http://www.leuphana.de/en/dfg-programme/kdk.html

Organisational unit: Projectteam

Organisation profile

The cultural sciences research training group “Cultures of Criticism” undertakes a productive revision of the preconditions, roles and validity claims of critique. On the one hand, new technologies and distribution channels have given rise to a welter of unexpected critical and quasi-critical practices. On the other hand, the very theoretical foundations of critique have come under massive pressure – and so, it seems, has the modern project of critique as a whole. What may be regarded as an act of critique and which agents, expectations and criteria take part, is currently subject to basal negotiation.

The research training group conceives critique as a praxis that is always already culturally situated, while its efficacy rides on comprehensive claims to validity and authority. The phenomena under critique are inseparably interwoven with the forms and media used to represent them. Representation thus appears as the focal point in which widely divergent forms of critique and their heterogeneous cultures lend themselves to comparative discussion. Building on studies of diverse concrete critical practices, the Research Training Group seeks to remap the interaction between critique and culture in the history of modernity up to the present and employ the tools of cultural studies to frame a well founded and timely conception of critique.

Spokesperson: Prof. Dr. Beate Söntgen

Deputy spokesperson: Prof. Dr. Erich Hörl

  1. Contributions to collected editions/anthologies › Transfer › Peer-reviewed
  2. Published

    Mach mal: Oder Produktion ist anderswo

    Hafner, H-J. & Schneider, T., 28.07.2022, Involvierte Autonomie. : Künstlerische Praxis zwischen Engagement und Eigenlogik. Eusterschulte, B. & Krüger, C. (eds.). Bielefeld: transcript Verlag, p. 127-150 24 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  3. Published

    Queering

    John, R. H., 01.04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 415-427 13 p. (Zeitgenössische Kunst).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  4. Accepted/In press

    Science-Fiction, spekulativer Feminismus und strafkritische Fabulation. Strafabolitionismus mit Ursula K. Le Guins "The Dispossessed".

    Mattutat, L., 2024, (Accepted/In press) Alternativen zum Strafrecht. Burchardt, C., Schmitt-Leonardy, C., Singelnstein, T. & Zabel, B. (eds.).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  5. Published

    Undisciplined: Peter Gorsen

    Schneider, T., 01.04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 165-166 2 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  6. Published

    Verkleben

    Lochner, O., 03.2024, PERMEATIONEN. anders wissen durch Kunst und Theorie. Brunner, C., Busch, K. & Ebeling, K. (eds.). Spector Books

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  7. Published

    Verzetteln

    Lochner, O., 2022, PERMEATIONEN. anders wissen durch Kunst und Theorie. Brunner, C., Busch, K. & Ebeling, K. (eds.). Spector Books

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  8. Published

    Visiting the Colección Poyón, or Indigeneity and the Nation-State in Guatemala: Performing the Nation for Two Hundred Years

    Eduardo, S., 27.05.2022, Museums, Transculturality, and the Nation-State : Case Studies from a Global Context. Leeb, S. & Samuel, N. (eds.). Bielefeld: transcript Verlag, p. 213-240 28 p. (Edition Museum; vol. 52).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  9. Published

    Weaving Fabrics

    Pinkrah, N. Y., 06.2019, The Endotic Reader No 1. Berlin: The Institute for Endotic Research Press, Vol. 1. 7 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  10. Published

    Wie verändert sich Kunst, wenn sie zur Tätigkeit ohne Werk wird

    Nigro, R., 2016, Wie verändert sich Kunst, wenn man sie als Forschung versteht?. Siegmund, J. (ed.). Bielefeld: transcript Verlag, p. 199-214 16 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  11. Other › Research
  12. Published

    „Dan Flavin” / “Ilya Kabakov” / “Urs Fischer”

    Lochner, O., 2017, Moving is in every direction: Environments, Installationen, narrative Räume.: Ausstellungskatalog . Gebbers, A-C. & Knapstein, G. (eds.). Berlin: Kettler Druckverlag

    Research output: Contributions to collected editions/worksOtherResearch

  13. Published

    Fragmentarisches Schreiben: ein Gespräch

    Hanft, M., Sieber, J. & Warnsholdt, C. L., 2020, Weiterschreiben : Anschlüsse an Rebecca Ardners »Affirmation und Negation als Figuren der Kritik«. Hanft, M., Sieber, J. & Warnsholdt, L. (eds.). Hamburg: Katzenberg Verlag, p. 15-26 12 p. (K; vol. 15).

    Research output: Contributions to collected editions/worksOtherResearch

  14. Published

    Introduction

    Hörl, E., Pinkrah, N. Y. & Warnsholdt, L., 2021, Critique and the Digital . Hörl, E., Pinkrah, N. Y. & Warnsholdt, L. (eds.). Zürich: Diaphanes Verlag, p. 7 - 24 18 p. (Critical Stances).

    Research output: Contributions to collected editions/worksOtherResearch

  15. Published

    Segment Introduction

    Nigro, R. & Hörl, E., 01.10.2021, Taking Sides: Theories, Practices, and Cultures of Participation in Dissent. Bippus, E., Ganzert, A. & Otto, I. (eds.). 1 ed. Bielefeld: transcript Verlag, Vol. 28. p. 251-257 7 p. (Culture & theory; vol. 211).

    Research output: Contributions to collected editions/worksOtherResearch

  16. Other › Transfer
  17. Published

    Ein Buch über Steine: Einführung

    Berents-Kemp, C. & Kemp, W. K., 2016, Die Steine von Venedig : Neu komponiert von Catharina Berents und Wolfgang Kemp. Berents, C. & Kemp, W. (eds.). Wiesbaden: Corso Verlag, p. 9-14 6 p.

    Research output: Contributions to collected editions/worksOtherTransfer

  18. Published

    Ente gut, alles gut

    Schneider, T., 06.2019, Duck Soup: Ausstellungskatalog / Kunstverein Recklinghausen, 11.05.2019-30.06.2019, Bildband.. Recklinghausen: Kettler Druckverlag, p. 4-7 4 p.

    Research output: Contributions to collected editions/worksOtherTransfer

  19. Published

    Holding the Blanks in Place: Knowledge and Its Loss in the Works of Lizza May David

    Lochner, O., 2016, Liza May David: The canvas and the monkey: Ausstellungskatalog mit Texts von Oona Lochner, Ma. Victoria T. Herrera, Anna-Lena Wenzel . Berlin: Kerber Verlag

    Research output: Contributions to collected editions/worksOtherTransfer

  20. Published

    On Repetition and Endurance

    Sieber, J., 2019, Eva Funk: HELP ME TO BE A SPOON. Berlin: Goldrausch Frauennetzwerk Berlin e.V., 16 p. (Goldrausch Künstlerinnen Projekt).

    Research output: Contributions to collected editions/worksOtherTransfer

  21. Published

    Relating to water, spaces, and other agents. On the journey behind Juliane Tübke’s project Weathering

    John, R., 01.11.2020, Sirene – Goldrausch 2020. Dell, K. & Kruse, H. (eds.). Berlin: Goldrausch Frauennetzwerk Berlin e.V.

    Research output: Contributions to collected editions/worksOtherTransfer

  22. Critical reviews › Research
  23. Published

    Marina F. Bykova, Kenneth R. Westphal (Hrsg.) The Palgrave Hegel Handbook

    Szasz, C. N., 2021, In: Hegel-Studien. 55, p. 246-248 3 p.

    Research output: Journal contributionsCritical reviewsResearch

  24. Published

    Mit Wut ans Bild: Beate Söntgen über Joan Mitchell im Museum Ludwig, Köln

    Söntgen, B. E., 03.2016, In: Texte zur Kunst. 26, 101, p. 171-174 4 p.

    Research output: Journal contributionsCritical reviewsResearch