Martina Leeker

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Prof. Dr. Martina Leeker

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Published
Data traffic in theater and engineering: Between technical conditions and illusions
Leeker, M. & Steppat, M., 25.09.2015, Traffic: Media as Infrastructures and Cultural Practices. Näser-Lather, M. & Neubert, C. (eds.). Leiden: Brill, p. 160-179 20 p. (Literature and Cultural Studies E-Books Online, Collection ; vol. 88).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
There is no software, there are just services
Kaldrack, I. (ed.) & Leeker, M. (ed.), 2015, Lüneburg: meson press. 114 p. (Digital Cultures)
Research output: Books and anthologies › Collected editions and anthologies › Research
Published
There is no Software, there are just Services: Introduction
Kaldrack, I. & Leeker, M., 2015, There is no Software, there are just Services. Kaldrack, I. & Leeker, M. (eds.). Lüneburg: meson press, p. 9-19 11 p. (Digital Cultures).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Astro-Kulturen zwischen epistemisch-diskursiven Notwendigkeiten und schwachen Ontologien: Ein Nachwort
Leeker, M., 2014, Astroculture: Figurations of Cosmology in Media and Arts. Neef, S., Sussman, H. & Boschung, D. (eds.). 1. ed. Paderborn: Wilhelm Fink Verlag, p. 217-231 15 p. (Morphomata; vol. 17).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Faszinosum Maschine: Die Roboterperformances von Louis Philipp Demers & Bill Vorn
Kaldrack, I. & Leeker, M., 2003, Es - das Wesen der Maschine. Demers, L. P. (ed.). Osnabrück: Europ. Media Art Festival, p. 10-33 23 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Von der Performance mit Musik zur Performanz rückgekoppelter Maschinengeräusche: Töne, Klänge und Geräusche in Installationen und Performances in den achtziger Jahren und um 2000
Leeker, M., 2006, Reflexzonen, Migration. Brüstle, C. & Rebstock, M. (eds.). 1 ed. Saarbrücken: Pfau Verlag, p. 165-177 13 p. (Musik im Dialog; vol. 6)(Jahrbuch der Berliner Gesellschaft für Neue Musik; vol. 2003/2004).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
Digitale Operativität und Performance: Geschichte der Mensch-Computer-Schnittstelle im Moment ihrer Hinterfragung, noch bevor sie anfing
Leeker, M., 2005, In: Paragrana. 14, 2, p. 25-52 28 p.
Research output: Journal contributions › Journal articles › Research
Published
Die Bühne als Display: Prekäre Trennschärfen zwischen kontinuierlichem Messen und diskretem Zählen
Leeker, M., 2007, In: Navigationen. 7, 2, p. 49-70 22 p.
Research output: Journal contributions › Journal articles › Research
Published
Einleitung - McLuhan neu lesen: Zur Aktualität des kanadischen Medientheoretikers
Leeker, M. & Schmidt, K., 2008, McLuhan neu Lesen: Kritische Analysen zu Medien und Kultur im 21. Jahrhundert. De Kerckhove, D., Leeker, M. & Schmidt, K. (eds.). Bielefeld: transcript Verlag, p. 19-50 32 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
Camouflagen des Computers: McLuhan und die Neo-Avantgarden der 1960er Jahre
Leeker, M., 2008, McLuhan neu Lesen: Kritische Analysen zu Medien und Kultur im 21. Jahrhundert. De Kerckhove, D., Leeker, M. & Schmidt, K. (eds.). Bielefeld: transcript Verlag, p. 345-375 31 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

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