Professorship for Sociology of the Arts
Organisational unit: Section
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Atlas 1930/2004 - Kolonialismus, Gewalt, Migration und Ungleichheit
Behnke, C. & Wuggenig, U., 2004, ATLAS: Spaces in subjunctive. Behnke, C., Wuggenig, U., Stoller, D. & Schlosser, A. (eds.). Lüneburg: Verlag für Wissenschaft und zeitgenössische Kunst , p. 19-23 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Auf dem Weg zu einem globalen (Umwelt-)Bewusstseinswandel: Über transformative Kunst und eine geistige Kultur der Nachhaltigkeit
Kagan, S., 11.06.2012, Berlin: Heinrich-Böll-Stiftung, 48 p. (Schriften zur Ökologie; vol. 20).Research output: Working paper › Working papers
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Besucherforschung in Museen: Evaluation von Ausstellungen
Kirchberg, V., 2005, Handbuch Nachhaltigkeitskommunikation: Grundlagen und Praxis. Michelsen, G. & Godemann, J. (eds.). München: oekom verlag GmbH, p. 361-372 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Besucherforschung in Museen: Evaluation von Ausstellungen
Kirchberg, V., 27.01.2010, Museumsanalyse: Methoden und Konturen eines neuen Forschungsfeldes. Baur, J. (ed.). 2. unveränderte Auflage ed. Bielefeld: transcript Verlag, p. 171-184 14 p. (Schriften zum Kultur- und Museumsmanagement ).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Boom, bust and recovery? Arts audience development in Germany between 1980 and 1996
Kirchberg, V., 01.04.1999, In: International Journal of Cultural Policy. 5, 2, p. 219-254 36 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Breaching the campus: vivre en POF von Fabrice Hybert im Kunstraum der Universität Lüneburg
Behnke, C., 2005, Republicart practices: evaluation, documentation. Hummer, B., Kaufmann, T., Minichbauer, R. & Raunig, G. (eds.). Wien: European Institut for Progressive Cultural Policies, p. 239-244 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Building Scene and Cultural Memory in the Weser Hills. The Case of Glitterhouse Records and Orange Blossom Special Festival
Kuchar, R., 22.03.2023, Popular Music Scenes : Regional and Rural Perspectives . Bennett, A., Cashman, D., Green, B. & Lewandowski, N. (eds.). Cham: Palgrave Macmillan, p. 163-178 16 p. (Pop Music, Culture, and Identity; vol. Part F1535).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Changing Identities of DIY based Music Venues? Clubs between Scene-Traditionalism, Assimilation and ‘Subcultural Institutionalization’
Kuchar, R., 07.2018, Keep it Simple, Make it Fast! Gender, differences, identities and DIY cultures Book of Abstracts. Guerra, P. & Bennett, A. (eds.). Porto: Universidade Porto, p. 157-157 1 p.Research output: Contributions to collected editions/works › Published abstract in conference proceedings › Research › peer-review
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Chicago's embedded artist as double agent: An interview with Frances Whitehead
Whitehead, F. & Kagan, S., 05.08.2022, Culture and Sustainable Development in the City: Urban Spaces of Possibilities. Kagan, S. (ed.). Taylor and Francis Inc., p. 89-98 10 p.Research output: Contributions to collected editions/works › Chapter › peer-review
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Conclusion: The City as Space of Possibilities
Kagan, S. & Kirchberg, V., 05.08.2022, Culture and Sustainable Development in the City: Urban Spaces of Possibilities. Kagan, S. (ed.). 1 ed. New York: Routledge Taylor & Francis Group, p. 222-234 13 p.Research output: Contributions to collected editions/works › Chapter › peer-review