteenth-Century Italian Painting, and the Textile Arts

    Schulz, V.-S., 2018, Liminal Spaces of Art between Europe and the Middle East. Prijatelj Pavičić, I. (ed.). Cambridge, p. 142–160

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research

  7. Published

    Das Parlament der Dinge: Transmateriale und transmediale Dynamiken, Bild-Ding-Relationen und - ‘Meta-Artefakt-Malerei’

    Schulz, V.-S., 2018, In: Artium Quaestiones. 29, p. 25–62

    Research output: Journal contributions › Journal articles › Research › peer-review

  8. Published

    Schriftgestöber und geritztes Gold: Orientalisierende Inschriften in der italienischen Tafelmalerei um 1300

    Schulz, V.-S., 2018, Zeichentragende Artefakte im sakralen Raum: Zwischen Präsenz und UnSichtbarkeit. Keil, W. E., Kiyanrad, S., Theis , C. & Willer, L. (eds.). Berlin, p. 215–244

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research

  9. Encounters, interactions, and connectivities from an art historical perspective

    Montero, E. P. & Schulz, V. S., 01.01.2018, In: Rechtsgeschichte. 26, p. 222-232 11 p.

    Research output: Journal contributions › Scientific review articles › Research

  10. Infiltrating Artifacts: The Impact of Islamic Art in Fourteenth- and Fifteenth-Century Florence and Pisa

    Schulz, V. S., 02.10.2018, In: Konsthistorisk Tidskrift. 87, 4, p. 214-233 20 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  11. Artistic dynamics across the Seas: Architecture, objects, and ornamentation in the medieval port cities Kilwa, Songo Mnara and Pisa

    Schulz, V. S., 30.11.2018, Early Maritime Cultures in East Africa and the Western Indian Ocean: Papers from a conference held at the University of Wisconsin-Madison (African Studies Program) 23-24 October 2015, with additional contributions. Sarathi, A. (ed.). Archaeopress Publishing Ltd, p. 185-214 30 p.

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

  12. 2019
  13. Published

    ’Cangiante Fabrics’, Marble Cloths, and the Textility of Stone: Transmaterial Aesthetics in Ambrogio Lorenzetti’s Presentation at the Temple and 13th- and 14th-Century Tuscan Painting

    Schulz, V.-S., 2019, Steinformen: Materialität, Qualität, Imitation. Augart, I., Saß , M. & Wenderholm, I. (eds.). Berlin, p. 279–301

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research

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